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05之夏最矚目配搭
當今最火辣最狂野最型最索最殺氣騰騰龍?配

《盜墓者羅拉》索女		《木馬屠城》型男
安祖蓮娜祖莉	X	畢彼特

六月九日打得火熱

故事大綱：
外表冷艷的珍Jane（安祖蓮娜祖莉Angelina Jolie飾）在哥倫比亞巧遇俊朗機智的尊．史密夫John Smith（畢彼特Brad Pitt飾），他們一拍即合，雖然大家都不太了解對方的背景，但依然愛得熾熱，更閃電結婚。

不經不覺過了六年，珍及尊被外界喻為完美夫妻，過著「完美」的幸福生活，包括擁有「完美」的大屋、「完美」的工作、「完美」的婚姻；但是他們之間仍然有一層隔閡，大家我行我素，就連各自從事職業殺手的秘密都互不知曉。

天意弄人，某天當珍及尊各自為受僱的組織執行任務的時候，發覺為敵對集團效力的頭號殺手竟是枕邊人，更諷刺的是兩人這趟的任務是剷除對方！身份敗露，兩夫妻「被逼」互相徹底瞭解。職業殺手的第一守則是接受任務後不能半途而廢，到底珍與尊在「愛得煙韌、殺得肉緊」的兩難局面下如何抉擇呢？

史密夫與史密妻強項大比併

	史密夫	史密妻
身高	6呎	5呎7吋
職業	某組織頭號殺手	某組織頭號刺客
強項	重型武器專家	輕型武器高手
武器	火箭炮、手榴彈、半自動步槍	手槍、臂刀、長?
最新任務	暗殺史密妻	暗殺史密夫

靈感來自香港
《史密夫決戰史密妻》的早期構思見於編劇西門京保Simon Kinberg的大學畢業論文中，當時的他深深被香港的動作電影吸引著，有志編寫一部港式的動作片。西門京保表示：「香港的武打片很酷、富有魅力之餘，動作設計亦明快流暢、速度敏捷，這些元素引領我編寫《史密夫決戰史密妻》。」

至於本片的主題講述夫妻之間大廝殺，靈感是來自西門一位正接受婚姻治療的好朋友。當他講述治療的經過時，西門忽發奇想，覺得雙方像是建立在僱傭關係上，啟發他編寫《史密夫決戰史密妻》的故事。

西門撰寫好劇本後巧遇《有你終身美麗》監製艾基華高斯曼Akiva Goldsman，兩人惺惺相惜，艾基對西門這個匯集了動作、歷險、浪漫、搞笑等原素的劇本非常讚歎：「《史密夫決戰史密妻》有別於一般的浪漫搞笑電影，因它加入了不少動作及爆炸的場面。此故事講述兩夫妻被迫要傾盡全力殺死對方，但卻正正給予雙方更多機會去彼此認識。由於加深了解，珍及尊亦得以重燃愛火。」

飾演珍的安祖蓮娜祖莉亦很喜歡這部電影，並表示：「這部電影包含了戲劇化的人物關係、精彩的動作及搞笑場面，而且每個部份都配合得恰當，就好一段美滿的婚姻一樣。」

她又指：「在拍攝期間，我更加認識到自己。好似戲中的珍因職業關係，她不可以跟其他人太過接近，沒有真正的朋友，每次都要獨立行事，表現相當堅強。但當男女雙方都需要對方的話，處事的效果會更加理想。」

受專業特務反恐訓練
為了有逼真效果，男女主角皆在洛杉磯的私人槍會內接受了數星期的特務及反恐訓練。安祖蓮娜表示：「我之前所拍的電影都沒有夥伴，所以今次要與畢彼特合作接受訓練相當艱難。我們要學習手持一支裝滿子彈的槍械，在彼此間穿梭，並衝入屋中射擊預設的目標，情況簡直令人難以置信。不過，這個訓練令大家學習互相信任。」

特技統籌Simon Crane表示：「兩位主角除了在槍械的訓練中採用最精銳的武器包括泰瑟槍(Taser)、Stun Gun、MP5 Submachine Gun外，還要接受發射火箭、高速駕駛電單車、攀石等訓練。由於他們十分投入訓練的過程，對新的技巧亦很快掌握得到，每次表現都很專業。」

Simon Crane又指：「現時的觀眾喜歡看演員親身上陣，他們不喜歡看到動作場面是採用電腦特技或替身拍攝，所以我們安排了很多時間在採排及訓練上，務求令每個演員都能夠在安全的情況下發揮所長。」

