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《奏出我未來》
For Horowitz
11月9日 心動公演
故事大綱：
一個壯志未酬的鋼琴老師遇上一個百厭的音樂小天才，兩顆寂寞的心藉著音符連上，奏出動人樂章。
鋼琴老師金智秀因為家貧未能出國深造音樂，對於自己的際遇一直耿耿於懷；極具音樂天份的尹京文自少父母雙亡，一直與外婆相依為命，可惜缺乏家庭溫暖與關懷而反叛又百厭。
智秀將未完成的音樂夢寄托在京文身上，京文從智秀身上擷取缺乏的母愛，施與受的路充滿了障礙，但在過程中，兩人得以重新認識自己，智秀放下了對際遇的不甘心，京文亦得到了適當的栽培……
《奏出我未來》小插曲
1. 受到霍洛維茲的琴音影響，劇本只花了2個星期便完成。編劇金玟叔的外?有絕對音準的天分，她見證著外?每日將生活中的所見所聞變成音符，故決定寫一個關於音樂天才的故事。在偶然的情況下，金玟叔於電視上看到一個鋼琴比賽的節目，比賽規定每個參賽者表演3個樂章，但其中一個參賽者只表演了一首，應該被淘汰的她卻贏得了大獎。
這場比賽的結果令金玟叔思索一個平凡人與天才的分別﹕平凡的人窮一生的精力亦會因能力而有所限制。琢磨期間，金玫叔反覆聆聽霍洛維茲演奏的《結婚進行曲》，受到啟發下以《For Horowitz》為片名。在霍洛維茲的琴音影響下，金玟叔短短2 星期便完成了《奏出我未來》的劇本。
2. 嚴正花及?毅宰的演出令所有人眼淚漣漣？！嚴正花一向鍾愛小朋友，為了與?毅宰建立感情，嚴正花用了大量時間與?毅宰相處，包括一起打遊戲機及聊天。親厚的關係有助?人演出更為投入，其中一幕講述嚴正花為了要使?毅宰離開而說一些難聽的說話，?毅宰因此傷心痛哭。這一場戲可要了嚴正花的命，因為?毅宰的哭聲，使到整個劇組及嚴正花都非常心痛，片場的每個人都忍不住流淚。另外一幕當?毅宰為嚴正花彈奏自創的樂章時，嚴正花就在樂聲響起的一刻感覺到作為人師的重要性。
3. 難忘我最後一幕《奏出我未來》最後一幕可以說是全片最動人的一刻。一如《跳出我天地》，觀眾對於比利時長大並學有所成而終於能在舞台上發光發亮而感到振奮。片末講述?毅宰學成後回韓國表演，劇組人員為了這一場特別花了2天時間採排，務求琴音及畫面感動觀眾。加上邀得世界級鋼琴家金楨沅(Kim Jeong-won)扮演?毅宰的成人版，演奏Rachmaninov Piano Concerto No 2樂章，非常感動。
4.韓國最頂尖的音樂人攜手合作
《奏出我未來》主要環繞人與人之間的關係，在片中把各人連在一起的卻是音樂。琴音除了掀動觀眾的情緒外亦同時為觀眾心聲的代言。《奏出我未來》是韓國電影史上首次以寫實的手法拍攝以音樂為題的電影。今次的音樂由李丙雨負責，李丙雨曾替《外出》、《姊魅情深》及《王的男人》等電影配樂，功力不容置疑。李丙雨為主角們度身訂造作曲，包括由嚴正花主唱的電影主題曲。世界級鋼琴演奏家金楨沅(Kim Jeong-won)特別出演《奏出我未來》，其精堪的琴技、優美的琴音非常動人。
