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韓國首位康城影展最佳女主角 全度妍 激情演出 <韓流怪嚇>韓國影帝 宋康昊
<愛的綠洲> 導演 李滄東 最新傑作 　
代表韓國角逐奧斯卡最佳外語片
生命中的陽光驟然失去 ．．．她誓要向生命宣戰！

10月11日 震動人心

故事簡介
 丈夫因車禍喪生後，申愛由首爾帶?兒子南下到丈夫家鄉密陽(Miryang)居住。她努力想融入當地的社會，甚至還辦了一間鋼琴學校，但始終徒勞無功。

申愛第一天來到密陽，便遇到憨厚的汽車維修店老闆金宗燦(Kim Jong-chan)。雖然申愛很討厭宗燦老是圍著她團團轉，但在他的幫助下，學校的學生數目漸多；申愛的兒子亦開始適應新學校生活。

正當一切漸上軌道時，申愛的兒子卻被綁架，最後更被匪徒殺死。大受打擊的申愛歸信基督教，但信仰未能平復她的傷痛。絕望的她決定向上帝宣戰．．．

演員訪問
~關於劇本~
宋康昊
 今次的劇本棒極了。宗燦看似平凡，但李滄東把他變成一個有趣的的角色。他是汽車維修店的老闆，但為了保持「老闆」的形象，他總是乾乾淨淨、整整齊齊的。唯一的問題是密陽的方言比我想像中難。我還是在當地長大的呢！

全度妍
 在接拍這部電影前，我其實未看過劇本。後來知道導演是李滄東，對手是宋康昊，我不管是什麼故事便接拍了．．．申愛的內心十分脆弱，但她不懂表達出來，她從來不假手於人，什麼問題都自己解決。我問過導演為何要安排申愛前往密陽，還要受那麼多苦，導演說因為那兒有她的美好回憶，她可以依賴那些回憶從頭開始。康昊比我更早讀過劇本，他說劇本很不錯，這也是我接拍的原因之一。但到讀過劇本以後，我才知道自己的角色這麼難演。

~關於自己的角色~
宋康昊
 就我的角色而言，李滄東說很喜歡我坦蕩蕩的演法。他也說過他對我充滿信心，但我對自己就沒那麼肯定了。如果我說有信心演得來，他一定不會相信。滄東亦說不會強逼我接拍這套戲。

全度妍
 過往我從不輕易放棄，但今次的角色難度非常高，有一幕我還直接告訴滄東我演不來，那一刻真的很難受，但我相信這樣做是對的。滄東安慰我，還決定稍後才補拍那一幕，我才安心下來，再努力鑽研申愛這個角色。最初我也想過，是不是自己未為人母的關係呢？抑或是我根本迸發不出申愛的澎湃情感？但很快我便找到竅門了。這一切，都得謝謝滄東。

~關於女主角~
宋康昊
 我想這是全度妍演過最情感激烈的角色。這是一個愛情故事，但始終是以申愛為核心。我覺得自己只是配角。這是申愛的故事，她一次又一次受到打擊，情緒接近崩潰；我的角色則很平凡，他感受不到申愛的哀痛。

全度妍
 最初我很擔心自己不能充分表現角色的情緒起伏，我還告訴過導演不知自己演不演得來。

~關於男主角~
全度妍
 宋康昊說他的角色是個無所事事的傻瓜，但我很喜歡宗燦。他又傻又可愛，實在氣他不下。

我不是妒忌宋康昊，但他的角色真的易演多了，我難免有點力不從心的。當我演?又複雜又洶湧的感情戲時，他偏偏只要搞搞笑便行。不過這齣戲的確需要一個像宗燦那樣的輕鬆角色，沒有了他，整套戲便會太過沉重。宋康昊的運氣真好！但話說回來，我很喜歡和他拍對手戲呢。