跳舞環節考起導演
曾執導《叛諜追擊》的導演德格里文Doug Liman對於拍攝動作場面手到拿來，而編劇西門京保從香港的功夫片借鏡，因此特別著重音樂跟動作的配合。其中一幕講述兩人翩翩起舞的同時，不忘互相較量，有時候尊會引領珍，有時候珍亦引領尊，大家不會向對方認輸。德格里文表示，跳舞本應是很浪漫的，但要加入動作的元素，實在不易掌握，這比起大製作的動作場面還具挑戰性。

另外，導演德格里文亦指出：「當珍與尊結婚後，大家相方都隱藏著自己的身分，而且就算他們身手有多不凡，但始終都會面對一般夫婦都會面對的問題，如沉悶、背叛、熱情冷卻等。但當彼此『攤牌』後，史密夫夫婦卻發現沒有愛及信任的婚姻是不可能長久，所以他們的愛火得以重燃起來。」

特別設計愛巢深藏不露
負責美術的謝夫曼Jeff Mann表示為了替史密夫夫婦設計他們的「愛巢」，特別諮詢了畢彼特，因為他對此甚有研究。經過一輪討論後，他們就決定了愛巢的模樣。謝夫指出：「史密夫夫婦生活於上流社會，所住的地方擁有一流的設計，格外舒適，令人羨慕不已。但這只不過是一間「屋」，而不是溫暖的「家」。雖然他們從事的工作令他們可以過著奢華的生活，但這卻買不到幸福快樂。」

愛巢的外觀獨特之外，亦內有乾坤。由於兩夫妻都是職業殺手，各自擁有秘密武器，愛巢亦收藏了不少犀利武器。為了設計這間屋，謝夫巧妙地在屋內的不同位置裝有暗格，例如尊將大量現金、火箭炮、手榴彈以及大量的步槍貯存於地牢下的電壓房；而珍把其高科技的武器藏在焗爐，以防被對方發現。

演員及幕後班底

型男畢彼特
出生於美國奧克拉荷馬州的畢彼特，中學畢業後入讀密蘇里州大學新聞系，後來他發現自己熱愛演戲，毅然放棄學業，隱瞞家人說轉往設計學校讀書，其實走往荷里活發展。

初期，畢彼特一直參演電視節目，1991年才進軍大銀幕參演列尼史葛執導的《末路狂花》，演技獲得一致好評，再加上其俊朗的外型，迷倒萬千少女，一鳴驚人而片約不絕，包括《A River Runs Through It》、《吸血迷情》、《七宗罪》、《諜戰》、《搏擊會》等。

由於演技精湛，畢彼特96年憑《十二猴子》獲金球獎、全美驚慄電影、百事達娛樂大獎最佳男配角、以及奧斯卡金像獎最佳男配角提名，98年憑《西藏七年》獲荷蘭電影大獎最佳男主角。

索女安祖蓮娜祖莉
被選為全球最性感女士的安祖蓮娜，除了外表誘人，散發著迷人的女人味之外，演技同樣廣受外界肯定。安祖蓮娜99年憑電影Gia中卓越的演出榮獲金球獎。翌年，她憑《我有冇問題》榮獲奧斯卡、金球獎及演員公會的最佳女配角。

這些獎項為她璀璨的星途錦上添花，成為現今炙手可熱的女演員。安祖蓮娜繼後參演的電影包括：《激情叛侶》、《極速60秒》、《骨中罪》、《屍人交易》、《盜墓者羅拉:生命之匙》、《轟天戰士決戰明日世紀》及為《鯊膽大話王》配音。

此外，愛心爆棚的安祖蓮娜祖莉，現擔任聯合國難民大使，不單止經常訪問第三國家的難民，還在探訪柬埔寨期間收養了男嬰。愛心滿溢的她還在一個網站調查內以壓倒性票數獲選為最性感的單親媽媽。

導演德格里文
出生於紐約市的德格里文，七歲時已經拍攝短片。由於醉心電影，他遠走南加州大學修讀電影與電視的碩士課程。96年，藉藉無名的德格里文動用了由父親籌募的25萬美元的經費拍攝《全職浪子》，電影一出惹來各國的注目，票房收入超過450萬美元。這次的成功推動他拍攝更多優質電影，包括早前由好戲型男麥迪文擔綱主演的《叛諜追擊》。

除了執導工作，德格里文還熱心公益活動，如參加Legal Action Center，積極替染上毒癮、患愛滋病等人士尋求法律援助；在Safe Space的組織中，替紐約市一班無家可歸的青年人服務。

