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棋盤上超凡入聖 人生中跌盪出塵
【羅馬國際電影節】參賽作品
【紐約國際電影節】官方邀請參展
2007【香港國際電影節】──頒獎禮之夜特別部份
2006【金馬影展】叱吒風雲
《小城之春》《藍風箏》《大太監李蓮英》威尼斯影展．柏林影展雙得主 田壯壯 導演
《十面埋伏》《英雄》《宋家皇朝》奧斯卡得主 和田惠美 美術設計
張震．張艾嘉．松?慶子 主演
《吳清源》
THE GO MASTER
得利影視股份有限公司 香港榮譽發行
Fortissimo Films 呈獻
Century Hero Film Investment Co. Ltd. 及 Yeoman Bulky Corp 製作
級數、戲院：待定 片長：104分鐘
導演： 田壯壯 《小城之春》《藍風箏》《大太監李蓮英》威尼斯．柏林影展雙得主
編劇： 阿城 《小城之春》《孩子王》《棋王》
美術設計： 和田惠美 《十面埋伏》《英雄》《宋家皇朝》奧斯卡得主
服裝設計： 和田惠美
攝影指導： 王昱 《蘇州河》《紫蝴蝶》《桃色》
主演： 張震 《臥虎藏龍》《春光乍洩》《最好的時光》金馬獎．金像獎雙提名
張艾嘉 《20．30．40》《心動》金馬獎．金像獎雙影后
松?慶子 《火宅之人》《其後》《桃色》日本影后
伊藤步 《花與愛麗詩》《燕尾蝶》日本電影學院大賞得主
柄本明 《談談情跳跳舞》《盲俠座頭市》《花樣奇緣》日本影帝
4月26日 棋逢敵手
故事大綱
古今中外我最佩服兩個人，古人是范蠡，今人是吳清源。
──金庸
由「得利影視股份有限公司」榮譽發行、揚威全球影展的華語鉅獻──《吳清源》(The Go Master)，是中國著名第五代導演田壯壯，繼《小城之春》《藍風箏》《大太監李蓮英》後直闖巔峰技藝力作。這位曾經兩度榮獲【威尼斯影展】及【柏林影展】大獎的著名大導演，今次夥拍著憑《十面埋伏》《英雄》《宋家皇朝》惹來國際矚目的【奧斯卡金像獎】美術設計得主和田惠美，拍成這部講述世紀棋王吳清源一生與深情的曠世佳作。可一不可再的強勁班底，打造出超凡棋藝，驚艷國際影壇。
吳清源，出生於民國年代的圍棋神童。11歲的他成為北洋軍閥段祺瑞門下棋客，以天才棋藝養活家人；14歲初渡日本，乍來即與日本棋院大賽剛出爐的冠軍較量，並中盤獲勝；五年後，吳清源與日本新銳棋手共同創立圍棋新布局，掀起一場圍棋革命。1939至1956年間，吳清源憑個人之力打低全日本最頂尖的七位超級棋士，十次大勝「十番棋」，被譽為「昭和棋聖」。他以「95盤擂臺賽式」的「十番棋」，令當時日本棋壇所有大師全部降級，創造了日本圍棋界所稱的「吳清源時代」。老年的他更發明「21世紀圍棋」，拋棄其功利性，改為提倡其藝術價值，揭示圍棋的高遠境界。
《吳清源》一片正是根據其生平故事改編。由張震飾演的吳清源，一代棋王東渡日本學藝，在才情最輝煌豐盛的時候，遭逢中日戰火，令吳清源這顆愛國心痛苦不已，在田壯壯處理下，《吳清源》全片拍出美麗雅致，骨子裡卻具無比強大的心理衝擊力，境界非凡。
《吳清源》不僅是為了闡述圍棋這種藝術，也是為了刻畫在特定歷史條件下，圍棋大師吳清源身上所體現的東方文化──吳清源對圍棋的熱愛相當純粹，他能將整個身心毫無保留地投入到讓他癡迷的工作中，正因為有這種精神，他才能戰勝所有的困難、掙脫生活的束縛。
導演田壯壯曾感慨地表示，《吳清源》是他畢生最難拍的一部電影──因為要拍好一個人的精神世界，實在太有難度，尤其圍棋本身已是一門靜穆的藝術，要透過電影有限篇幅，將棋手的內心世界娓娓道來，更是難上加難。田壯壯認為在當今的世界中，人需要一種精神，一種信仰；他從吳清源身上就看出這種精神──對自己所追求事情的執著與堅持。有了這種精神，大家才能超越社會環境束縛，達到自己目標。但是，這種精神談何容易，真正能做到的人卻少之又少。吳清源做到了，這就是對自己、生命、社會的尊重。
吳清源一生寡言，生活簡樸，對金錢也很淡泊。正是這樣的人生修煉，纔使他一次又一次渡過生命中重重苦難。無論是棋盤上的苦戰、嚴重的肺結核，在夾縫中生存的艱難、生活的漂泊和清苦，甚至遭遇車禍後精神錯亂以至棋力下降，在他的靜心修為中，全部化成笑談，所謂「吳清源精神」莫過於此。
4月26日 棋逢敵手
THE GO MASTER
directed by Tian Zhuangzhuang
In Competition, Rome Film Festival
Official Selection, New York, London, Hawaii, Kerala
HK Releasing Date: April 26, 2007 (tentative)
Running Time: 104 minutes
Theatre/ Category: tbc
CREDITS
Director Tian Zhuangzhuang
Producer Liu Xiaodian
Executive Producers Wang Jun, Owen Chen, Wouter Barendrecht, Michael J. Werner
Production Companies Century Hero Film Investment Co., Yeoman Bulky Corp.
