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齊樂株式會社
北京新畫面影業有限公司
精英集團（2004）企業有限公司
聯合出品
RIDING ALONE FOR THOUSANDS OF MILES
千里走單騎
千里走單騎
故事大綱
高田 (高倉健飾) 接到兒子健一患病的消息，從所居住的漁村趕往東京探望。但多年來的父子隔閡使兒子拒絕見他。但高田仍然決定幫助兒子去完成他的心願。
高田獨自來到中國雲南，在幫助兒子完成心願的過程中，他遇到了很多意想不到的困難，也結識了很多純樸善良的中國人。短暫的中國之行充滿了意外的經歷和從未有過的生活體驗，這一切都使高田對兒子健一的內心世界有了很深的理解，?生了強烈的父子共鳴。他完成了與兒子在精神世界上的彼此溝通，也同時獲得了對親情與人生更多新的感悟。
千里走單騎
製作資料
繼兩齣武俠片《英雄》和《十面埋伏》之後，張藝謀導演返回他最擅長的文藝片。
《千里走單騎》是一部簡單的故事。張藝謀說︰「這個劇本是特別為高倉健先生訂做的，而且是五年前就開始寫，正好這個時間就完成了，我比較滿意，高倉健先生也比較滿意，所以拍完《十面埋伏》就開始拍這一部片子。這是一個特別的計劃，只是為高倉健先生而寫的。」
高倉健給觀眾一個硬漢形象，被譽為東方奇連伊士活。距離上一部電影三年後，高倉健答應演出這部電影，他說︰「這是一個完全新的角色，這跟我以前演得很不一樣。」
這也是高倉健從影四十年以來，第一次和非職業演員合作，他說︰「他們給我一種很新鮮的感覺。他們演的時候，把自己心裡的東西帶出來，演得很好、很自然。」
張藝謀與非職業演員合作有一定的經驗，像《一個都不能少》。今次，張藝謀從七萬個小孩中選了九歲的楊振波。戲中飾演戲曲演唱者的李加民，是從七百人中選出來的。李加民說︰「如果有機會，我希望可以再拍戲。能跟張導和高倉先生學習是一個很寶貴的經驗。」
戲中另外一位很出色的演員寺島忍也認為︰「當我知道能和張導演和高倉先生合作，我便立即答應演出，有他們兩位，我便沒有什麼要求了。」
這部電影是描述一個日本人去中國尋找一段古老的戲曲，是《三國演義》裡的《千里走單騎》。這段戲曲是講述關羽將軍，他不惜放棄榮華富貴，策馬千里去拯救一位朋友。張藝謀說︰「這是一個真誠的故事，是很樸素、講感情的一個故事。」一位工作人員也說︰「他們兩位有著真誠的友誼，他們是朋友間的合作，這部電影一定可以感動很多人。」
千里走單騎
導演的話
這個故事是專門?合作而編寫的。因?是高倉健，他是我年輕時的偶像，特別想和他合作。十幾年前，我們在北京認識的，那時已提到什麼時候可以合作拍電影。關於這部電影的合作已經說了五、六年了。
高倉健是我見過最敬業、最了不起、也是最充滿人情味的演員，他身上有一種強大的人格魅力，能感染全個劇組。這很少見，很少見到一個演員受到全體工作人員的喜愛和尊重。他對人的關愛，和關注人和人之間的情感關係是發自內心，不是假的，他是真正這樣的人。你會被他的人格魅力感染，你會在他身上學到很多東西。
比較之前的《英雄》和《十面埋伏》，《千里走單騎》技術上會簡單多了。實際上，在刻劃人物感情方面卻不簡單，要想、要用心揣摩細節，才能將人和人之間的感情表現出來。高倉健先生和我有一個很懇切的期望，希望這是一個真誠的故事，是一個很樸素、講感情的一個故事，所以這部戲採用了很多非職業演員去表現一種樸素的人的關係。其實這一方面我還有一些經驗，因為以前拍過《一個都不能少》，全部都是小孩和非職業演員，對我來說也不是特別困難的事情。
《英雄》和《十面埋伏》是關於歷史的傳奇故事。《千里走單騎》是完全不一樣的，這是一個當代的故事，是說小人物感情的故事。戲裡提到一段戲曲《千里走單騎》，是電影中的一個情節。這部戲是寫實風格。強調人與人之間的真誠關係，相互理解，父子之間的那種不斷的親情.
我選擇在雲南拍這部戲是因為這裏的風土、人情及景色特別適合講這個故事，有我們所需要的一切。
千里走單騎
演員介紹
高倉健 (飾演 高田剛一)
福岡縣人，1931年出生，日本明治大學畢業。24歲那年與東映公司合作，開始他的演藝事業。他演過很多不同類型的角色，其中《日本俠客傳》、《網走番外地》及《昭和殘俠傳》等影片奠定了他的鐵漢形象。
高倉健的演技受到好萊塢製片人的欣賞，1970年參與了羅伯特．阿爾德裡奇導演的《Too Late The Hero》，是他第一部進軍好萊塢的影片。1975年他參與了華納公司的《The Yakuza》，演活了一個黑幫角色，與羅伯特．米徹姆飾演的前日本服役軍人展開一場道義之交。
1976年，高倉健已演出超過180部電影。他離開了東映公司，參與佐藤純彌導演的《追捕》。影片在中國獲得莫大的成功，也是首部在中國上映的外語電影。高倉健所扮演的檢察官杜丘一角給人留下深刻的印象，他獨特的表演風格及剛毅堅韌的銀幕形象使他贏得了眾多中國觀眾的喜愛，是80年代風靡一時的偶像巨星。當時，高倉健也就是日本電影界的代表。
1978年，高倉健憑森谷司郎導演的《八甲田山》在第一屆日本電影金像獎獲得了他的第一個最佳男主角獎項。1981年，他憑山田洋次導演的《幸福黃手絹》再度獲得日本電影金像獎最佳男主角獎項。
1989年，高倉健再度進軍好萊塢，他參與了奧斯卡提名影片《黑雨》，由雷德利．斯科特執導。戲中高倉健與麥克．道格拉斯和安迪．加西亞大鬥演技。1992年，他演出了弗雷德．謝波西導演的《棒球先生》，是講述一位美國棒球員(湯姆．史萊克飾演)被安排到日本球隊的故事，這是高倉健第200部電影。
高倉健的演藝才華備受各界應同，1999年，他憑降旗康男執導的《鐵道員》勇奪五個最佳男主角獎項，包括第廿三屆日本電影金像獎、第四十四屆亞太影展等等。他是首位日本男演員在第廿三屆蒙特婁世界電影節獲得最佳男主角獎項。2001年，他在《螢火蟲》中的演出大獲讚賞。
過了五年，高倉健終於和張藝謀合作，這是高倉健從影47年來第204部電影。
電影作品:
螢火蟲 (2001)
鐵道員 (1999)
四十七人之刺客 (1994)
棒球先生 (1992)
Buddies (1989)
黑雨 (1989)
See You (1988)
夜叉 (1985)
兆治酒館 (1983)
南極物語 (1983)
海峽 (1982)
形事物語 (1982)
車站 (1981)
遠山的呼喚 (1980)
動亂 (1980)
野性的證明 (1978)
冬之華 (1978)
幸福的黃手絹 (1977)
八甲田山(1977)
追捕 (1976)
新幹線大爆破 (1975)
Daidatsugoku (1975)
日本俠客道: 激突篇 (1975)
Kobe Kokusai Gang (1975)
The Yakuza (1974)
三代目襲名 (1974)
無宿 (1974)
現代任俠史 (1973)
Golgo 13 (1973)
山口組三代目 (1973)
Shin abashiri bangaichi: arashi yobu danpu jingi (1972)
Cherry Blossom Fire Gang (1972)
Bakuchi-uchi Gaiden (1972)
望?子守歌 (1972)
昭和殘俠傳 破傘 (1972)
新網走番外地：暴風雪中的逃亡(1971)
任俠列傳: 男 (1971)
Nihon yakuza-den: Sochiyo e no michi (1971)
Gorotsuki Mushuku (1971)
Nihon jokyo-den: ketto midare-bana (1971)
日本俠客傳：刃(1971)
新網走番外地：呼風喚雨的知床岬 (1971)
昭和殘俠傳 怒吼吧，唐獅子 (1971)
Too Late The Hero (1970)