<史密夫決戰史密妻>演職表
REGENCY ENTERPRISES呈獻
NEW REGENCY / SUMMIT ENTERTAINMENT / WEED ROAD PICTURES製作
德格里文作品
《木馬屠城》畢彼特《盜墓者羅拉》系列安祖蓮娜祖莉
"史密夫決戰史密妻"
《七夜冤靈》阿當布洛迪《Ray》嘉莉華盛頓
音樂總監︰《叛諜追擊》祖莉安佐丹
音樂︰《史力加2》尊鮑威爾
聯合監製︰《明日之後》甘雲達
服裝︰《珍珠港》米高卡彭
剪接︰《特警雄風》米高朗歷克,A.C.E.
美術︰《未來戰士3殲滅者TX》謝夫曼
攝影︰《七夜冤靈》保真巴薩利
執行監製︰《舊年暑假搞乜鬼》艾力菲治
編劇︰《神探俏嬌娃2指環密令》西門京保
監製︰《夜魔俠》艾朗米贊金像得主《魔間行者》艾基華高斯曼
《鑣火》魯卡斯科士打《魂離情外天》柏德烈華茲保格
《凸務之王》系列艾歷麥里奧
導演︰《叛諜追擊》德格里文
發行商： 20世紀霍士影片有限公司

John and Jane Smith are an ordinary suburban couple with an ordinary, lifeless suburban marriage. But each is hiding something the other would kill to know: Mr. and Mrs. Smith are actually highly paid, incredibly efficient assassins, and they work for competing organizations.

Mr. and Mrs. Smith discover a new source of excitement in their marriage, when they're hired to assassinate each other…and that's when the real fun starts. The result is the ultimate action spectacle, as Mr. and Mrs. Smith put their formidable skills to work and their marriage to the ultimate test.

Brad Pitt and Angelina Jolie star in MR. AND MRS. SMITH, a sexy action adventure, filled with globetrotting action, state-of-the-art special effects and incredible stunts. It's also a comedy with extraordinary characters having some ordinary problems.

What became a big-event motion picture had somewhat modest origins.

Screenwriter Simon Kinberg wrote the first draft of the screenplay for his Master's thesis at Columbia University Film School. "The idea came from my passion for Hong Kong action films," says Kinberg, who went on to write or co-write XXX: State of the Union and X-Men 3. "The Hong Kong action films were cool, sleek, sexy and kinetic, and all that became the impetus and framework for my original draft."

While Kinberg was brainstorming specific story ideas, he went to dinner with close friends who were experimenting with marriage therapy for the first time. "I was still trying to figure out the story," says Kinberg, "when my friends told me about their experiences in marriage counseling. It sounded like a kind of mercenary experience, which I felt could be grafted on the skin of an action movie."

With his first draft ready, Kinberg met with Akiva Goldsman, a noted screenwriter (he won the OscarR for his adaptation of A Beautiful Mind) and producer. The screenplay's mix of action, adventure, romance, comedy and thrills impressed Goldman, who became a champion of the project.

"MR. AND MRS. SMITH is all about danger, sex and misunderstanding," says Goldsman. "Rather than the traditional romantic comedy grammar, we have lots of action and bombs. But the action is secondary to character. The story is about a married couple being forced to hunt down and kill each other - and that forces them to pay attention to each other for first time in years. Learning the truth about one another, John and Jane Smith fall in love all over again."

Goldsman and Kinberg shopped the script around, with little success at first. After Summit Entertainment and, eventually, Regency Enterprises, acquired the script, Brad Pitt came on board to star as John Smith. Before 'Mrs. Smith' was cast, the producers and Pitt handpicked Doug Liman to direct. Liman had proven himself capable of handling edgy fare, with Go, and big-scale action-adventure, with The Bourne Identity.

Liman was intrigued by the opportunity to make a film that pointed out that being a top assassin is easy compared with the rigors of keeping a marriage afloat. "My previous film, The Bourne Identity, celebrated Jason Bourne's exceptional physical abilities," says Liman. "So I was excited MR. AND MRS. SMITH gave me the chance to make a film that said, 'Big deal, so you're a highly-trained assassin. Try being married for six years; now that's really impressive!

"The film asks a question that is really fun to consider: How do assassins married to each other deal with their marital problems? Of course, the answer is, they try and kill each other."

Liman, Pitt and the producers had been working on the film for several months when it came time to cast Pitt's co-star. The role of Jane Smith necessitated a strong performer of equal talent. One of the industry's most sought-after actresses, Angelina Jolie juggles a calendar booked months, sometimes years, in advance. Along with her acting commitments, she manages a full time schedule of duties as the High Commissioner for Refugees on behalf of the United Nations. Immediately following the completion of principal photography on MR. AND MRS. SMITH, the actress began filming a documentary, which she is financing herself, detailing the plight of refugees around the world.

Fortunately for the film's producers, an upcoming movie project fell apart at the last minute and Jolie was able to consider starring in MR. AND MRS. SMITH. Goldsman, along with Doug Liman and Producer Lucas Foster, convinced Jolie that theirs was not a conventional action film.