宋康昊就是這樣，常常比別人走快一步。他令我鞭策自己去演得更好，這是我最欣賞他的地方。我想與他合作好一段時間了，今次很榮幸終於有機會。能夥拍宋康昊這樣的資深演員，讓我十分高興。

~關於導演~
宋康昊
 李滄東是我的良師益友，他教會我很多。我還記得走進<綠魚Green Fish>的片場的情景 - 該戲雲集了當時韓國最紅的演員：韓國圭(Han Seok-kyu)、沈惠珍(Shim Hae-jin)和文盛謹(Mun Jeong-bae)。而我才拍自己的第一幕，滄東向大家介紹我，又不斷稱讚我，叫我很難為情，但這亦給了我自信心。他一直讚我至拍完那一幕為止 - 這就是滄東這樣做的原因。他對我的信任感染了我自己，所以可以說我現在的成就是他送給我的。那一幕我永遠忘不了。他是個百分百特別的人。算起來，我和滄東已十年沒見了，但我依然不斷從他身上學到很多東西。能跟他合作是我的榮幸，他有很多地方值得我去學習。我真的十分幸運。

全度妍
 滄東叫我忘掉自己去演這角色，這跟我過去的風格是兩種層次，當時我不大明白 - 甚至到了現在還是一知半解。但我想我並非要扭轉過去的演法，那可以只是一個細微得沒有人注意到的改變。這齣戲叫我身心俱疲，但亦給了我一個超越自己的好機會。改變的大與小沒有關係，最重要是我知道自己進步了，一個自己看得見的進步。希望觀眾也有同感吧！這就是拍攝<密陽>的收獲。

導演李滄東訪問
1. 早在推出處女作<綠魚>前，你已在籌備<薄荷糖>，那麼今次的<密陽>又是從何時開始籌備的呢？
 概念早在2002年<愛的綠洲>公映前便有了，但因為成為了文化及旅遊部部長而沒有動手籌備，直至我辭職後才繼續。其實我多次想放棄拍這齣戲，原本我希望它以更．．．真實，甚至是紀錄片的手法呈現出來。但後來我發現難以實行，所以掙扎了很久。

今次我們拍攝時避免同一幕戲拍太多次或拍得太長，反而為了方便剪接，我選擇從不同的角度去拍同一幕戲。為此，我們也依照劇本的次序來拍，好讓演員能自然地隨?劇情發展而流露適當的情感。電影後半部的情節比較長，但這不是故意的。我們輪流地拍攝男女主角的對話場面，然後再經剪輯連貫起來。我一直認為這齣戲應該採取簡單正常的方法去拍，所以就選了這方式。老實說，我倒後悔自己沒有用更簡單的拍攝方法。

2. <密陽>的大部分情節都於「密陽」這個郊區城市取景。這地方除了像粗糙版本的首爾之外，還有什麼地方吸引你？
 是它的名字吧。密陽的「密」在中文裏意即「秘密」，但也有「稠密」的意思。基本上，人人都認為這城市的名字代表「陽光充沛的地方」，但我們選擇詮釋它為「秘密的陽光」。另外，密陽是一個很平凡的中型韓國城市。想到東海，我們大概會想起一個海洋；想到安山市，我們會想起外省勞工或工廠。但大部分人，都對密陽沒有印象。我們什麼都不知道。它只是個大城市的縮影，昔日的美麗都隨?歲月隱藏起來，我們會不禁問自己：「為什麼要住在這兒？」儘管如此，我依然相信這城市總有把人留住的原因，那原因就藏在牆壁裏。在這裏，我們可找到救贖。那並非因為現實特別美麗或殘酷，而是因為不管這城市有多粗糙沈鬱，我們總有活下去的原因。如果上帝真的存在，我相信這就是上帝想向我們傳達的訊息。這也是我想描繪的故事。男主角宗燦其中一句對白是：「這個地方跟別處沒兩樣嘛。」說的正是這個訊息。