嚴正花飾演金智秀 早於1989年，嚴正花已涉足影藝圈。當時，她參加了電視台的合唱團，又以配角身分演出過多齣電視劇，兩份工作使她的歌唱和演戲天分得以磨練成形。1993年的一齣《On a Windy Day, We Should Go to Apkujeong Dong》（台灣譯作：《颱風的日子我要去狎鷗亭》）令她聲名大噪，戲中的角色令她的演技得以盡情發揮，使不少人開始注意她。 奇怪的是，嚴正花竟然放棄了演戲而投身歌手之列，1993年5月，她正式進軍歌壇，推出了首張專輯《Sorrowful Secert》，在主打曲〈眼神〉的音樂錄影帶中，她不止發揮了優秀的歌唱技巧，令人喜出望外的是她的舞藝也同樣出色，〈眼神〉順利登入流行榜的十大。95年，嚴正花推出她的第二張專輯，當中的〈只有天空同意的愛〉深受聽眾愛戴，從此便奠定她在樂壇的地位。 嚴正花的另一武器是前衛而多變的形象，時而熱情，時而冷若冰霜，化妝和服飾都肯勇於創新，所以幾乎每張專輯的新形象都會成為城中焦點，有不少人更認為嚴正花就是韓國女性的潮流指標。 嚴正花的膽量亦是她的成功要素之一，〈招待〉的音樂錄影帶中，她竟然赤裸上半身演出，頓時全國嘩然；第六專輯《Queen Of Charisma》中的一首〈Escape〉中，她被綁在標靶上，被男主角矇著雙眼飛擲千刀，由於過分大膽，音樂錄影帶立即遭禁播。 二零零一年她首次到香港出席「Kiss Hong Kong」韓星匯演，在舞台上向香港觀眾展示出她的看家本領，獲得雷動掌聲，不久的將來，她便會正式進軍港台樂壇，更會嘗試演繹國語歌曲。嚴正花最近曾演出而較為香港人熟悉的要算是2002年與甘宇成一同擔綱演出的《周末同床》，而她更曾經榮獲韓國三大影壇頒獎禮之一的百想藝術大獎最佳女主角。近作有溫情輕鬆小品《我生涯中最美的一周》，片中的嚴正花飾演失婚精神科醫生，雖然失婚但個性堅強敢愛敢恨風騷迷人。在《奏出我未來》嚴正花飾演一個自負又自我的綱琴教師，為了配合角色，嚴正花特別苦練琴技於片中親身上陣，使電影更有看頭。
?毅宰飾演尹京文
?毅宰是劇組人員花了一年時間於韓國各地發掘出來的鋼琴小天才。?毅宰7歲開始學習綱琴，習琴短短9個月便贏得韓國國際綱琴大賽大獎。從一件小趣事中可以見到?毅宰的音樂天份及敏感﹕與綱琴家金楨沅會面時，?毅宰聽到金楨沅的演奏後，他淚流滿面並且表示﹕「原來蕭邦是可以如此演奏的。」?毅宰更紀錄了拍攝時的點點滴滴，這位小神童情感相當細膩。
《奏出我未來》為?毅宰處女作，雖然初次演戲，但演技出色，導演權泂辰亦讚揚他演出自然而且很有自信。
導演權泂辰
權泂辰認為《奏出我未來》並不是一部關於小孩或神童的成名之路，而是一部關於人與人的相遇相愛的故事，特別是人與人相遇後的化學作用。通過《奏出我未來》，我希望表達愛的影響力，愛是可以戰勝慾望及私心。
權泂辰曾拍攝超過二百個廣告及音樂錄像，其中包括三星(Samsung Electronics)的廣告，於2001年執導網上電影MOB2025，《奏出我未來》是權泂辰第一部執導長片。
關於霍洛維茲
霍洛維茲是女主角智秀最崇拜的綱琴家。某日，智秀發現一個小霍洛維茲，京文是智秀的希望，同時亦激起了她的妒忌(對京文的才華)。京文能否完成智秀未完成的夢想？
小霍洛維茲並不容易敞開心扉，但智秀面對更大的問題是她沒有教導京文這種天才的能力。此電影中的"霍洛維茲"代表了智秀的無私與及對京文的影響。
1903年10月1日出生於烏克蘭的霍洛維茲，天賦異秉的他7歲就登台舉行獨奏會，17歲從基輔音樂學院畢業之後，就在蘇聯境內展開了馬不停蹄的演奏，他跟小提琴大師海飛?一樣，都是20世紀身價最高、不仰賴音樂性競賽成名、而且都在意氣風發的年少時便離開祖國的超級演奏家。