"We spent time romancing Angie," says Foster, "talking to her about our vision for the film, because it's the sort of movie that walks a fine line in terms of tone and what it's trying to accomplish. At the end of the day, it's a relationship movie. It has that great push-pull of people who want to be together, but life and circumstance interferes, and yet somehow they have to work their way through it if they want to stay together."

Jolie loved the film's multiple tones. "There are dramatic scenes about relationship issues," she notes, "and huge action sequences and fight scenes that push the envelope, and also there is real comedy. It's a great balance and it's perfect because it's just like real life and marriage."

Jolie also found several parallels with her on-screen alter ego. "I'm very much like Jane," says Jolie. "I learned something about myself through playing her. It's important for women to feel that they can be strong on their own, but it's great to be involved with a film where a man and a woman need each other and are better when they're together. There's something great about people functioning as a team that movies haven't focused on in a while."

John and Jane's secret lives don't leave much room for friendships. The closest thing John has to a friend is a colleague, 'Eddie.' Eddie and John work in the same field but are very different in manner. "Brad and Angie worked from a very still and focused place, because they're playing assassins," says Akiva Goldsman. "'Eddie' is a different kind of assassin; he is frenetic and constantly arcing with energy. Throwing that into the John-Jane dynamic was a lot of fun."

Like John, Jane's circle of friends is limited. In fact, the closest thing she comes to a confidant is 'Jasmine,' played by Kerry Washington (Ray, Fantastic Four), a co-worker who disapproves of Jane's evolving relationship with John. "Jane doesn't have real friends," says Jolie. "She doesn't allow herself to get close to anyone because that would make her vulnerable. For Jane, getting close to someone is the most dangerous thing in the world - and that's saying a lot for a killer."

Another pivotal character is Benjamin Danz, a low-level operative who figures in John and Jane's ever-changing lives as assassins and as a married couple. Liman again turned to a former colleague, bringing aboard Adam Brody. Brody stars in "The O.C.," which Liman executive produced during its first season.

SPY SCHOOL

To bring the necessary verisimilitude to their portrayals of top assassins proficient in a multitude of firearms and deadly martial arts, Pitt and Jolie attended what the filmmakers describe as "spy school." The two actors attended weekly gun-training sessions with Stunt Coordinators Mic Rodgers and Tim Trella, and Technical Advisor Mark Stefanich. A former member of S.E.A.L. Team Two as well as S.E.A.L. Team Six (also known as the Dev Group), Stefanich facilitated the actors' training in special operations and counter-terrorism tactics.

"Brad and I have separately appeared in action films," explains Jolie, "but that's a specific method of training. I've never had a partner on film before and it's very different working with one. We had to learn to move in tandem with fully loaded pump shotguns, crossing each other, running into houses, breaking and covering an area, shooting at moving targets - it was crazy, but we learned to trust each other."

"We started them off with the basics, including weapons familiarization, proper stance, how to hold the weapon, safety and use," Stefanich explains. "We progressed to moving through and shooting at multiple targets."

Rather than training Pitt and Jolie as CIA operatives, Stefanich familiarized them with the training one gets in law enforcement or regular military groups, because time was of the essence. Training exercises took place over several weekends during production at Canyon Oaks, a private shooting range in Los Angeles' San Fernando Valley.

By their very nature, covert operations are fluid and ever-changing, so the actors were taught to rely on their wits during much of the action. An operative must be ready to adapt to any circumstance, and change his or her tactics in the blink of an eye.

Pitt and Jolie were outfitted with the newest high tech weapons, including cutting-edge, non-lethal Taser and stun guns. The actors completed weapons indoctrination on a wide range of artillery, from the MP5 submachine gun to sophisticated pistols with aim points, optics and high capacity magazines. Prior to working with Stefanich, Pitt and Jolie selected their own weapons with one of the film's Property Masters, Gary Tuers.

According to Stefanich, the actors were strict about not wanting to turn the action into fantasy. "They learned on the firing range how difficult it really is to become proficient with a firearm; how you can't shoot from the hip and hit targets unless you happen to be a world champion shooter."

Second Unit Director / Stunt Coordinator Simon Crane agrees. "The actors needed to learn a variety of the skills, such as weapons, firing rockets, driving cord bikes, and rock climbing. And to make it all look real, Brad and Angie constantly had to absorb new skills, and look like they'd been doing the tasks for years. There were lots of rehearsals.

"An audience wants to see the actors do their own stunts," Crane continues. "They don't want to see CG. People want to go to movies to be entertained by their favorite actors. I'd rather spend time rehearsing, testing, making it safe for the actors and then putting them in situations that look precarious."

ACTION!

Even before detailing his characters, screenwriter Simon Kinberg structured the story around the action sequences, finding parallels between the action and the process of constructing a successful marriage.