3. 你認為密陽只是個平凡不過的韓國中型城市，那為何你選它為取景場地？
 很多導演都會到不同的地方取景，然後努力地讓景物看上去像來自同一地方，但我想到一個特別一點的地方取景。把此戲取名為「密陽」可能跟電影的主題有所違背 - 有好幾個場景如鋼琴學校和街道等都十分黑暗，幾乎一絲光都沒有，但我們堅持在那兒拍攝，因為它們都具備密陽這城市的特質。

演員履歷
全度妍（飾李申愛）
 1973年出生的全度妍拍攝電視劇出道，直至1997年接拍電影<傷心街角戀人>(The Contact)一舉成名。其後她接拍多元化的電影，建立出多變的風格，包括於<快樂到死>(Happy End)中演紅杏出場的女強人；<挑情寶鑑>(Untold Scandal)中守節逾九年的節婦，及<你是我的命運>(You Are My Sunshine)中患愛滋病的咖啡室侍應等，令她成為韓國最受歡迎且最具影響力的女星。

在<密陽>中，全度妍擔綱演出喪夫後帶?兒子回到他家鄉的婦人。但連她自己也沒想到，這只是更多苦痛的序幕。

過往作品
 1997 <傷心街角戀人> (The Contact)
1998 <記憶中的風琴> (Organ In My Heart)
1998 <約定> (The Promise)
1999 <快樂到死> (Happy End)
2000 <求偶一支公> (I Wish I Had A Wife)
2002 <無血無淚> (No Blood No Tears)
2003 <挑情寶鑑> (Untold Scandal)
2004 <人魚公主> (My Mother, The Mermaid)
2005 <你是我的命運> (You Are My Sunshine)

宋康昊（飾金宗燦）
 1967年出生的宋康昊原為韓國著名劇團的成員之一，後來獲導演李滄東賞識，接下李首部電影<綠魚>的男主角一角，由此開展璀璨的大銀幕演員生涯。他被公認為戲路甚廣的演技派演員，作品均叫好叫座，奠定了在韓國影壇一哥的地位。
今次在<密陽>中宋康昊飾演一位踏實憨厚的汽車維修店老闆，無私地照顧?陷入痛苦深淵的女子李申愛。

過往作品
 1997 <綠魚> (Green Fish)
1997 <勝者為王之阿三> (No. 3)
1998 <死不張揚離奇失魂事件>(The Quiet Family)
1999 <生死諜變> (Shiri)
2000 <茅躉王> (The Foul King)
2000 <JSA安全地帶> (JSA: Joint Security Area)
2002 <棒球英傑> (YMCA Baseball Team)
2002 <復仇> (Sympathy for Mr. Vengeance)
2003 <殺人回憶> (Memories Of Murder)
2004 <南極日記> (Antarctic Journal)
2004 <孝子洞理髮師> (The President's Barber)
2006 <韓流怪嚇> (The Host)

導演履歷
 被譽為「作家導演」李滄東於1954年出生於韓國大邱。他於慶北大學韓國語言及文學系畢業後任職小說家和高校老師，在寫作界薄有名氣。但1993年為朋友朴光洙的電影<星光島> (To The Starry Island)編劇及擔任副導演後，他在朴的鼓勵下入行，1995年為朴的另一齣電影<星星之火> (A Single Spark)寫劇本。

1997年，43歲李滄東執導處女作<綠魚> (Green Fish)，這齣黑色電影以寫實手法描繪韓國黑幫，娛樂性及藝術感兼備，令觀眾和影評家刮目相看。但真正贏得掌聲，令他蜚聲國際的是他第二和第三部作品：探討人生意義和時光倒流的<薄荷糖> (Peppermint Candy)，及探討愛情的<愛的綠洲> (Oasis)。<愛的綠洲>更為李滄東和女主角文素利贏得威尼斯影展的「最佳導演」及「最佳女主角」獎，同時獲金獅獎提名。