1928年他在紐約的卡內基音樂廳登台首演，門票早就銷售一空、台下眾星雲集，連大師拉赫曼尼諾夫都是座上賓。擔任指揮的大指揮家畢勤爵士一點也不把他放在眼裡，年輕的霍洛維茲在拿手的柴可夫斯基第一號鋼琴協奏曲目演奏上一路隱忍受氣，直到第三樂章，才像脫?的野馬一樣狂飆到底，狠狠地把樂團甩在後邊，樂團死命追趕都追不上，全場歡聲雷動，猶如李斯特再世，霍洛維茲因此一戰揚名國際。當時BMG古典唱片部的前身勝利牌留聲機公司（RCA VICTOR）馬上就跟他簽約，錄製他的個人首張專輯。1932年結識大指揮家托斯卡尼尼，展開音樂上的合作，隔年便娶他的女兒汪達為妻，演奏事業自此如日中天。
隨身攜帶自己的鋼琴巡迴世界演出，被視為耍大牌的行徑，但這只是霍洛維茲的基本要求，因為好的聲音不會自己存在，他任用專屬鋼琴調音師法蘭茲．莫爾廿多年，當莫爾請假時，他甚至取消音樂會。霍洛維茲每到一個新的音樂廳，一定要察看舞臺上下所有狀況，剔除會影響音效的物體，包括布幕的高度跟捲法。他會在演奏會前試彈，不停地要求舞臺人員調整鋼琴位置。從1965年起，美國卡內基音樂廳的地板上，就一直標有「霍洛維茲的螺絲孔」字樣。連最精準的音響工程師，透過各種精密儀器測試之後，都無法否認，霍洛維茲標定的，確實就是舞台上聲音效果最好的位置，而這完全只靠他用自己的耳朵聽出來。
美國知名樂評人哈洛德．荀白克曾說過：「海飛茲至少有一個華麗的繼承人－-帕爾曼。然而當霍洛維茲停止演奏時，沒有人能繼承他！」霍洛維茲獨特的演奏，即使他親自教導的六個學生也無法學會。他手指平放在鍵盤上，看似肌肉僵硬，尤其是右手小指翹起，好像肌肉緊張一樣。這跟學校教的標準指法正好背道而馳。不過他的雙手力道驚人，能彈出如雷貫耳的聲響，也能夠彈出音樂廳最後一排聽眾，都能清楚感覺到的弱音。
伯恩斯坦說：「我和霍洛維茲最不同的地方，就是他彈出了樂譜上的百分之百，而我只彈出了百分之七十而已。」拉赫曼尼諾夫曾在某場音樂會後，一言不發地走上舞台，緊緊地抱住霍洛維茲。拉赫曼尼諾夫形容霍洛維茲對音樂的理解，如同「把整首曲子吞了下去」；小提琴家密爾斯坦甚至推測，技巧出神入化的拉赫曼尼諾夫，其實非常忌妒霍洛維茲。霍洛維茲對音樂獨特的理解力，也讓音樂產生無人能模仿的鮮活感受。
《奏出我未來》演職員表
Sovik Venture Capital & DCG Plus呈獻
Sidus FNH 製作
Showbox/Mediaplex,Inc. 發行
主演：《我生涯中最美的一周》嚴正花
?毅宰 朴埇祐
執行監製：朴賢泰
製作：《殺人回憶》車勝宰 金美熙
監製：閔?基
導演：權泂辰
編劇：金玟叔
攝影：黃東國
燈光：李?圭
美術：金志修
音樂：李丙雨
服裝：?允美
化粧：金賢貞
剪接：崔民榮
音響：LIVETONE
助導：李正遠
發行：安樂影片有限公司
FOR HOROWITZ (PRESS RELEASE)
A woman hurt by piano
A child who sees through piano
And their special story
<About the film>
1. A piano teacher like Salier meets a boy like MozartSalier and Mozart, Alfredo and Toto, Billy Eliot and his ballet teacher...