The film's action, comedy and romance involve not only gunplay, but, of all things, dance. Inspired by the ballet-like grace of Hong Kong action films, Kinberg's ideas for the script were more akin to those in a traditional musical than the traditional action movie. "The action had to be big and fun, and play like an exploration of character," explains Kinberg. "In a musical when the characters' interaction encounters conflict or their love or excitement hits a fever pitch that they can't express with normal dialogue, they break into song. John and Jane break into gunplay or a chase sequence, which is an expression of where their characters are in the context of their relationship."

To Doug Liman, whose taut action scenes in The Bourne Identity set a new standard for cinema spy adventure, the MR.AND MRS. SMITH dance sequences were even more challenging than its large-scale action set pieces. "Directing the scenes of John and Jane Smith dancing scared me more than any other - and that's saying a lot because this was a logistically complicated shoot," notes Liman. "The dance scenes are some of the most romantic - and exciting - work I've ever put on film."

John and Jane Smith first meet in Bogota, Colombia, where amidst a fiery revolution, they ignite in a dance marked by adrenaline, attraction and mystery. Renowned choreographer Marguerite Derricks worked with Pitt and Jolie to make them look as graceful and fluid as possible.

"The first time John and Jane dance, they are both leading," says Kinberg. "Sometimes he leads, sometimes she leads; they're competing. It's a bit anonymous. The characters are a little drunk; they don't know who the other person is and the excitement and energy of the space informs the dance."

After they're married, the Smiths soon learn there are no accidents when it comes to love. The couple continues a ridiculous charade, leading to marital tedium. Once their covers are blown, the Smiths discover that no marriage can survive without love and trust - and a clear picture of what one's spouse does for a living.

But first, they play a dangerous cat-and-mouse game, culminating in an explosive fight - a "dance of death" - inside their suburban home. Their battle royale transitions from fighting to lovemaking, from wanting to kill each other, to finally discovering their real passion for each other.

"The scene is a cathartic release of energy that's been stored up over the course of their hunt to kill one another," says Kinberg. "John and Jane actually start to fall in love again because they're paying attention - really paying attention - to each other for the first time. Their lies are being stripped away.

"When their secrets are exposed," Liman says, "they are liberated and at the same time, vulnerable. Ironically, from that moment forward, the movie becomes about the characters feeling safer, even as life becomes more and more dangerous."

Not technically a dance number, another big action sequence in the third act was nonetheless the most choreographed of the entire film. The sequence unfolds, then explodes, at a fictitious home improvement store. The production moved into a vacant IKEA warehouse in Torrance, California for the three weeks it took to shoot the scene.

Doug Liman and Simon Crane attacked this crucial action sequence with a vengeance. "We combined a mixture of styles for each character for the finale," says Crane. "It looks like John makes up his plan of action as he goes along, but Jane is more succinct and very direct in her approach. Jane uses a sniper rifle whereas John is blasting away as he moves around. We had to come up with comedy beats within the scene and still make them look like killers."

Adds Liman: "Our philosophy was that up to this point the Smiths were having problems working together, but now they've solved many of their underlying issues and are learning to work together. It was fun to watch them work as partners, like a smooth machine."

DESIGNING THE SMITHS' WORLD

The Smiths' life as a couple is clouded by secrecy, lies, and ennui. This is reflected in, among other things, their home, which symbolizes their dying relationship. It is a space overflowing with creature comforts, exemplifying the height of style but with no real warmth and heart or soul. Theirs is a house, not a home.

"Their surroundings keep them from really experiencing each other," says Akiva Goldsman. "It's their beautiful, gilded cage."

"Where they make their home is very rich, sophisticated and high concept," describes Production Designer Jeff Mann. "In a nutshell, it's the old adage that money cannot buy happiness, even within the confines of this beautiful environment. But the house still needed to be a reflection of who they are."

Brad Pitt was particularly fascinated with the design of the Smith domicile, and he invited Mann, with whom he had worked on the film Kalifornia, to his home to discuss concepts. Mann was aware of Pitt's longtime interest in art and design and took his style cues from the actor.

"Looking at Brad's home was a great opportunity to see what he liked and what would help him step into his character," says Mann. "I listened carefully to his ideas and then we embellished them for the film. Our discussions led to some interesting changes in the set design."

Of course, since John and Jane are assassins, the house holds many secrets. John's innocent-looking tool shed, for example, opens to reveal a cellar-sized supply room containing stacks of cash, plus rocket launchers, grenades, and dozens of different handguns. Jane's oven, too, is a secret repository of high-tech weaponry. The twist is that neither Jane nor John is aware of the other's covert stashes…until their fateful showdown inside the home.