Nippon dabi katsukyu (1970)
Bakuto-ikka (1970)
Nihon jokyo-den: makka na dokyo-bana (1970)
日本俠客傳：升龍(1970)
Saigo no tokkotai (1970)
新網走番外地：大森林的決鬥 (1970)
新網走番外地：暴風雪中的孤狼 (1970)
昭和殘俠傳：請君歸天 (1970)
Sutemi no Narazu-mono (1970)
Yukyo-retsuden (1970)
Red Peony Gambler: Flower Cards Match (1969)
緋牡丹博徒: 二代目襲名(1969)
日本女俠傳: 俠客藝者 (1969)
日本俠客傳: 花與龍 (1969)
Sengo Saidai no Toba (1969)
懲役三兄弟 (1969)
新網走番外地: 最後的流浪者 (1969)
昭和殘俠傳: 斬人唐獅子(1969)
昭和殘俠傳: 唐獅子仁義(1969)
渡世人列傳 (1969)
Shin Abashiri Bangaichi: Runinmisaki no Ketto (1969)
日本暗殺秘? (1969)
博徒列傳(1968)
祇園祭(1968)
人生劇場: 飛車角和吉良常(1968)
Gorotsuki (1968)
Koya no toseinin (1968) .... Ken Kato
... aka The Drifting Avenger
Gokuchu no kaoyaku (1968)
Lady Yakuza (1968)
俠客列傳(1968)
日本俠客傳: 絕交信 (1968)
新網走番外地 (1968)
網走番外地: 暴風雪中的鬥爭(1967)
網走番外地: 決鬥零下30度(1967)
Aa Doki no Sakura (1967)
網走番外地: 向邪惡挑戰 (1967)
The Chivalrous Life (1967)
日本俠客傳: 殺！ (1967)
Kyokyaku no Okite (1967)
Nihon Kyokaku-den: Shira-ha no Sakazuki (1967)
昭和殘俠傳: 血染的唐獅子 (1967)
Zigoku no okite ni asu wa nai (1966)
Kamikaze yaro (1966)
網走番外地: 大雪原的對決 (1966)
網走番外地: 荒野的對決(1966)
網走番外地: 南國的對決(1966)
日本俠客傳: 雷門的決鬥 (1966)
日本俠客傳: 血鬥神田祭 (1966)
A Man's Warrior Spirit (1966)
昭和殘俠傳: 一匹狼(1966)
昭和殘俠傳: 唐獅子牡丹 (1966)
網走番外地: 北海篇(1965)
昭和殘俠傳(1965)
宮本武藏: 岸流島的決鬥 (1965)
饑餓海峽 (1965)
網走番外地 (1965)
網走番外地: 望鄉篇 (1965)
日本俠客傳: 關東篇 (1965)
日本俠客傳: 浪花篇 (1965)
網走番外地續集 (1965)
?役 (1965)
Wolves，Pigs & Men (1964)
Jakoman and Tetsu (1964)
Ankokugai odori (1964)
Irezumi totsugekitai (1964)
Narazu-mono (1964)
宮本武?: 一?寺的決鬥(1964)
日本俠客傳(1964)
Tokyo Gang vs. Hong Kong Gang (1964)
Gang Chushingura (1963)
Two-Sword Fencing Is Born (1963)
Duel of the Underworld (1963)
Tokyo Untouchable: Dasso (1963)
Boss of the Underworld: Gang of 11 (1963)
人生劇場 飛車角(1963)
Operation Diamond (1962)
Tokyo Untouchables (1962)
The Underworld's Last Day (1962)
Koi to Taiyo to Gang (1962)
The Flower，the Storm，and the Gang (1961)
Akuma no temari-uta (1961)
Beran me-e geisha makari toru (1961)
Otoko nara yattemiro (1960)
Oinaru tabiji (1960)
Ozora no muhomono (1960)
Zoku beran me-e geisha (1960)
Kodo nanasen metoru: kyofu no yojikan (1959)
Mori to mizuumi no matsuri (1958)
Kisetsufu no kanatani (1958)
Daigaku no Ishimatsu (1957)
Nippon G-men (1956)
Choppu sensei (1956)
寺島忍 (飾演 高田理惠)
1972年在日本京都出生。寺島忍出生於演藝世家，她的父親是著名的日本歌舞伎演員尾上菊五郎，她的母親是日本電影界知名演員富司純子。寺島忍小時侯已拍過很多電視廣告，1992年，她加入了文學座劇團，成為一位舞台劇演員。
寺島忍的演藝天份很快受到賞識。寺島忍在1995年的舞台劇《近松心中物語》，一個關於江戶時代的愛情故事，獲得了讀賣話劇演出大獎及最佳女演員獎。1996年，她憑水穀幹夫執導的《華岡清州之妻》在日本藝術節及松尾藝能大獎中分別獲得了最佳女新演員獎。
寺島忍是近年在日本其中一位最受歡近的女演員。2003年，她在廣木隆一導演的《Vibrator》中飾演一位性格壓抑敏感的作家，她細膩的演技讓觀眾驚訝，因而令她聲名大噪。之後，她憑荒?源次郎執導的《赤目四十八瀑布殉情未遂》一片，奪得國內外十三項最佳女主角大獎，其中包括有日本奧斯卡之稱的日本金像獎。
電影作品:
東京鐵塔(2005)
導盲犬小Q (2004)
赤目四十八瀑布殉情未遂(2003)
Get Up! (2003)
Vibrator (2003)
中井貴一 (飾演 高田健一)
中井貴一是日本其中一位最受歡迎的男演員，他的首部銀幕作品是1983年的《父與子》，是一部講述父子情的動人作品。中井貴一演出過不同類型的電影，當中包括不同時代背景的影片和現代喜劇作品。1994年，他憑與高倉健合演的《四十七人之刺客》奪得了日本金像獎的最佳男配角獎。
中井貴一與大師級導演市川昆在《四十七人之刺客》的合作非常成功。之後，兩人合作無間，包括1987年的《映畫女優》及1985年的《緬甸的豎琴》，這是市川昆導演重拍他1956年的經典作品。
中井貴一與很多著名的導演合作，包括1999年篠田正浩導演的《梟之城》、1998年平山秀行導演的《乞愛者》，中井貴一更因此片在亞太影展獲得最佳男配角獎。?田洋二郎導演的《壬生義士傳》讓中井貴一展示他精湛的演技和魅力，他飾演一位武士，為了家庭作出的犧牲和奮鬥。中井貴一的演出令他贏得日本金像獎的最佳男主角。
中井貴一的才華不只在日本受到讚揚，2003年，國際知名導演何平邀請他參與《天地英雄》的演出。
電影作品:
Aegis (2005)
天地英雄 (2003)
陰陽師2 (2003)
Jump (2003/II)
壬生義士傳(2003)
?馬的妻子、丈夫和愛人 (2002)
螢火蟲(2001)
冤罪 (2001)
新選組 (2000)
奇幻世紀 (2000)
梟之城 (1999)
乞愛者(1998)