These pairs immediately bring to mind films that have a wonderful and exciting story.
For Horowitz is quite similar to these films in that the story revolves around two contrasting characters.
Kim Ji-soo is a piano teacher whose maturity level doesn't correspond to her age. She is quite like the unfortunate composer Salier who could not give up music despite his lack of talent.
Her counterpart is Yoon Gyung-min, a child prodigy with genius like Mozart and a dark and painful childhood. He is the musical version of Billy Eliot so to speak, a child with a special gift growing up in a disadvantaged environment.
The movie presents a dramatic story of a special duo, an immature piano teacher and a troubled child prodigy. The average person will naturally find it hard to understand a genius. Kim Ji-soo, who is just like us the average people, aspires to fame as a piano teacher through the prodigy she has stumbled upon. But a genius demands protection and commitment. So 'Salier' faces a tough choice of sacrificing himself for 'Mozart'. The strength of this film lies in the drama created by the oddly matched characters, and its heartwarming message is delivered by the teacher, who began in self-interest learns to act in selfless love for her student.
2. A miraculous encounter that changed two lives
For Horowitz is about two people who meet and change each other's life forever. Ji-soo suffers from a serious inferiority complex that grew out of her failure as a pianist. She tries to hide the scars under the cover of her pride.
Then one day, she meets a strange but brilliant child prodigy. For him, the piano is the window through which he perceives the world. Though more than abundantly gifted in his musical genius, the child has been less lucky in other ways. His painful life has caused him to shut himself up from the rest of the world. Ji-soo, whose initial motivation was to regain her lost self-esteem taking advantage of this genius, comes to understand and truly love the boy as she learns more about him. The child, too, starts to open up as he had not to any other, and begins to communicate with the world around him. Their once secluded and lonesome lives turn to something beautiful and positive through their chance encounter. "No man is an island," said Hugh Grant in About a Boy. Indeed, people are destined to live with other people and it is through relationships with others that we can change and grow. For Horowitz moves the audience by showing exactly that as do the grandma and grandson in The Way Home, the father and daughter in A Family, and the mother and son in Marathon. But there is a difference. While these earlier films dealt with people connected by strong blood ties, For Horowitz presents two people, who were complete strangers to each other, develop and share a love that runs even deeper than we see in a family.
3 For my little Horowitz
Vladimir Horowitz (1904~1989)
Russian-born pianist of the 20c known for his extraordinary musical talent.
He was voted the 'pianist most envied' by currently performing pianists.
He had resided in the U.S. for decades before going back to Moscow in 1986, just three years before his death, for a special homecoming recital. It is remembered as his most outstanding performance.
Vladimir Horowitz is the pianist Ji-soo (played by Uhm Jeong-hwa) most admires and wishes to emulate. One day, Gyung-min (played by Shin Eui-jae), a musical genius like Horowitz, walks into her life. Ironically, Gyung-min is a source of both jealousy and hope for Ji-soo. He is the little Horowitz who may be able to realize Ji-soo's unfulfilled dream.
This little Horowitz, however, does not open his heart so easily. What is more Ji-soo must face the fact that she lacks the ability to teach such a brilliant child. Stumbling along through trials and errors Ji-soo grows to be a worthy teacher for this boy Horowitz. Horowitz in this film symbolizes Ji-soo's lifetime aspiration and her selfless act of love.
<HOT ISSUE>
1. Screenplay finished in two weeks by scriptwriter inspired by Horowitz's performanceScriptwriter Kim Min-sook has a niece who has an absolute pitch. She has watched her niece translating the sounds in everyday life such as footsteps, cars driving by, etc. into musical tunes, and thought she would some day write a screenplay about such musical talent. It was by chance that she saw a TV broadcast of ??? piano competition. As a rule, each contestant had to play 3 pieces, but a girl named Lee Yoon-su played just 1 piece. Although she should have been disqualified the jury gave her the grand prize, so extraordinary was her god-given talent.