The film's look and action set pieces, as impressive as they are, always served the story. The two protagonists may be highly trained assassins, but in the end they have the same problems faced by many married couples: boredom, lies and soul-deadening routine. "In a way," says Doug Liman, "we're taking two people capable of near super-human feats, and dropping them in the middle of suburbia, making them face the same type problems you and I face every day.

"In the end," he concludes, "MR. AND MRS. SMITH is a spectacle that riffs on something we all struggle with, which is living with another human being."

ABOUT THE CAST

BRAD PITT (John Smith) recently starred in Troy alongside Eric Bana and Orlando Bloom. The film is based on The Iliad, Greek poet Homer's epic account of the Trojan War. Also in 2004, Pitt starred with George Clooney and Julia Roberts, along with an all-star ensemble cast, in Ocean's Twelve, the sequel to Steven Soderbergh's box office hit, Ocean's Eleven.

He next stars in the drama Babel, directed by Alejandro González Inárritu.

Pitt's role as the seductive hitchhiker in Ridley Scott's Thelma & Louise (1991) first brought him national attention. He then starred as a psychopathic serial killer in Kalifornia, the charismatic but doomed Paul MacLean in Robert Redford's A River Runs Through It, and as the bloodsucking Louis in Neil Jordan's Interview with a Vampire.

Pitt has been nominated twice for a Golden Globe Award for his work as Tristan, the passionate, untamable brother in Legends of the Fall and for his costarring role in Terry Gilliam's Twelve Monkeys, winning the Golden Globe for the latter.

Pitt had starring roles in Spy Game, The Mexican, Snatch, Full Frontal and Confessions of a Dangerous Mind, and he lent his voice to an animated film, Sinbad: Legend of the Seven Seas. Pitt's film credits also include Johnny Suede (which won the 1992 Golden Leopard Award for Best Picture at the Locarno Film Festival), Cool World, True Romance, Sleepers, The Devil's Own, Seven Years in Tibet, Meet Joe Black and Fight Club.

Born in Shawnee, Oklahoma, Pitt grew up in Springfield, Missouri. He attended the University of Missouri at Columbia, where he majored in journalism with a focus on advertising. Right before graduation, he moved to Los Angeles to study advertising and graphic design, but instead he began to pursue an acting career, studying with Roy London. Soon thereafter he secured roles on television projects including the Fox series "Glory Days," HBO's "The Image" and the critically acclaimed film "Too Young to Die."

ANGELINA JOLIE (Jane Smith) is an Academy Award winner and three-time Golden Globe winner.

In 2004, she starred in the thriller Taking Lives with Ethan Hawke; in the action-adventure Sky Captain and the World of Tomorrow, starring Jude Law and Gwyneth Paltrow; and in Oliver Stone's Alexander, starring Colin Farrell Also in 2004 she voiced a role in the animated feature Shark Tale.

In 2003, she starred in the title role in the action/ adventure Lara Croft: Tomb Raider - The Cradle of Life, the sequel to the 2001 box-office smash; and as a devoted relief worker in the provocative drama Beyond Borders.

In 2001 Jolie starred in Lara Croft: Tomb Raider for director Simon West, and she also starred in Original Sin opposite Antonio Banderas for writer-director Michael Cristofer. The previous year, Angelina co-starred with Nicolas Cage and Robert Duvall in producer Jerry Bruckheimer's smash hit Gone in 60 Seconds, as well as starring in the romantic comedy Life or Something Like It.

Jolie's portrayal of a mental patient in Girl, Interrupted garnered her an Academy Award, her third Golden Globe Award, a Broadcast Film Critics Award, ShoWest's Supporting Actress of the Year, and a Screen Actors Guild Award for Best Supporting Actress. The film, based on the true story by Susanna Kayson, was directed by James Mangold, and co-starred Winona Ryder.

Prior to that she played a rookie police officer opposite Denzel Washington's veteran detective in the thriller The Bone Collector directed by Phillip Noyce. Jolie also co-starred in Mike Newell's Pushing Tin with Billy Bob Thornton and John Cusack. Playing by Heart earned her The National Board of Review's award for breakthrough performance. This character-driven drama directed by Willard Carroll included an all-star ensemble cast including Sean Connery, Gena Rowlands, Madeline Stowe, Ellen Burstyn, Gillian Anderson and Dennis Quaid.

The HBO film "Gia" earned Jolie critical praise as well as a Golden Globe Award, a Screen Actors Guild Award and an Emmy nomination for her portrayal of the supermodel who died of AIDS. Jolie also received an Emmy nomination for her work opposite Gary Sinise in director John Frankenheimer's "George Wallace," a period epic for TNT about the controversial Governor from Alabama. Jolie won her first Golden Globe Award and a Cable Ace nomination for her portrayal of George Wallace's second wife, Cornelia.