情書 (1998)
Falling Into the Evening (1998)
Marks (1995)
四十七人之刺客 (1994)
Moving (1993)
Fusa (1993)
The Taming of a Shrew (1993)
外科室 (1992)
極道?爭 武?派(1991)
激動的1750日 (1990)
請到東京上空來 (1990)
竹取物語 (1987)
映畫女優(1987)
國士無雙 (1986)
鹿鳴館 (1986)
電影天地 (1986)
Big Joys，Small Sorrows (1986)
緬甸的豎琴 (1985)
The Empty Table(1985)
化粧 (1984)
F2 grand prix (1984)
男人之苦32 (1983)
Oddball Nippon(1983)
父與子 (1983)
千里走單騎
工作人員
張藝謀 (導演)
張藝謀自初次執導之《紅高粱》榮獲柏林國際影展金熊獎後，聲名大噪，至今仍是中國影壇最有才華、最具影響力的第五代導演之一。張藝謀亦是優秀的演員和攝影師，曾參演《紅高粱》，更憑《老井》(1986)勇奪東京國際電影節最佳男主角；又曾擔任《黃土地》(1984)、《老井》(1986)、《大閱兵》(1986)三片之攝影指導。
張藝謀憑九零年《菊豆》、九一年《大紅燈籠高高掛》及零三年《英雄》三度被提名奧斯卡最佳外語片，是首位獲奧斯卡評審青睞的華裔導演。張藝謀更囊括多項國際重要殊榮，包括：《大紅燈籠高高掛》(1991)及《秋菊打官司》(1992)分別奪得第44及45屆威尼斯影展銀獅獎及金獅獎；《活著》(1994)則奪第47屆康城影展評判團大獎；《一個都不能少》(1999)再度贏得第52屆威尼斯影展金獅獎；《我的父親母親》(1999)則是柏林影展銀熊獎得主；《英雄》(2003)奪得柏林影展的藝術貢獻成就獎。《十面埋伏》(2004)囊括了多個國際獎項，及英國電影金像獎和金球獎的最佳外語片提名。
電影作品︰
十面埋伏 (2004)
英雄(2003)
幸福時光(2000)
我的父親母親(1999)
一個都不能少(1999)
有話好好說(1997)
搖啊搖，搖到外婆橋(1995)
活著(1994)
秋菊打官司(1992)
大紅燈籠高高掛(1992)
菊豆(1990)
代號美洲豹(1989)
紅高粱(1987)
鄒靜之 (編劇)
祖籍江西南昌，在北京長大。1952年出生於知識份子家庭。1969年上山下鄉，在黑龍江省（北大荒）勞動六年，河南農村插隊兩年。期間務農，做工，演戲。1977年返京。1984年中文大專畢業。
1982年始有作品發表。詩集《幡》（1989年）。散文集《美人與匾》（1991年），《酒話》（1993年）,《一地景象》(1997年),《風中沙粒》(1998年),小說詩文集《騎馬上街的三哥》(1997年)等十餘種。
曾先後獲東方詩潮現代詩歌大賽獎、北京建國四十周年詩歌獎、萌芽文學獎、1993年《人民文學》優秀小說獎、《人民文學》創刊四十五年小說新人獎。北京電視"春燕獎"部分詩作譯成英、意、法、西等國文字。1995年應約開始影視文學創作，曾寫編過電影文學劇本。電視連續劇《琉璃廠傳奇》、《康熙微服私訪記》一、二、三、四部、《五月槐花香》、《鐵齒銅牙紀曉嵐》一、二、三部（主要編劇）。1997年創作歌劇腳本《夜宴》，1998年7月在英國首演。現已在比利時，香港，法國，澳大利亞，美國等處上演。2002年創作話劇《我愛桃花》2003年北京人藝首演，並於2004年參加中日韓三國戲劇節的演出。
鄒靜之是中國作家協會會員及北京作家協會駐會作家。新一部電影作品是吳宇森導演的《赤壁之戰》。
電影作品:
劉邦
赤壁之戰
平原槍聲
因?有愛
呼我
大地
吹笛人
王斌 (文學策劃)
籍貫山東，生於福建福州。
中學畢業後即應徵入伍，隨後在軍隊從事偵察員的職業達五年之久，退役後先後多次更換工作，幹過洗染工、無線電裝配工、圖書館員、文學研究人員、記者、編輯，接下來便成?中國文化人中最早的一批以賣文?生的自由職業者。80年代始開始從事文學創作，發表文學作品百萬字。
王斌於一次《菊豆》的電影討論會中初遇該片導演張藝謀，兩人的緊密合作隨即展開。自《活著》一片後，王斌便一直成為張藝謀執導電影的文學策劃，更參與《英雄》及《十面埋伏》的編劇工作。除與張藝謀合作外，王斌亦有參與其他導演的電影，有呂樂的《趙先生》、王小帥的《夢幻田園》、孫周的《漂亮媽媽》，以及電視劇《將愛情進行到底》及《朋友》。
電影作品:
十面埋伏(2004)
英雄(2003)
夢幻田園 (2000)
漂亮媽媽 (1999)
趙先生(1998)
江志強 (監製)
江曾監製作品包括：勇奪東京國際電影節最佳電影、最佳導演，嚴浩執導之《天國逆子》(1994) ，以及橫掃奧斯卡多個獎項之武俠巨構《臥虎藏龍》(2000)。《臥虎藏龍》不僅是二零零零年最賣座電影之一，更成為美國電影史上最受歡迎的外語電影，帶來一億三千萬美元的驚人票房紀錄，贏得四項奧斯卡大獎，包括最佳外語片、最佳美術指導、最佳攝影及最佳電影配樂，以及金球獎最佳外語片及最佳導演。他監製之作品還有田壯壯重拍之經典電影《小城之春》，孫周導演的《周漁的火車》，郭在容導演的《野蠻師姐》及張藝謀前作《英雄》及《十面埋伏》。
電影作品:
十面埋伏 (2004)
野蠻師姐 (2004)
周漁的火車 (2003)
英雄 (2002)
小城之春 (2002)
臥虎藏龍 (2000)
天國逆子(1994)
趙小丁 (攝影)
1987年畢業於北京電影學院攝影系。趙小丁屬國內多產的攝影師，每年都有作品上映，包括《花季雨季》、《開往春天的地鐵》。
趙小丁2001年開始與張藝謀導演合作，在《英雄》一片擔任攝影師，兩人在《十面埋伏》再度合作。趙小丁憑《十面埋伏》首次獲得奧斯卡金像獎最佳攝影的提名及多個國際獎項。
除了拍攝電影之外，趙小丁亦參與多套廣告的攝影工作，當中更包括北京申辦奧運、上海申辦世界博覽會、北京2008奧運會會徽發佈等政府宣傳片。
電影作品:
十面埋伏(2004)
英雄 (2003)
開往春天的地鐵 (2001)
花季雨季 (1999)
太后吉祥 (1998)
愛情傻瓜 (1997)
一家兩制 (1996)
編外丈夫 (1995)
臨時爸爸 (1994)
離婚大戰 (1993)
警網梟雄 (1992)
烈火恩怨 (1991)
惡狼與天使 (1990)
山魂霹靂 (1987)
孫立 (美術)
畢業於北京電影學院美術設計系，曾在100餘部廣告中擔任美術指導，代表作品有《IBM電腦系列》、《中國移動》、《網易》等等。最近，孫立擔任北京申辦奧運的美術指導。
1999年，孫立初次參與的影片是孫周導演及鞏俐主演的《漂亮媽媽》，擔任副美術一職。三年後，孫立再與孫周導演及鞏俐合作，擔任《周漁的火車》的美術指導。
電影作品:
周漁的火車 (2003)
夏日暖洋洋 (2000)
漂亮媽媽 (1999)
陶經 (錄音)
畢業於北京電影學院錄音系，首次參與音響工作的電影《孩子王》已獲提名中國電影金雞獎最佳錄音，及後參與國內首部立體聲恐怖片《黑樓孤魂》。陶經與國內兩大導演陳凱歌及張藝謀兩位合作無間，並憑陳執導的《荊軻刺秦王》及張的《英雄》兩獲中國電影金雞獎最佳錄音獎。國際獎項方面，陶經以《搖呀搖，搖到外婆橋》獲美國電影金片盤獎聲音設計獎及康城電影節最高技術獎及以《十面埋伏》獲得英國金像獎的提名。
2002年起聘任為北京電影學院研究生部客座教授。
電影作品:
十面埋伏(2004)
英雄 (2003)
美麗上海(2003)
荊軻刺秦王(1998)
有話好好說(1996)
搖呀搖，搖到外婆橋(1995)
活著(1994)
霸王別姬(1993)
北京你早(1992)
邊走邊唱(1991)