This scene led Kim Min-sook to think about the unsurpassable gap between a genius and an average person. For several days, she thought of how a person of average ability will never amount to a genius like Mozart even if he spends a lifetime trying. While that thought still remained in her mind, she listened to the variation on 'Wedding March' played by Horowitz. This gave her the title For Horowitz and within two weeks she had finished the first draft. Anyone can relate to and be moved by this story about a genius and people who are not as extraordinary.
2. Two thumbs up performance by Uhm Jeong-hwa and boy actor Shin Eui-jae move all to tears
Uhm Jeong-hwa, who is very generous and fond of children, made a special point of building a mutual relationship with the young lead actor. She would watch the monitors with him sitting on her lap and played the PSP game together. Little did she expect that such a close bonding with the boy actor would also be so painful. In the scene where she is parting with Gyung-min she had to say harsh things to him to make him cry. And he cried and cried as if he were crying his heart out. Seeing him Uhm felt such pain and the sad scene was shot with the staff shedding their share of tears. Uhm Jeong-hwa confided that tears would well up in her eyes just by looking at Eui-jae, and during the scene where Gyung-min plays for Ji-soo she "couldn't keep the tears from coming to her eyes to hear him play " for her. Uhm added that she found herself turned into Gyung-min's teacher. The tearful performance by Uhm and her gifted student is the highlight of this film.
3. A last scene to remember
The last scene of For Horowitz is one that will be remembered as one of the most memorable scenes in the history of cinema. Fine strands of emotion are woven together to create a drama with depth, and these emotions build up towards the peak, exploding at the very last scene. The audience who remembers how they felt when Toto sees Alfredo's last gift for him or when Billy after all the obstacles has become a successful ballerino and flies across the stage will remember that last scene for life. The last scene of For Horowitz is no less moving and it contains a hidden and unanticipated story. The crew put a special effort in the last scene, which is the grandest and fanciest moment in the film. Rehearsals were held for two full days to perfect the cast's delivery of emotions, and a prior simulation of the scene was carried out to bring out the best in everything. The last scene, so meticulously planned and executed, will move the audience spiritually with its beautiful visuals and lasting emotional imprint.
4. Top music staff in town for the third hero in the film, Music< Music director Lee Byung-woo, pianist Kim Jeong-won, and theme song by Uhm Jeong-hwa >
For Horowitz is essentially about people but the media that connect people in it are music and especially the piano. In this movie, the piano and music are a character all on their own. It not only connects the people emotionally but it is another language that speaks to the hearts of viewers. For Horowitz is also important as the first film in Korea to deal with music in a realistic way, and a host of special music staff was recruited for this purpose. Lee Byung-woo, who served as music director for successful films such as Untold Scandal, A Tale of Two Sisters, Purpose of Love and King and the Clown, took charge of the music for For Horowitz, a film he says has a special significance for him. Kim Jeong-won, a well-known pianist in the world of classical music, made a special appearance. Uhm Jeong-hwa sang the theme song My Piano which Lee Byung-woo wrote himself, doubling as a music staff and the leading lady. In addition to the piece performed by boy genius Eui-jae written by Lee Byung-woo and Rachmaninov Piano Concerto No. 2 played by Kim Jeong-won, Chopin's 'Minute Waltz', Debussy's Arabesque, Mozart's K. op.20, Bach's Invention and other classics accentuate the beauty of the film and make a deeper impression on viewers.
<SYNOPSIS>
The child I met was an ugly duckling
Kim Ji-soo is a single woman of age 30. She is suffering from an inferiority complex rooted in an unfulfilled dream to become a famous pianist like Vladimir Horowitz.
Ji-soo acquires a small piano studio in the outskirts of Seoul to make a living. On the day she moves into the studio, a strange boy goes through her belongings and runs away with her metronome.