2002年，李滄東在韓國文藝界推薦下出任政府的文化及旅遊部部長。2004年離任後，他建立了自己的首間電影製作公司「Pine House Film」，出品自己執導的第四部電影<密陽>。

李滄東現時於韓國國立藝術大學教授執導及編劇技巧。

過往作品
2007 <密陽> (Secret Sunshine)
2002 <愛的綠洲> (Oasis)
2002威尼斯影展
 - 最佳導演特別獎
- 最佳女主角 Marcello Mastroianni獎
- 國際影評人聯盟獎（FIPRESCI）
- 天主教文化獎（SIGNIS AWARD）
- 威尼斯電影獎
2002多倫多影展
2002溫哥華影展
 - Chief Dan George人道獎
2002希臘塞薩洛尼基影展

2000 <薄荷糖> (Peppermint Candy)
第四屆釜山影展開幕電影
2000康城導演雙周電影
2000捷克卡羅維發利影展
 - 特別評審團大獎、亞洲電影促進聯盟獎（NETPAC）及國際電影會聯盟獎（FICC）
2000蒙特利爾世界電影節
 - Cinema of Tomorrow
2000溫哥華影展
2000倫敦影展
2000捷克布拉提斯拉瓦影展
- 最佳導演、最佳女主角

1996 <綠魚> (Green Fish)
1998鹿特丹影展
 -亞洲電影促進聯盟獎 - 特別推薦
1997溫哥華影展
-The Alkan Dragons & Tigers Award for Young Cinema
1997希臘塞薩洛尼基影展
1997百想藝術大賞
 - 特別大獎、導演新星獎、最佳劇本
1997韓國大鐘賞
 - 特別評審團大獎、最佳劇本
1997青龍賞
 - 特別大獎、導演新星獎
1998三藩市影展

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上映日期 : October 11, 2007
級別 : TBC
片長 : TBC分鐘
官方網址 : www.secretsunshine.co.kr (韓國)
www.goldenscene.com (香港)
戲院 : TBC
發行 : Golden Scene Co Ltd.

SECRET SUNSHINE

Information

Title: Miryang / Secret Sunshine
Production: Pine House Film
Presentation: CJ Entertainment
Genre: Drama
Director: LEE Chang-dong
Cast: JEON Do-yeon SONG Kang-ho

Synopsis

When her husband passes away after getting into a car accident, Shin-ae and her son June relocate down south to her late husband's hometown of Miryang. Despite her efforts to settle down in this unfamiliar but "much too normal place," she finds that she can't quite fit in. She opens a new piano academy and makes attempts to mingle with the neighbors, but nothing works.

Life goes on as she gains piano students with the help of a bachelor and car repair shop owner, Kim Jong-chan. Though they met on Shin-ae's first day in Miryang, she actually finds Kim a nuisance. Meanwhile, June seems to be adapting to enrollment at the oratory speech academy fine. Unfortunately, Shin-ae's life is turned upside down when fate intervenes and she loses her son in the most horrific way a mother could imagine.

She turns to Christianity to relieve the pain in her heart, but when even this is not permitted, she wages a personal war against God.

Comments from director Lee Chang-dong, actress Jeon Do-yeon, and actor Song Kang-ho

SONG Kang-ho

I had a great time reading the screenplay. Jong-chan talks and acts like any regular guy, but Lee Chang-dong turned him into a very interesting character. He runs an auto repair shop, but he doesn't get down and dirty. He's the owner, so he tries to stay clean and presentable.

I had no idea it was so hard to talk in the local dialect. I thought it'd be easy, because this is where I grew up. I found it difficult to deliver the emotions in a natural way.