哦，香雪(1990)
黑樓孤魂(1989)
孩子王(1987)
郭文景 (作曲)
郭文景，中央音樂學院作曲系教授、博士生導師，主要作品有歌劇《狂人日記》、《夜宴》、交響樂《蜀道難》、《B小調英雄交響曲》、交響詩《川崖懸葬》、協奏曲《愁空山》、室內樂《戲》、《甲骨文》和《社火》等。
《紐約時報》稱郭文景是"唯一未曾在海外長期居住而建立了國際聲望的中國作曲家。" 許多重要的國際藝術節，如：愛丁堡音樂節、巴黎秋季藝術節、荷蘭藝術節、紐約林肯中心藝術節及倫敦阿爾梅達歌劇院、德國法蘭克福歌劇院、法國魯昂歌劇院等都曾安排他的個人作品專場音樂會或上演他的歌劇。
在畢業後的二十多年中，郭文景的作品不斷在世界各地上演，同時他也得到來自世界各地的約稿。他是有兩百年歷史的國際著名出版社CASA RICORDI-BMG的簽約作曲家，該出版社將出版他的作品並向全世界作宣傳推展。應美國洛克菲勒基金會的邀請，他作?訪問學者曾到美國進行訪問。他還應邀到瑞典皇家音樂學院、美國辛辛那提音樂學院、曼哈頓音樂學院講學。
1985、1986、1993、1995、2001年，郭文景先後六次在全國作曲比賽中獲獎。《蜀道難》被評?"二十世紀華人音樂經典"。郭文景是"政府津貼"獲得者，還獲得過"國家教育成果一等獎"、"寶鋼教育獎"和"國家有突出貢獻專家"、"文化部優秀專家"、"青年學科帶頭人"、"中國文聯世紀之星"、及"中國百名優秀藝術家"等榮譽稱號。
電影作品:
紅粉 (1995)
陽光燦爛的日子 (1994)
棋王 (1991)
南行記 (1990)
程瓏 (剪接)
程瓏畢業於上海科技大學的"電視技術"專業。在電視台任工程師期間對影像發生興趣，遂到美國費城天普大學修讀電影製作藝術碩士課程。在學期間的音樂錄像作品《Capriccio》獲艾美獎學生組冠軍及全美大學電視作品比賽(音樂及實驗類)獎項。畢業後曾在美國廣播公司等機構工作，97年回國發展，翌年憑《紅色戀人》獲金雞獎最佳剪輯獎。2004年，程瓏參與《十面埋伏》一片，獲得英國金像獎最佳剪接提名。
現於北京電影學院導演系擔任客席教授。
電影作品:
十面埋伏 (2004)
紅色戀人 (1998)
Bontoc Eulogy (1995)
降旗康男 (導演，日本部份)
1934年於長野縣出生。1957年，東京大學文學部畢業後，加入了東映製片場。他首部參與的作品是《藍海》，擔任副導演一職，亦因此結識了高倉健。1966年正式擔任導演，拍攝了《不良少女洋子》一片。同年，他拍攝《沒有明天的地獄》時，首次與高倉健合作，之後在《網走三不管地帶》系列中的六部、1978年《冬之華》、1981年《車站》、1983年《兆治酒館》、1985年《夜叉》等等的作品，和高倉健創下了不少佳作。
1999年的《鐵道員》得到國際電影界的讚賞，贏得了日本金像獎的最佳導演及最佳編劇獎，並獲得蒙特婁國際電影節的美國大獎提名。
降旗康男的近作有獲得十三項日本金像獎的提名的《螢火蟲》(2001)及《赤月》(1994)。
電影作品:
赤月 (2004)
螢火蟲 (2001)
鐵道員(1999)
現代任俠傳 (1997)
藏 (1995)
Shin gokudo no onna-tachi: horetara jigoku (1994)
寒椿 (1992)
Don ni natta otoko (1991)
Isan sozoku (1990)
Tasmania Story (1990)
Buddies (1989)
Gokudo no onna-tachi: San-daime ane (1989)
幕府將軍的陰影 (1989)
Wakarenu riyu (1987)
夜叉(1985)
Ma no toki (1985)
兆治酒館(1983)
車站 (1981)
Shikake-nin Baian (1981)
冬之華(1978)
Nihon boryoku-dan: koroshi no sakazuki (1972)
Nihon jokyo-den: makka na dokyo-bana (1970)
Gendai yakuza: yotamono jingi (1969)
新網走番外地：血鬥流人岬(1969)
Gendai yakuza: yotamono no okite (1968)
獄中的顏役(1968)
Uragiri no ankokugai (1968)
Gyangu no teio (1967)
Choueki juhachi-nen: kari shutsugoku (1967)
Jigoku no okite ni asu wa nai (1966)
不良少女洋子(1957)
木村大作 (攝影，日本部份)
1939年生於東京。木村大作加入東寶製片場當攝影助理，先後與殿堂級導演黑澤明、岡本喜八，及攝影師齊藤孝雄和村井博合作。木村大作首部當攝影師的作品是1973年須川榮三執導的《野獸狩獵》。四年後，木村大作憑《八甲田山》(1977) 獲得日本金像獎的最佳攝影的提名。
1986年，木村大作以深作欣二導演的《火宅之人》勇奪日本金像獎的最佳攝影。木村大作稍後在日本金像獎分別以大河原考夫執導的《誘拐》(1997) 及降旗康男導演的《鐵道員》(1999) 獲得最佳攝影。《鐵道員》一片更贏得亞太影展的最佳攝影獎。
電影作品:
赤月 (2004)
Hi wa mata noboru (2002)
螢火蟲 (2001)
鐵道員 (1999)
藝妓院 (1999)
誘拐 (1997)
Gokudo no onna-tachi: Kiken na kake (1996)
Kiri no shigosen (1996)
Bloom in the Moonlight (1993)
Shin gokudo no onna-tachi: Kakugoshiiya (1993)
Heavenly Sin (1992)
寒椿 (1992)
Shin gokudo no onna-tachi (1991)
Isan sozoku (1990)
Gokudo no onna-tachi: Saigo no tatakai (1990)
Jotei: Kasuga no tsubone (1990)
Buddies (1989)
Gokudo no onna-tachi: San-daime ane (1989)
姐姐 (1988)
華之亂 (1988)
Labyrinth of Flower Garden (1988)
Wakarenu riyu (1987)
夜汽車 (1987)
火宅之人(1986)
夜叉 (1985)
小說吉田學校 (1983)
海峽 (1982)
車站 (1981)
復活日(1980)
金田一耕助的冒險 (1979)
Seishoku no ishibumi (1978)
藍色聖誕節(1978)
姿三四郎 (1977)
八甲田山 (1977)
Akan-ni hatsu (1975)
Tokkan (1975)
Aoba shigereru (1974)
野獸狩獵 (1974)
Tidal Wave (1973)
《千里走單騎》演職員表
哥倫比亞電影製作(亞洲)有限公司呈獻
齊樂株式會社/北京新畫面影業有限公司/精英集團(2004)企業有限公司聯合出品
張藝謀作品 "千里走單騎"
領銜主演：高倉健
主演 ：李加民/蔣雯/邱林/楊振波/寺島忍
作曲 ：郭文景
錄音 ：陶經
剪接 ：程瓏
美術 ：孫立
攝影 ：趙小丁
故事 ：張藝謀/鄒靜之/王斌
編劇 ：鄒靜之
製片主任：張震燕
監製 ：修健/張偉平/江志強
導演 ：張藝謀
發行 ：Sony Pictures Releasing International
Gilla Co., Ltd.