I thought he was my ticket to success
The strange boy is Yoon Gyung-min, age 7, a known troublemaker in the neighborhood. He lives alone with his grandmother. He turns out to be a major problem for Ji-soo, constantly lingering around the studio and interfering with her lessons. But one day, she accidentally discovers that Gyung-min is a musical genius with an absolute pitch.
Suddenly she begins to burn with a new ambition to rise to fame as a teacher who has discovered a jewel. She starts giving Gyung-min intensive piano lessons to have him win influential music competitions.
I did not know, then, a genius needs a bigger love
But Gyung-min is a boy with hidden scars in his heart. He doesn't readily fulfill the expectations of his eager instructor. Meanwhile, Ji-soo secretly suffers about her lack of ability to teach such a musical genius.
Finally, the competition begins and Gyung-min climbs on to the stage. But for some reason, he sits there still. With all her hopes shattered, Ji-soo begins to lay all her anger and frustration on Gyung-min. But she learns later that Gyung-min was more than a genius. To Ji-soo, he becomes the greatest gift of all.
<CHARACTERS>
Kim Ji-soo
Age 30. An immature piano instructor who has nothing but pride
"I'm going to teach music majors only. I can't bother about little kids when I don't have enough ttime to practice myself!"
Kim Ji-soo is a rookie piano instructor who starts teaching in her own studio on the outskirts of the city. She once dreamed of becoming a famous pianist like Horowitz, and she likes to believe that she unluckily failed to get the chance.
Nevertheless she is unrealistically determined to teach only those who are music majors and to concentrate on her own practice in her free time.
One day, she encounters a child prodigy named Yoon Gyung-min who has an absolute pitch.
Believing that he will be her ticket to fame and success, Ji-soo starts pushing Gyung-min in preparation for a competition. However, Gyung-min has a fit on stage and Ji-soo, embarrassed, gives up on her genius.
Here she comes! Uhm Jeong-hwa in her first human drama!
Uhm Jeong-hwa is one of the most successful and sought-after actresses in Korea. She has proven her talent and power to boost ticket sales with two films last year, All for Love and Princess Aurora. In the casting process, she was widely recommended as the perfect actress as Ji-soo with her image as the lovable girl next door. She showed an unsurpassable commitment to her role, practicing classical pieces such as Schumann's Traumerei and the first movement in Beethoven's piano concerto 'Emperor'. The beautiful music she performs will be a special gift for movie-lovers. On the acting side, she will show Ji-soo's transformation from an immature and self-serving instructor to a truly worthy teacher.
UHM Jeong-hwa
Filmography
We Must Go to Apgujung-dong on Windy Days (1992)/ Marriage is a Crazy Thing(2001)/Singles(2003)/Mr. Handy, Mr. Hong(2004)/All for Love, Princess Aurora( 2005)
Awards
Yoon Gyung-min
Age 7. Child prodigy who walked into Ji-soo's life
"I can hear everything, even my thoughts… "
Gyung-min is an orphan living with his old grandmother. He is recognized as a troublemaker in the neighborhood. He has been psychologically unstable ever since he bore witness to his mother's death.
The only thing that can make Gyung-min concentrate is the piano. He shows a keen interest in the instrument, lingering around Ji-soo's studio and stealing her metronome. One day, he reveals his extraordinary gift and opens up to Ji-soo for the first time. Ji-soo, who has failed as a pianist herself burns with a desire to succeed as an instructor, and starts to train him intensively. But on the day of the competition, Gyung-min has a fit on stage and ruins her aspirations.
Shin Eui-jae, a child prodigy discovered through a year's search!
Shin Eui-jae is a real life child prodigy with an unusual gift of playing the piano. The production team searched the piano studios around the country for a full year to discover this jewel. He began his lessons at age 7 and won a grand prize in a piano competition in 9 months. He is currently preparing to perform with world-class conductor Chung Myung-whun.