JEON Do-yeon

I didn't feel the need to read the screenplay before saying yes. The movie's directed by Chang-dong, and it stars Song Kang-ho. I didn't care what kind of movie it was; I just knew I wanted in… Shin-ae is weak and vulnerable, but she doesn't like to show it. She never asks for help. She solves problems on her own. I remember asking the director why Shin-ae came to Miryang. I didn't understand why she had to suffer like that. The director told me she went to Miryang because at least the place is filled with good memories. It's where she can make a fresh start with those memories. Kang-ho read the script before I did. He said so many nice things about it, and I made up my mind. It was after I read the script that I realized it'd be difficult.

LEE Chang-dong

I want the actors to completely fall into their roles, to lose themselves. I want audiences to become gripped by their stories.

JEON Do-yeon

I was so intimidated at first. I didn't know if I'd be able to relay this character's emotions. I told the director I wasn't sure I'd be able to do it.

SONG Kang-ho

I think this was emotionally the hardest role for Do-yeon. The director thanked me for being honest. He said he had faith in me now, because I said I wasn't sure. He wouldn't have trusted me if I told him I could do it. He said he wouldn't force me to take the role.

JEON Do-yeon

That was a difficult time. I never gave up on a scene because I couldn't get into character. I knew things weren't working, so I had to tell the director. It tore me up inside to admit that to him. But I think I did the right thing. The director comforted me. He said we could shoot it later. I began feeling comfortable enough to begin understanding Shin-ae. At first, I thought maybe it was because I wasn't a mother. Or I thought I just couldn't come to terms with Shin-ae's emotions. Soon, I found my way. I thank the director for that.

SONG Kang-ho

This story is about Shin-ae. It's a love story, but in the middle of it all is Shin-ae. I think my character was more of a supporting role. The movie is more about Shin-ae. Her character goes to extremes, in terms of her emotions. My character is an ordinary guy. He doesn't feel what Shin-ae feels.

JEON Do-yeon

Kang-ho says his character is a fool who does nothing with his life, but I really like his character. You just can't hate a guy like that.

I don't get jealous of Kang-ho, but I do get a little mad sometimes. This drains me emotionally, but Kang-ho's character is much easier. I have so much to carry on my shoulders, but all he does is toss in a few funny lines here and there. But I do think Jong-chan is what we need in this movie. Without him, the movie would be too sad and depressing. Sometimes, I hate that Kang-ho has it so easy, but I love working with him.

SONG Kang-ho

Lee Chang-dong is my mentor. I owe him everything. I remember walking onto the set of Green Fish. That film starred the greatest actors in Korea at the time. Han Seok-kyu, Shim Hae-jin, and Mun Jeong-bae. I was there for my first shoot, and Chang-dong introduced me.

He kept showering me with compliments. He talked me up to them. I was really embarrassed.

Everyone heard him say great things about me. I think that gave me a sort of confidence. That confidence lasted until the scene was over. That was the reason why Chang-dong said those things. He instilled that confidence in me, and I owe him my career. That was a special moment. He's a special man.

JEON Do-yeon

Kang-ho is always one step ahead of us. He motivates me to do better as an actor. I can't help but admire him. I'm glad I got to work with him. I really wanted to work with him for a long time. I'm so glad and honored to be working with an actor like Song Kang-ho.

SONG Kang-ho

I haven't worked with Chang-dong in 10 years, but I'm constantly learning from him. I'm very honored to work with a man like him. There are many times I feel like I've learned from him. I believe I was blessed to work on this movie.

JEON Do-yeon

Chang-dong told me to surpass myself for this role. If this is the level of what I can achieve as an actor, the director told me to go even further. I didn't know what that meant. I still don't know what it means exactly. But I don't think it has to be a big leap. It could be a small change that no one else notices. This movie was exhausting, both emotionally and physically, but it did give me the chance to surpass myself. It doesn't matter whether the leap was big or small. I know I've improved, and I can see that. I hope the audience will be able to see it as well. That's the meaning Secret Sunshine holds for me.