Beijing New Picture Film Co., Ltd.
and
Elite Group (2004) Enterprises Inc.
Present
RIDING ALONE FOR THOUSANDS OF MILES
RIDING ALONE FOR THOUSANDS OF MILES
SYNOPSIS
For the first time in many years, TAKATA Gou-ichi (TAKAKURA Ken) takes the bullet train to Tokyo from the quiet fisherman's village where he lives on the northwest coast of Japan. His daughter-in-law, Rie (TERAJIMA Shinobu) had telephoned to tell him that his son, Ken-ichi (NAKAI Kiichi) is seriously ill, and asking for his father.
But when he arrives in the city, Takata finds that Rie was not entirely truthful: Ken-ichi has been hospitalized, but after years of painful estrangement, he still refuses to see Takata. Crushed, the old man quietly slips out of the hospital, but not before Rie gives him a videotape to watch. What Takata sees on the tape, Rie hopes, will help him get to know his son again.
Takata plays the tape and learns that Ken-ichi is studying a form of Chinese exorcising drama that dates back more than a thousand years. Ken-ichi had traveled all the way to Yunnan Province in Southern China to see the famous actor LI Jiamin perform, but the actor was ill and unable to sing. Li promised to sing the legendary song 'Riding Alone for Thousands of Miles' from the literary classic, 'Romance of the Three Kingdoms' for Ken-ichi if he returns to Yunnan the following year.
Hoping to bridge the gap between himself and his son, Takata decides to find Li Jiamin and videotape his performance for the dying Ken-ichi. As the old man begins an odyssey into the heart of China, he encounters a number of strangers who colour his journey -- from well-meaning translators who guide him through China's idiosyncrasies, to prison wardens anxious to promote Chinese culture abroad, to a young runaway with a complicated father-son relationship of his own.
What Takata discovers on his journey is kindness… and a sense of family he thought he had lost long ago.
From three-time Academy Award nominated director Zhang Yimou comes a moving story of one man's journey across China's heartland. RIDING ALONE FOR THOUSANDS OF MILES stars the legendary actor TAKAKURA Ken, and Japanese stars TERAJIMA Shinobu and NAKAI Kiichi. The film is produced by Bill KONG and the Director of Photography is ZHAO Xiaoding.
RIDING ALONE FOR THOUSANDS OF MILES
PRODUCTION INFORMATION
Best known in recent years for his breathtaking action masterpieces 'Hero' and 'House of Flying Daggers', Director Zhang Yimou returns to his trademark understated storytelling for his newest film.
RIDING ALONE FOR THOUSANDS OF MILES is a quiet tale, which Zhang created with film's lead actor in mind. "I have always wanted to work with Takakura Ken," says the three-time Academy Award nominated director, "I started writing this script five years ago. It is tailor-made for him." "If Takakura didn't like the story," muses Zhang, "I would have started again from scratch."
For Takakura Ken, there was never any question of not liking the idea. The actor, often dubbed Japan's answer to Clint Eastwood on account of his silent charisma, accepted the role of Takata after a three-year break from acting. "This is a brand new type of role for me," explains the actor, "Takata is very different to the characters I have played in the past".
This is also the first time Takakura has performed alongside non-professional actors in a career spanning over forty years. "[The first-time actors] give me a fresh perspective on acting," says Takakura, "They express themselves so naturally… I can see how the young boy, Yang Yang will truly move the audience."
Zhang Yimou, on the other hand, has a long and thriving history of working with first-time actors. As with previous projects such as Not One Less, Zhang scoured China for the perfect individuals to bring his characters to life. Nine-year-old Yang Zhenbo was chosen from seventy thousand children who auditioned for the role, and Li Jiamin, who plays the opera singer was singled out from over seven hundred hopefuls.
For Li, whose Beijing Opera experience dates back thirty years, Riding Alone for Thousands of Miles has renewed his love for performance. "I would definitely act again if the right opportunity arises," says Li, "Learning from Zhang Yimou and Takakura Ken has been an incredible experience". Japanese star TERAJIMA Shinobu agrees "I can't ask for anything more than working with such cinematic giants," she says, 'They are the reasons why I accepted the role of Rie".
The lyrical tale about one man's journey gives nod to one of the China's literary classics, the story of Riding Alone for Thousands of Miles from Romance of the Three Kingdoms. The mighty general Guan Yu became a symbol of loyalty when he refused titles and riches to ride thousands of miles in order to help a friend. "This is a story about human relationships", says Zhang of his film. His close-knit crew agrees: Says one production assistant: "It is the respect and friendship between Zhang Yimou and Takakura Ken that brings this film to life".
RIDING ALONE FOR THOUSANDS OF MILES
DIRECTOR'S STATEMENT
This story came into being because I wanted to work with Takakura Ken. Takakura was my childhood idol and it has always been my dream to work with him. There is no other reason. I first met Takakura more than ten years ago at a joint Chinese-Japanese Film Festival and we immediately talked about working together. We have been talking about RIDING ALONE FOR THOUSANDS OF MILES for five to six years, now.
It has been a wonderful experience to work with Takakura Ken. He is a devoted, generous actor, and an inspiring man. I rarely see the crew so affected by an actor. Takakura was incredibly popular on set.
My previous two films, 'Hero' and 'House of Flying Daggers', had lots of action sequences and required large-scale special effects. So from a technical perspective, RIDING ALONE FOR THOUSANDS OF MILES is much simpler. But at the same time, Takakura and I wanted to make a film about unconditional love and simple relationships between real people, so we have to dig deeper emotionally. Also, unlike 'Hero' and 'House of Flying Daggers' we used a cast of largely non-professional actors to express these subtle feelings. I am used to working with first-time actors, but I make an extra effort to make sure that everybody on set is happy and confident in their roles.
