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It is a movie with a motif of movies. Yet it goes further than "Cinema Paradiso" (Dir: Giuseppe Tornatore, 1989) and "Dreamers" (Dir: Bernardo Bertolucci, 2003) in that (1) the key characters do not merely like watching movies but like acting as well; (2) the story is told in a restricted narrative, and (3) hence suspense is built right at the beginning. The film features narrative in narrative and director Xiao Jiang (小江) manipulates the revelation of the suspense (what happened to Ning) well in a stable and moderate pace that keeps the audience involved throughout the screen. The film makes references to a number of internationally famed directors and movies with some footage adopted in it. Xiao Jiang also uses visual parallel in the sequence of chasing trains to portray the 2 children's deep interest in acting. Occasional back shots are used in a few childhood sequences. The weakest aspect in the diegesis is the gap of Ning's life after she leaves her parents. The Hong Kong title of the film (夢影童年) is more denotative the childhood memories in the diegesis than its original title in the mainland (电影往事). The 2 children actors stage very well. Nevertheless, it is far less touching than "Cinema Paradiso".
註：本評論純屬影評作者個人意見，並不代表本網立場。
Note: This views presented in this review is solely the views of the critic
who wrote it and do not represent the stance of our website.
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