There is an interesting anecdote which demonstrates the child's extraordinary sensitivity and musical talent. Upon meeting the pianist Kim Jeong-won he asked him to play Chopin and listened intently for half an hour. At the end of the performance, Eui-jae, shedding tears said, "I didn't know Chopin could be played like this." Through this film he discovers another of his talents, acting. He played the perfect Yoon Gyung-min. Director Kwon Hyung-jin said of him "He's got cheekiness in his eyes," which shows how confident he was of acting though it was his first time at it. He really identified himself with the role and gave a great performance to the admiration of all the staff. Shin Eui-jae even kept a filming log saying he wanted to record all the things he felt during the making of the film. The realistic acting and outstanding piano performance of this child prodigy is something the audience can definitely look forward to.
SHIN Eui-jae
AWARDS
Shim Gwang-ho
Age 35. Owner of a pizza restaurant in the neighborhood
"Ms. Kim, sometimes I burn pizzas by accident, but I don't get mad at them. It's the same for Gyung-min."
He is an old bachelor who owns a small pizza place in the neighborhood. When Ji-soo moves in, he at first doesn't like thinking she is too arrogant. But this good-hearted and naive man falls in love with her after seeing her play the piano.
Ji-soo acts coldly towards him the more he tries to approach her, but his love for her does not change. He even goes on to start piano lessons. Gwang-ho tries to win her heart by delivering free pizzas to Ji-soo's studio and presenting two tickets to a concert for her and Gyung-min.
Park Yong-woo, the warm-hearted owner of a pizza restaurant!
Park Yong-woo won the Best Supporting Actor award of the Choonsa Na Woon-kyu Film Festival in 2005 for his performance in Blood Tears. He has a clean image and a great smile that has won him roles in various TV dramas and films. He is one of the emerging stars in Korea's film industry. He has a handsome and kind face which led him to more serious roles but in For Horowitz he plays the comical and naive owner of a small pizza place.
PARK Yong-woo
Filmography
Awards
<Director>
Kwon Hyung-jin
"This film is not about the pursuit of success by a pianist or a child prodigy with an absolute pitch. It is about the relationship between people as they meet, love and change. The way people meet and change is like a chemical reaction, and it can't be captured neatly in a bowl, so to speak. I want this movie to show how a piano instructor and a boy genius meets, changes, and loves each other, and to get across to the viewers the precious love that precedes a selfish desire or dream. That humane love is what I wanted to express, and I wanted it to come out as the image of sunlight. I wish for the audience to feel how precious people are as they see this warm and sunshiny movie."
Filmography
<Special staff>
Lee Byung-woo (Music Director)
Lee Byung-woo is one of Korea's most prominent guitarists and composers.
He is also very active as a director of music for films and has an impressive filmography including Untold Scandal, A Tale of Two Sisters, Purpose of Love and King and the Clown. The movies he has been involved in were well-received by movie lovers. He has received much recognition at home and abroad, awarded for music at the Korea Film Festival in 2002, by the Film Critics Association in 2003 and at Shanghai International Film Festival in 2004. The OST for films Untold Scandal and A Tale of Two Sisters were sold in Japan, which shows he has fans outside of Korea as well. As the piano and music is central to this film, Lee has participated more extensively in the production than he had in earlier movies, taking charge of everything concerning music from the developing stage to post production. He composed and directed much of the music that is played in the film. He even advised the cast on acting in scenes where the characters are playing the piano. The strong commitment and participation of Lee Byung-woo in creating the music for this film is already drawing much attention.
Music Director Credits
Pianist Kim Jeong-won
Kim Jeong-won is a rising star in the classical music realm in Korea. He was admitted to the University of Music and Performing Arts in Vienna at the age of 15 with top scores and graduated also as the top student of the class. He has won awards in international piano competitions. On top of such a successful musical career, he is handsome, eloquent, and has a great presence on stage, which has earned him the recognition as a young star in classical music. Pianist Murray Perahia described him as a pianist fool of warm sensitivities, fantasy, and ideas that capture the audience. He has co-launched and is actively involved in the MIK Ensemble, a project group of young and innovative musicians, including violist Kim Sang-jin, cellist Song Young-hoon, and violinist Kim Su-bin. For Horowitz was his first venture into the film industry. His role in the film has not been disclosed, and already many of his fans are eager to find out.
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