Jolie also co-starred with David Duchovny and Timothy Hutton in director Andy Wilson's film Playing God for Touchstone and prior to that she starred in the Hallmark Hall of Fame four hour miniseries presentation "True Women," directed by Karen Arthur, based on Janice Woods Windle's best selling historical novel. In addition she starred in Annette Haywood-Carter's much acclaimed Foxfire for Samuel Goldwyn and Iain Softley's Hackers for United Artists.

A member of the famed MET Theatre Ensemble Workshop, Jolie trained at the Lee Strasberg Theatre Institute and has also studied with Jan Tarrant in New York and Silvana Gallardo in Los Angeles.

ADAM BRODY (Benjamin Danz) stars in the hit series "The O.C.," which begins its third season this fall, on FOX. Brody was born and raised in San Diego, California, and spent his teen years hanging out with his friends, having fun and surfing. Upon graduation, he convinced his parents to allow him to attend college in Los Angeles. However, instead of enrolling in school, he hired a private acting coach, signed with a personal manager and soon landed the lead in the telefilm "Growing Up Brady," playing Barry Williams (Greg Brady).

Soon thereafter, Brody was cast as the lead character Zack in the MTV series "Now What?" He had a recurring role as Coop in "Once and Again," a recurring role in "Gilmore Girls" and guest-starring roles in "Judging Amy," "Family Law" and "Smallville." Brody's feature film credits include Grind and the hit 2002 thriller The Ring. His next feature film is In the Land of Women opposite Meg Ryan.

KERRY WASHINGTON (Jasmine) co-stars as Alicia Masters in Twentieth Century Fox's Fantastic Four. She also had a key role in the Academy Award winning Ray, portraying Ray Charles' wife Della.

Washington had the starring role in director Spike Lee's She Hate Me. She co-stars in director Sidney Lumet's HBO film Strip Search, which exposes the paranoia that has plagued America since 9/11. Washington co-stars in the independent film Sexual Life, a series of vignettes about people and their relationships.

In 2002, Washington was nominated for an Independent Spirit Award for best actress in the film Lift, written and directed by Demane Davis and Khari Streeter. She had a key role in Save the Last Dance, winning a Teen Choice Award for best breakout performance.

Washington appeared in Against the Ropes: The Jackie Kallen Story starring Meg Ryan. She co-stars in in Sin, opposite Gary Oldman and Ving Rhames, and in United States of Leland opposite Kevin Spacey and Ryan Gosling.

Other film credits include The Human Stain starring Nicole Kidman and Anthony Hopkins; and Jerry Bruckheimer's Bad Company, starring Chris Rock and Anthony Hopkins, directed by Joel Schumacher. Prior to that, Washington starred in the highly acclaimed independent film, Our Song, playing a wise but conflicted teen.

During her free time, Washington is an active supporter of the Creative Coalition, a group dedicated to raising awareness of First Amendment Rights. She is also active in a new New York City-based program called Adopt-A-Classroom.

ABOUT THE FILMMAKERS

DOUG LIMAN (Director) has become one of the most vibrant and original voices in American film with his critically acclaimed features Swingers and Go. More recently, he directed The Bourne Identity, a thriller based on the Rober Ludlum best selling novel. Starring Matt Damon, the film was a top box office hit in 2002.

Born in New York City, Liman attended the International Center of Photography while still in high school. He attended Brown University in Providence, Rhode Island, where he helped found the school's student-run cable television station.

Liman began making short films at age seven. He attended the graduate program of the School of Cinema and Television at the University of Southern California, where he directed his first feature project, the comedy thriller Getting In (a.k.a. Student Body), which starred Stephen Mailer, Matthew Perry, Andrew McCarthy and Christine Baranski.

Liman made a splash with the independent hit Swingers, which he produced and directed. The film was made on a shoestring budget of $250,000 - money he scraped together with the help of his father, the late Iran-Contra investigator Arthur Liman, who also served as counsel to the production. Doug Liman acquired the script from the film's screenwriter, Jon Favreau and cast him along with Vince Vaughn, Ron Livingston and Patrick Van Horne, in a story about the search for love in and around Los Angeles' retro swing bars.

Liman's adrenaline-driven next effort, Go, had three separate but related sections, each focusing on different members of the film's talented ensemble, including Sarah Polley, Katie Holmes, Taye Diggs, William Fichtner, Jane Krakowski, Brekin Meyer and Jay Mohr. Imbued with freshness of vision and execution, Go premiered at the Sundance Film Festival and opened to overwhelming positive notices. Liman also served as director of photography on both Swingers and Go. Following Go, Liman produced Sarah Thorp's See Jane Run, starring Clea DuVall and Kevin Corrigan and helped produce the critically acclaimed Kissing Jessica Stein.