About Director LEE Chang-dong

Born in 1954 in Taegu, Korea, Lee Chang-dong graduated from Kyungbuk University where he majored in Korean Language and Literature. He began a career as a novelist and high school teacher, but in 1993 he joined acclaimed social filmmaker Park Kwang-su's production of the film To The Starry Island as scriptwriter and assistant director - at friend and filmmaker Park's encouragement. He joined forces with Park once again as scriptwriter on A Single Spark in 1995.

He made his debut as a feature film director with Green Fish, a "one of a kind" Korean film noir that took the Korean public by surprise with its realistic portrayal of gangsters.

If Green Fish was an exploration of genre conventions and the real world, he continued his exploration of life and the cinema with Peppermint Candy, which experiments with the concept of going back in time, and Oasis, which searches for the meaning of true love. It was with these latter two films that he bested the critical and popular success he received for Green Fish, achieving both domestic and international acclaim and accolades. Oasis earned Lee and lead actress Moon So-ri awards for best director and best actress at the Venice Film Festival, as well as a Golden Lion nomination.

In 2002, he was appointed as Minister of Culture and Tourism. Upon being relieved from this official position in 2004, he founded his own production company, Pine House Film, and is currently directing his fourth feature, produced under Pine House.

Lee also teaches film directing and screenwriting at the Korean National University of Arts.

Filmography

Interview with Lee Chang-dong

You were planning Peppermint Candy even before the release of your debut feature film, Green Fish. In light of that, when did you first start planning Secret Sunshine?

It's been in my head ever since 2002, after the release of Oasis, but my thought process was put to a halt when I was called to serve as Minister of Culture and Tourism. During that time, the movie lay forgotten, until I went back to it after I left [that] position. Many times, I gave up this movie. My original idea for the movie was for it to be… more realistic, perhaps in the format of a documentary. I realized that would be difficult to achieve, so I was forced to give it up many times.

For this movie, we didn't necessarily shoot the same scene over and over again. We didn't focus too much on long takes, but rather, we shot the same scene many times from different angles, mostly for editing purposes. It was important for the movie and the actors to maintain the right flow of emotion, so we kept to the order of the scenes in the screenplay. The scenes in the latter half of the movie tend to be longer than the ones of the first half, but this wasn't done on purpose. We shot the conversation scenes between the two main characters in turn, and we chose to connect them later on through editing. I believed the movie should follow a simplistic and normal format, so that's the process I used. In fact, I regret I didn't look harder for a simpler method.

Secret Sunshine was shot mostly on location in Miryang. Aside from how this city, like most of Korea's rural cities, is a crude resemblance of the capital, Seoul, what other things about this city attracted you?

A major reason lies in the name of the city. The "mir" in Miryang is the Chinese character for "secret," but the same character has another meaning: "dense." Basically, the name of the city translates to "a place with good sunshine," but we have given it the meaning of "secret sunshine." Miryang is also a typical, mid-sized Korean city. When we think of the East Sea, we are reminded of the ocean, and when we think of Ansan, our mind brings up images of foreign workers or industrial complexes. But we don't know anything about Miryang. We don't have any information about that city. It's just a crude miniature of a bigger city, and by stripping this city of everything it used to hold, the beauty, the grace, and everything that used to be good about this city went into hiding. It brings up the question of "why must we live there?" Despite this, I thought that the reason for living can be found within the city itself, that the reason is hidden inside its walls. Salvation has to be found within it, not because the reality is particularly beautiful or meaningful, but because there has to be a reason why we must continue on living, even inside this crude, gloomy city. If God exists, then this is what God would say to us. And that's the story I wanted to convey. There's a line that Jongchan says in the movie that captures this message: "This place is just like anywhere else."

If you believe Miryang is just another typical, mid-sized Korean city, why did you have to shoot your scenes in that particular city?

Most filmmakers tend to shoot their scenes in various different places and try to make those sets look like they come from the same place, but I felt like shooting the movie somewhere else and calling it Miryang would be like betraying the whole theme of our film. It was difficult shooting the scenes in parts of Miryang, like the piano academy and the neighborhood streets, because those places were so dark and brought in no light. But we stayed there to shoot the scenes despite all that, because those places capture the essence of Miryang.