'Hero' and 'House of Flying Daggers' were historical legends, but this film is very different. The story mentions Lord Guan and the Romance of the Three Kingdoms, but this is just a small detail in a contemporary story about relationships between people. It is an investigation into the way people interact and an attempt to study that unique sense of unconditional love between a father and son.
I filmed RIDING ALONE FOR THOUSANDS OF MILES in Yunnan Province because I wanted the film to have the look of a still-life painting. A portrait of filial love. The scenery and atmosphere of Yunnan Province is especially suited to this story - Yunnan has everything that we could possibly need.
RIDING ALONE FOR THOUSANDS OF MILES
ABOUT THE CAST
TAKAKURA Ken (TAKATA Gou-ichi)
Takakura Ken, known affectionately as Ken-san, was born in Fukuoka Prefecture in 1931. A graduate of the prestigious Meiji University in Japan, Takakura began his acting career at the age of 24 with the Toei Company. There, he played a wide variety of roles before establishing his screen image as the chivalrous loner in films such as 'Nihon Kyokaden', 'Abashiri Prison' and the 'Showa Zankyoden' series.
Hollywood began to take notice, and in 1970, Takakura made his Hollywood debut in Robert ALDRICH's 'Too Late the Hero'. This followed in 1975 with the Warner Bros.' production , 'The Yakuza', in which Takakura plays a dangerous ex-yakuza opposite Robert MITCHUM.
By the time he left the Toei company in 1976, Takakura had already appeared in over 180 films. His first role after leaving the company was in Junya SATO's "Kimiyo Funnu no Kawa wo Watare". The film enjoyed huge box office success, and, more significantly, became the first foreign film to be released in China. The success of the film made Takakura Ken a household name in China and throughout the 1980s, the name Takakura Ken became synonymous with contemporary Japanese cinema.
Takakura Ken earned his first Japanese Academy Award for Best Actor with director Shiro MORITANI's 'Mount Hakkoda' (1975). This led to the actor's involvement with the moving, multi-award winning 'The Yellow Handkerchief of Happiness' (1977) for which he won a second Japanese Academy Award.
In 1989, Takakura returned to Hollywood to appear in Ridley SCOTT's Oscar-nominated 'Black Rain' with Michael DOUGLAS and Andy GARCIA. He then brought Hollywood back to Japan for his 200th film, starring opposite Tom SELLECK in Fred SCHEPISI's 'Mr. Baseball' (1992), a story about an American baseball player who gets transferred to a Japanese team.
Takakura Ken's talent has grown with his years and in 1999, he won an awesome five Best Actor awards for his role in Yasuo FURUHATA's 'Railroad Man' (1999). He won the Best Actor Award at the 23rd Japanese Academy Awards, 'the Best Actor Award at the 44th Asia Pacific Film Festival and he became the first Japanese actor to win the Best Actor Award at the 23rd Montreal World Film Festival. In 2001, Takakura starred in Furuhata's critically acclaimed 'The Firefly' to rave reviews.
Takakura accepted the role of Takata on Director Zhang Yimou's RIDING ALONE FOR THOUSANDS OF MILES after a five year hiatus. This is the actor's 204th film to date.
Filmography
TERAJIMA Shinobu (TAKATA Rie)
Born in Kyoto prefecture in 1972, Terajima Shinobu grew up in an acting family. Her father, ONOUE Kikugoro is a well-known kabuki actor and her mother is the actress FUJI Junko, known widely as the face of Japanese Cinema. Terajima Shinobu has appeared in television commercials from a young age, and in 1992 began to train as a stage actress with the Bungakuza theatre group.
A naturally gifted actress, Terajima Shinobu quickly rose up the theatrical ranks, She received the Yomuri Acting Grand Prize and the Best Actress Award for her performance in the play 'Chikamatsu Shinju Monogatari' (1995), an Edo period double suicide love story. Then, in 1996, Terajima was awarded the Best New Actress Award from the Japan Arts Festival and the Best New Actress Award of the Matsuo Heino Awards for director Mikio MIZUTANI's 'Hanaoka Seishu-no-tuma'.
One of the hottest stars to emerge from Japan in recent years, Terajima Shinobu proceeded to stun audiences with her sensitive portrayal of a troubled writer in Ryuichi HIROKI's 'Vibrator' (2003) that propelled her into instant limelight. Her meteoric shot to stardom continued with Arato GENJIRO's, 'Akame 48 Falls'. Terajima has won a total of thirteen Best Actress awards, including the prestigious Japanese Academy Award for Best Actress.
Filmography
NAKAI Kiichi (TAKATA Ken-ichi)
One of the most sought-after male actors in Japan, Nakai Kiichi made his silver screen debut in 1983 with the moving family drama, 'Father and Son'.
Since then, Nakai has broadened his repertoire to include roles from period dramas to modern day comedies, and in 1994, he won the Best Supporting Actor Award at the Japanese Academy Awards for his performance in the lyrically beautiful '47 Ronin' opposite Takakura Ken. The film earned rave reviews for Nakai Kiichi.
His successful collaboration with legendary director Kon ICHIKAWA in '47 Ronin' led to further partnership on 'Film Actress' (1987), and also "The Burmese Harp", the director's 1985 remake of his own 1956 classic.
Nakai then went on to work with another renowned director, Masahiro SHINODA in the 1999 film 'Owl's Castle', and earned the Best Supporting Actor Award at the Asia-Pacific Film Festival for his role in the 1998 breakout hit, 'Begging for Love' for director Hideyuki HIRAYAMA.
Director TAKITA Yojiro's 'When the Last Sword is Drawn' presented a perfect opportunity for Nakai Kiichi to showcase his charismatic screen presence, and his outstanding performance as the anguished samurai earned him the Best Actor Award at the Japanese Academy Awards.
Nakai Kiichi's talents have since moved beyond his native Japan and propelled him to work with internationally acclaimed film makers including Chinese director, HE Ping, on 2003's 'Warriors of Heaven and Earth'.
Filmography
RIDING ALONE FOR THOUSANDS OF MILES
ABOUT THE CREW
ZHANG Yimou (Director)
Ever since his directorial debut, 'Red Sorghum' (1987) won the Golden Bear Award at the Berlin Film Festival, Zhang Yimou has established his reputation as one of the most talented and influential directors today.
Zhang Yimou was born in China in 1950 and studied cinematography at the Beijing Film Academy. He became a leading member of China's Fifth Generation Filmmakers, the first group to graduate following the turbulent Cultural Revolution. He is an accomplished actor, starring in 'Red Sorghum' as well as earning the Best Actor Award at the Tokyo International Film Festival for his performance in 'Old Well' (1986). Zhang Yimou is also a skilled cinematographer, with credits including 'Yellow Earth' (1984), 'Old Well' (1986), and 'The Big Parade' (1986).
Zhang Yimou has received multiple honors as a director. He is the first Chinese filmmaker to receive Motion Picture Academy recognition, being nominated for Academy Awards in the Best Foreign Film category for 'Ju Dou' in 1990, 'Raise the Red Lantern' in 1991, and 'Hero' in 2003. He has earned numerous top honors, including the Silver Lion at the 44th Venice International Film Festival for 'Raise the Red Lantern' (1991), the Golden Lion Award at the 45th Venice International Film Festival for 'The Story of Qiu Ju' (1992), the Grand Jury Prize at the 47th Cannes International Film Festival for 'To Live' (1994), the Golden Lion Award at the 52nd Venice International Film Festival for 'Not One Less' (1999), the Silver Bear at the Berlin International Film Festival for 'The Road Home' (1999) and the Alfred Bauer Award for 'Hero' (2003).