Screenplay Ah Cheng
Cinematography Wang Yu
Production Design Emi Wada
Music Zhao Li
Editor Yang Hongyu
Sound Wu Ling
Costumes Emi Wada
Main Cast Chang Chen, Sylvia Chang, Ito Ayumi, Emoto Akira, Matsuzaka Keiko,
Nishina Takashi, Minami Kaho, Xin Baiqing, Betty Huang
SYNOPSIS
THE GO MASTER, the long-anticipated new film by acclaimed 5th Generation Chinese director Tian Zhuangzhuang (Horse Thief, The Blue Kite, Springtime in a Small Town), is based on the true-to-life story of the world's most renowned master of the ancient game of Go, Wu Qingyuan. Go, a table game requiring intense stamina, energy, emotions, strategy and intellect from its players, was developed in ancient China but found a new home in post-Meiji Japan, where its adherents treated its rules and regulations in a fashion far stricter and more disciplined than that of its Chinese roots.
Wu, a native of China, emerged as a prodigy who, at a young age, moved to Japan and rose to prominence as the top Go player in the world. In Japan, Wu overturned the established traditions and strategies of this ancient game, earning multitudes of fans and enemies along the way. Set against the backdrop of the tumultuous Sino-Japanese history of the 20th century, he remained in Japan in spite of the politics and continued his passion for the game. Wu never returned to live in China again, making him a controversial figure in both countries. Now well into his 90s, he continues to reside in Japan playing Go, writing strategy books and living the life of THE GO MASTER.
With a multinational cast that includes Taiwan's Chang Chen as Wu (Crouching Tiger, Hidden Dragon, Eros, Happy Together), Sylvia Chang (Eat Drink Man Woman, 20:30:40), Xin Baiqing (Springtime in a Small Town), Keiko Matsuzaka (Fall Guy, Dr. Akagi), Akira Emoto (The Eel, Dr. Akagi) and Ayumi Itou (Swallowtail Butterfly, Hana and Alice), the film employs the talents of cinematographer Wang Yu (Suzhou River, Delamu, Purple Butterfly) and Oscar-winning production and costume designer Emi Wada (Ran, Dreams, Hero, House of Flying Daggers).
TIAN ZHUANGZHUANG
Director of The Go Master
"Tian Zhuangzhuang is one of the most prominent filmmakers of China's Fifth Generation, along with Zhang Yimou and Chen Kaige." - Jonathan Crow, All Movie Guide
"one of the best and brightest of the Fifth Generation of mainland Chinese filmmakers" - Scott Foundas, LA Weekly
"one of my favorite living Chinese filmmakers… That Tian can finally work again is a blessing" - Jonathan Rosenbaum, Chicago Reader
"Tian's movie seems to be among the finest expressions of the Chinese new wave." - J. Hoberman, Village Voice
Awards and Acclaim:
Horse Thief (1986)
"The Best Film of the Decade." - Martin Scorsese
#1 film of 1987. "a breathtaking spectacle in 'Scope and color, perhaps the most personal of all the "Fifth Generation" Beijing films to have emerged from the People's Republic of China. Tian's originality and mastery of sound and image communicate directly…expressing an environmental and ecological mysticism that suggests a new relationship between man and nature. Tian had said that he made this for the 21st century, yet even today it's a film of the future." - Jonathan Rosenbaum, Chicago Reader
"... At once a corrective to Han-chauvinist representations of national minorities and an affront to the stylistic conventions of the traditional Chinese cinema ... Horse Thief is the movie that should put the new Chinese cinema on the world map." - J. Hoberman, Village Voice
"An intoxicating masterpiece, and the very best film to come from China's Fifth Generation." - Jeffrey M. Anderson, San Francisco Examiner
Li Lianying, the Imperial Eunuch (1991)
Awards:
Special Mention, Berlin International Film Festival Competition
The Blue Kite (1993)
Awards:
Springtime in a Small Town (2002)
Awards:
"One of the best films of the year." - Richard Corliss, Time
"For Tian, who was banned from directing by Chinese authorities for a decade, it marks a triumphant return; for those who have loved the filmmaker's work in the past, few resurrections have seemed as welcome." - Manohla Dargis, Los Angeles Times
5/5 "What a wonderful movie this is. It is the kind of deeply intelligent, humane cinema with heart and sinew, and it dwarfs everything else around." - Peter Bradshaw, The Guardian UK
"it came as no surprise that the director of Horse Thief and The Blue Kite made such a strong film, but the novelty was its delicacy and exquisite aestheticism." - Phillip Lopate, Film Comment
CREW
EMI WADA (Production and Costume Design)
Selected filmography:
WANG YU (Cinematographer)
Selected filmography:
AH CHENG (Script)
Filmography:
CAST
CHANG CHEN (Wu Qingyuan)
Selected filmography:
KEIKO MATSUZAKA (Fumiko Kita)
Note: Fumiko Kita was the most famous female Go player in Japan. She took care of Wu Qingyuan as if he was her own son.
Selected filmography:
SYLVIA CHANG (Shu Wen)
Note: Mother of Wu Qingyuan
Selected filmography (actress):
AKIRA EMOTO (Kensaku Segoe)
Note: Kensaku Segoe was Wu's teacher who helped him throughout his life.
Selected filmography:
AYUMI ITOU (Kazuko Nakahara)
Note: The wife of Wu Qingyuan
Selected filmography:
OOMORI NAO (Utarou Hashimoto)
Note: Utarou Hashimoto was Wu's "older brother" who also studied Go under Kensaku Segoe
Selected filmography:
註：以上資訊由片主或其推廣代表提供。本網並不保證此等資訊是否正確。
Note: The information above is provided by the owners of the film or their agents
who are responsible for the promotion of the film. We do not guarantee the accuracy
of such information.
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