From Cine 21. Interview: Kim Hyeri

Cast and Characters

JEON DO-YEON as Lee Shin-ae

Jeon was born in 1973 and began her career as a TV star before applying her talents to the silver screen. The box office success of The Contact in 1997 launched her as a major presence in Korean cinema. Jeon's follow-up roles were well selected and diverse and showed off her range. These include the strong career woman committing adultery in Happy End, the chaste woman who loses her love, her virginity and her dignity to a wager in Untold Scandal, and the coffee shop girl with AIDS in You Are My Sunshine, together earning her a place among the most influential and popular actresses in Korea.

In Miryang / Secret Sunshine she plays Lee Shin-ae, a woman who relocates to Miryang with her son after losing her husband. But this attempt at a new start only throws her life into a whirlpool of desperation.

Selected Filmography

SONG KANG-HO as Kim Jong-chan

Born in 1967, Song began his career as stage actor with one of Korea's most prestigious theater groups: Yeonwoo Moodae. His stage performances earned him the role as a ruthless gangster in Lee Chang-dong's feature debut film, Green Fish, and launched a career as a serious screen actor of great versatility. Starring in a successful series of popular and critically acclaimed films has made him arguably the most admired - not to mention powerful - male film presence in Korea.

In Miryang / Secret Sunshine, Song plays Kim Jong-chan, a worldly car repair shop owner who diligently looks after a woman he has feelings for as she is driven into desperation.

Selected Filmography

About the Filmmakers

Production Design: SIHN Jeom-hui

Music: Christian BASSO

Christian Basso is a composer, performer and writer. Born in Buenos Aires, Argentina, in 1966, he currently lives and works there.

He trained in classical piano with Klaus Cabjolsky, contrabass with Manolo Stalman, guitar with Walter Malosetti, harmony and composition with Daniel Montes and Cabjolsky, and also studied Philosophy at the University of Buenos Aires. His career began in 1982 and developed over the years, starting with jazz and avant-garde rock bands, and playing bass and keyboards with other well-known local artists like Charly Garcia.

In 1989 he formed La Portuaria, a band with which he recorded five albums for EMI, and it is from this era that his most popular songs emerged. The band toured the whole country and Latin America, and also performed in the USA, Spain, and France. In 1996, La Portuaria split up and Basso embarked on a solo career.

Selected Discography

Cinematography: CHO Yong-kyu

Selected Filmography

Lighting: CHU In-sik

Selected Filmography

Costume Design: Cha Sun-young & Kim Nuri

Selected Filmography

BILLING BLOCK / End Credits

CINEMA SERVICE PRESENTS
IN ASSOCIATION WITH CJ ENTERTAINMENT
A PINE HOUSE FILM PRODUCTION
A LEE CHANG-DONG FILM
JEON DO-YEON
SONG KANG-HO
"SECRET SUNSHINE"
SOUND KOFIC
MUSIC CHRISTIAN BASSO
COSTUMES CHA SUN-YOUNG, KIM NURI
EDITING KIM HYUN
PRODUCTION DESIGNE SIHN JEOM-HUI
LIGHTING CHU IN-SIK
CINEMAPTOGRAPHY CHO YONG-KYU
EXECUTIVE PRODUCERS KIM IN-SOO, LEE CHANG-DONG
PRODUCER HANNA LEE
ORIGINAL STORY BY LEE CHUNG-JOON
WRITTEN AND DIRECTED BY LEE CHANG-DONG
COPYRIGHTc2007 CINEMA SERVICE CO.,LTD. ALL RIGHTS RESERVED.

Production:
Pine House Film
3 Fl. 60-33 Seongbuk-dong, Seongbuk-gu, Seoul, 136-020, Korea

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