'Hero' went on to sweep the board at the 22nd Hong Kong Film Awards, winning awards for Best Action Choreography, Best Art Direction, Best Cinematography, Best Costume Design, Best Music, Best Sound and Best Visual Effects.
Zhang Yimou's most recent box office hit, 'House of Flying Daggers' is the recipient of multiple international awards as well as BAFTA and Golden Globe nominations for Best Foreign Film.
Filmography
ZOU Jingzhi (Screenwriter)
One of China's best-known writers, Zhou Jingzhi was born in Jiangxi province, and raised in Beijing. During the Cultural Revolution, Zou worked in Henan province as well as remote Heilongjiang province in Northeastern China. Zou returned to the capital in 1977 where he earned a degree in Chinese Literature in 1984.
Only five short years after graduation, Zou published his first anthology of poems, entitled 'Banner' ('Fan') (1989) followed by collections of essays including 'A Beauty Tablet' ('Meiren Yu Bian') (1991), 'Wine Speak' ('Jiu Hua') (1993), 'Prospects at my Feet' ('Yidi Jingxiang') (1997), 'Sand in the Wind' ('Feng Zhong Shali') (1998); and short stories such as 'Third Brother Rides Up the Street' ('Qi Ma Shang Jie De Sange') (1997).
Zou Jingzhi has been awarded the top honour at the East Asian Contemporary Poetry Competition, as well as the Poetry Award commemorating the Fortieth Anniversary of the Founding of the People's Republic of China and the Mengya Prize for Literature. In 1993, Zou was awarded The People's Literature (Renmin Wenxue) 's Outstanding Novel Award and The People's Literature's 45th Anniversary Best Newcomer Award.
In 1995, Zou Jingzhi began his work in the film industry with screenplays including 'The Flute Player' ('Cui Di Ren'), and 'Call Me' ('Hu Wo') as well as television series including the five-part TV serial 'Emperor Kangxi Travels Incognito' ('Kangxi Weifu Sifang' ) and 'Ji Xiaolan Has a Glib Tongue' ('Tiechi Tongya Ji Xiaolan' ). In 1997, Zou wrote the musical 'The Night Banquet' which toured U.K., Hong Kong, France, Italy and America. In 2003, Zou wrote the critically acclaimed 'I Love Peach Blossom', which was performed at the 2004 Joint China-Japan-Korea theatrical festival.
Zou Jingzhi's future projects include John WOO's 'The War of the Red Cliff'.
Filmography
WANG Bin (Story Consultant)
Wang Bin hails from Shandong Province. He left home at fifteen to join the army, after which he worked as a traveling book salesman, a literary researcher and a literary editor. In the 1980s, he began writing literature, and became one of China's first freethinking writers.
Wang met Director Zhang Yimou at a discussion group for Zhang's film, 'Ju Dou', and a fruitful collaboration was born. Since 'To Live', Wang Bin has acted as literary consultant on all of Zhang Yimou's films including the director's first martial arts epic, Hero and last year's 'House of Flying Daggers'.
Outside his work with Zhang Yimou, Wang's other credits include Lu Yue's 'Mr. Jiao', Wang Xiao Shuai's 'Dreamland' (Meng Huan Tian Yuan) and Sun Zhou's 'Breaking the Silence'. He has worked on the TV series 'Let Love Run 'Til the End' (Zhang Ai Qing Jin Cheng Dao Dai) and 'The Friends' (Peng You).
Filmography
Bill KONG (Producer)
Bill Kong is head of Edko Films, one of Hong Kong's longest-standing independent film companies. Kong's production debut, 'The Blue Kite' (1993) received multiple awards including Best Feature Film at the Hawaii and Tokyo International Film Festivals. Bill Kong's producer credits include YIM Ho's 'The Day the Sun Turned Cold' (1994) which won Best Picture and Best Director at the Tokyo International Film Festival and the Academy Award winning martial arts epic, 'Crouching Tiger, Hidden Dragon' (2000).
'Crouching Tiger, Hidden Dragon' became not only one of the biggest hits of 2000, but also the most popular foreign film in US cinematic history. It went on to earn a roaring US$130 million at the box office and win multiple awards including four Academy Awards in Best Foreign Language Film, Best Art Direction, Best Original Score and Best Cinematography, as well as two Golden Globe Awards in Best Foreign Language Film and Best Director.
In 2002 alone, Bill Kong produced SUN Zhou's acclaimed love story 'Zhou Yu's Train' starring GONG Li, TIAN Zhuangzhuang's remake of the Chinese classic film 'Springtime in a Small Town' which won the San Marco prize at the 2002 Venice Film Festival, and Zhang Yimou's Academy Award nominated martial arts drama, 'Hero'.
'Hero' smashed box-office records when it opened in China grossing more than US$1.45m in a single day from 200 screens, then opened to a staggering US$18m in the U.S. in 2004. Winner of the Alfred E. Bauer Prize for innovation at the 2003 Berlin Film Festival, 'Hero' has been nominated for a host of awards including Best Foreign Language Film in the 75th Annual Academy Awards, Best Foreign Film at the Golden Globe Awards and 14 nominations at the Hong Kong Film Awards including Best Film, Best Director, Best Screenplay and Best Actress for Maggie CHEUNG.
Bill Kong's recent projects include 'Windstruck', the first Korean film to open day and date in Korea, Hong Kong and China, and Zhang Yimou's Academy Award nominated 'House of Flying Daggers', which premiered at the 58th Cannes Film Festival to great acclaim.
Filmography
ZHAO Xiaoding (Director of Photography)
Zhao Xiaoding graduated from the prestigious Beijing Film Academy in 1987 with a degree in Cinematography. Zhao photographed his first feature film, 'Soul of the Thundering Mountain' (1987) straight out of college and has since been extremely prolific, averaging at least one film a year. His other works include the critically acclaimed 'A Season of Flowers and Rain' (1999) and 'Subway to Spring' (2000).
In 2001, Zhao Xiaoding began his collaboration with Director Zhang Yimou, working as the Cameraman on Zhang's martial arts epic, 'Hero' (2003). The two struck up a great working relationship, and when Zhang Yimou began preparations for the 'House of Flying Daggers', the helmer quickly asked Zhao to be Director of Photography on his new film. Zhao's work on the film earned him his first Academy Award nomination for Best Cinematography.
Aside from his cinematic commitments, Zhao Xiaoding is a refined and experienced cinematographer of commercials. Zhao has shot advertising campaigns for some of the leading brands in the world including Coca Cola, Armani Perfume, Toyota and the Bank of China.
More recently, Zhao Xiaoding was Director of Photography on the successful publicity film for Beijing's Olympic Bid, the Shanghai Expo Bid and the Beijing 2008 Logo Unveiling publicity film.
Filmography
SUN Li (Production Designer)
Graduating in Production Design from the prestigious Beijing Film Academy in 1995, Sun spent his early career working in Art Direction for commercials. His credits in this field include commercials for IBM Computers, Chi Zheng Chinese Medicine, San Jiu Cold and Flu Medicine, Yi Cai He Si Refrigerators and Rainbow TV.
Sun made his silver screen debut as Deputy Art Director on SUN Zhou's heartwarming tale 'Pretty Mama' (1999), starring GONG Li. 'Pretty Mama' went on to win the Netpac Award at the Hawaii International Film Festival as well as Best Actress nods for Gong Li at China's Golden Rooster Awards and the 1999 Montreal World Film Festival.
Sun Li collaborated with Sun Zhou and Gong Li again, this time as Production Designer, in the director's 2002 drama, 'Zhou Yu's Train' which premiered at the Toronto International Film Festival.
Sun Li's other projects include director Ning YING's 'I love Beijing' (2000), which won the Don Quixote Award at the Berlin International Film Festival.
Sun has also served as Art Director for the 'Chinese Olympic Bid Publicity Film'.
Filmography
TAO Jing (Sound Designer)
A veteran of the prestigious Beijing Film Academy, Tao Jing was nominated for the Best Sound award at the 8th Golden Rooster Awards for work on his debut project, CHEN Kaige's 'The King of Children' (1988). This proved to be an auspicious start to a career that includes work on Chen Kaige's Palme d'Or winning 'Farewell, My Concubine' (1993) and Zhang Yimou's BAFTA and Cannes Grand Jury Prize winning 'To Live' (1994). In 1989, Tao Jing supervised the sound for MU Deyuan and LIANG Ming's 'Lonely Soul in a Black Chamber', the first film in China to be mixed in Dolby Stereo.
A long-time collaborator of Director Zhang Yimou's, Tao Jing was awarded the Golden Reel Award for Zhang's 'Shanghai Triad' in 1995, the Best Sound Award at the 22nd Hong Kong Film Awards for 'Hero' (2003) and a BAFTA nomination for 'House of Flying Daggers' (2004). Tao Jing is a two-time winner of the Golden Rooster Award for Best Sound for Chen Kaige's 'The Emperor and the Assassin' (1998) and 'Hero' (2003). He has published widely on the subject of sound in film and is a Visiting Professor at the Beijing Film Academy.
Filmography
GUO Wenjing (Composer)
Guo Wenjing was born in 1956, in Sichuan Province, a mountainous region in Southwestern China. As a child, he taught himself to play the violin his parents bought him in order to discourage him from loitering on the streets of Chongqing. He soon familiarized himself with the folk music of Sichuan, which became an important influence on his early composition. As a violinist at the Dance and Choral Ensemble of Chongqing (1970-1977), he began composing before joining the Beijing Central Conservatory, in 1978.
Guo is a Member of the Association of Chinese Musicians and recipient of numerous national and international awards. Guo Wenjing has been invited to Sweden by the Royal Institute of Music and to the United States by the Asian Cultural Council, the University of Cincinnati and the Manhattan School of Music.
He has written scores for both film and television, including the Silver Bear-winning 'Blush' (1995) and JIANG Wen's 'In the Heat of the Sun' which swept the Taiwan Golden Horse Awards in 1996.
From the symphony to the concerto, from symphonic poem to chamber music, his work has been performed in China, the United States and, since 1993, in Europe, at the initiative of the Nieuw Ensemble and its artistic director, Joel BONS. Guo's major works include : Ba (1982), The River of Sichuan (1981-1984), Concerto (1986-1987), Shu Dao Nan (1987), cantata taken from a poem by LI Bai, Shou Kong Shan (1991), and Yun Nan (1993).
In 1995, the Festival d'Automne presented The Wolfcub's Village (1993-1994), an opera based on the work of LU Xun, followed in 1998 by a concert devoted to his works and featuring an orchestral suite (1994-1997) of the opera, as well as Drama op. 23 (1995), Inscriptions on Bone op. 24 (1996) and Concertino pour violoncelle et ensemble op. 26 (1997).
In 1998, Guo Wenjing composed Echoes of Heaven and Earth op. 31 for a cappella choir and solo percussionist with settings of sanscrit, tibetan and chinese texts. He is currently working on a chamber opera based on the life of the sixth Dalai-Lama, Tsangyang Gyatso (18th century) and a work for harp and ensemble.
Filmography
CHENG Long (Editor)
An Electronic Engineering graduate of the Shanghai University of Science and Technology, Cheng Long began graduate studies in Computer Science in the U.S.A. before working as a sound engineer in a news van for WPVI-TV6 in Philadelphia.
This ignited Cheng's love for motion pictures and led him to pursue a Master's degree in Film and Media Arts from Temple University, Philadelphia followed by a course in Feature Filmmaking at the prestigious American Film Institute in 1995.
On graduation, Cheng Long edited a series of U.S.-based projects including 'Bontoc Eulogy' (1995) which screened at the 1996 Sundance Film Festival and 'US Custom Classified' (1995) which premiered on CKAL-9.
Returning to China in 1997, Cheng Long edited the feature film, 'A Time to Remember' (1998) before editing the television shows 'A Hero Without a Name' (1997-1998) and 'Love Affairs in Two Generations' (2000) for China's Zhejiang TV Drama Centre and Nanjing Cable TV Station respectively. In 2004, Cheng Long edited Zhang Yimou's 'House of Flying Daggers', earning a BAFTA nomination for Best Editing.
Cheng Long is currently a visiting scholar in the Directing Department of the Beijing Film Academy.
Filmography
FURUHATA Yasuo (Director, Japanese Unit)
Born in Japan's picturesque Nagano Prefecture, Furuhata relocated to Tokyo in the 1950s to study Literature at the prestigious University of Tokyo. Immediately upon graduation in 1957, he went to work for the Japanese film powerhouse, Toei Studio.
Furuhata's desire to become a director soon developed whilst working on director KOBAYASHI Tsuneo's 'Blue Ocean' that same year. The film marks the director's first of many collaborations with the actor, TAKAKURA Ken in a professional relationship that has spanned almost half a century.
Furuhata Yasuo made his directorial debut with 'Teddy Boy Yoko' in 1966, which he followed in the same year with 'Jigoku no okite ni asuha nai' starring Takakura Ken. The director and the actor began to collaborate on the chivalrous samurai dramas that Takakura Ken dominated in Japan, including the Abashiri Bangachi series.
By the time the director made the award-winning 'Eki Station', he was already a household name in Japan, but it wasn't until 'Railroad Man' (1999) that Furuhata Yasuo achieved international recognition. The film, starring Takakura Ken as a veteran signalman who assesses his life as he is made redundant after forty years of dedicated service, won a whole host of awards including prestigious Japanese Academy Awards for Best Director and Best Screenplay. 'Railroad Man' was screened to great acclaim at the 1999 Montreal World Film Festival where it was nominated for the Grand Prix des Ameriques.
Furuhata Yasuo's recent works include the thirteen-time Japanese Academy Award nominated 'The Firefly' (2001) and 'Akai tsuki' (2004).
Filmography
KIMURA Daisaku (Director of Photography, Japanese Unit)
Born in Tokyo, 1939, acclaimed Japanese cinematographer Kimura Daisaku first entered the Toho Studios as a camera assistant. There, he had the opportunity to work alongside legendary directors including KUROSAWA Akira and SAITO Takao.
Kimura made his debut as Director of Photography on director SUGAWA Eizo's 'Brute Hunting' in 1973 and a short four years later, received his first nomination for Best Cinematography at the Japanese Academy Awards for 'Mount Hakkoda' (1977).
Ten years after his first nomination, Kimura won the Best Cinematography award at the Japanese Academy Awards for director FUKASAKU Kinji's 'House on Fire' (1986). Kimura went on to win the award a further two times for OKAWARA Takao's 'Abduction' (1997) and FURUHATA Yasao's 'Railroad Man' (1999) for which he was also awarded the Best Cinematography Award at the Asia-Pacific Film Festival.
Filmography
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