His projects have proven that Liman has a passion and a unique eye for spotting new and distinctive talent. The stars of Swingers, Go and Kissing Jessica Stein have the distinction of having launched their feature film acting careers and screenwriting voices from a Doug Liman film.

Liman has also directed highly acclaimed and popular commercials, such as the Nike Golf commercial starring Tiger Woods effortlessly juggling a golf ball with his club and foot - a spot which became a national phenomenon.

Liman is a founding partner of the entertainment production company

Hypnotic, which produces, markets and distributes independent film and television properties. Hypnotic serves as the production entity for many of Liman's film, television and commercial projects.

His interests outside of filmmaking include working for the Legal Action Center, which provides pro-bono legal work on behalf of people with addictions, HIV and convictions and with Safe Space, which does work on behalf of homeless teens in New York. He works on the campaigns of New York politicians and supports young New York-based artists by exhibiting their works in his TriBeCa loft. He is also an accomplished pilot and an avid outdoor enthusiast who guides river trips, climbs and mountaineers.

SIMON KINBERG (Screenwriter) was born in London, England. He was raised in Los Angeles, and he went to college at Brown University, where he studied film and literature.

Kinberg entered Columbia University's Film School in 1998. In his first year there, he sold a screenplay to producers Ira Deutchman and Peter Newman. (Deutchman was Kinberg's professor.) That same year, in another class, Kinberg set up a script with producer Edward Pressman (Wall Street). The attention from these projects garnered Hollywood's attention. Kinberg received the school's highest screenwriting award, the Zaki Gordon Fellowship.

While still in film school, Kinberg sold his original pitch Ghost Town to Village Roadshow/Warner Brothers, while working on scripts for Disney, Sony and DreamWorks.

His final thesis project for his Master of Fine Arts degree was the original screenplay MR. AND MRS. SMITH. He pitched the concept to Academy-Award-winning screenwriter Akiva Goldsman, who became one of the project's Producers (and Kinberg's mentor).

In May 2003, MR. AND MRS. SMITH went into pre-production, as Kinberg was graduating from film school. He spent almost every day on set, working closely with the director, producers, and actors (and even acting in one scene).

Kinberg has since worked on several high-profile projects. He did production rewrites on Charlie's Angels II: Full Throttle and Elektra, and he is developing Jason and the Argonauts at DreamWorks for director Stephen Sommers, and Airshow at Sony for director McG.

This summer, Kinberg has two films in wide release: XXX: State of the Union, directed by Lee Tamahori, starring Samuel Jackson, Ice Cube, and Willem Dafoe; and Twentieth Century Fox's Fantastic Four, directed by Tim Story, starring Jessica Alba, Michael Chiklis, Chris Evans, Ioan Gruffudd and Julian McMahon.

Kinberg is currently writing X-Men 3, slated for release by Fox in 2006. He also has the script Killers Game at Paramount, and Merlin at Miramax/Dimension.

Kinberg has set up projects as a producer, including: Salem at Sony Pictures, and Invasion at Universal. He also has a TV deal with Jerry Bruckheimer and Warner Brothers Television.

ARNON MILCHAN (Producer) is widely renowned as one of the most prolific and successful independent film producers of the past 25 years, with over 70 feature films to his credit. Born in Israel, Milchan was educated at the University of Geneva. His first business venture was transforming his father's modest business into one of his country's largest agro-chemical companies. This early achievement was a harbinger of Milchan's now-legendary reputation in the international marketplace as a keen businessman.

Soon, Milchan began to underwrite projects in areas that had always held a special interest for him - film, television and theater. Early projects include Roman Polanski's theater production of "Amadeus," "Dizengoff 99," "La Menace," "The Medusa Touch" and the mini-series "Masada." By the end of the 1980s, Milchan had produced such films as Martin Scorsese's The King of Comedy, Sergio Leone's Once Upon at Time in America and Terry Gilliam's Brazil.

After the huge successes of Pretty Woman and The War of the Roses, Milchan founded New Regency Productions and went on to produce a string of successful films including J.F.K, Sommersby, A Time to Kill, Free Willy, The Client, Tin Cup, Under Siege, L.A. Confidential, The Devil's Advocate, The Negotiator, City of Angels, Entrapment, Fight Club, Don't Say a Word, Daredevil, Man on Fire and Guess Who.

Upcoming projects include: Little Manhattan, a romantic comedy starring Bradley Whitford, Cynthia Nixon, and Josh Hutcherson, written by Jennifer Flackett and directed by Mark Levin; The Bee Season, a drama starring Richard Gere and Juliette Binoche, directed by Dave Siegel and Scott McGehee; Stay, a reality-bending thriller starring Ewan McGregor, Naomi Watts and Ryan Gossling, directed by Marc Forster; The Fountain, a sci-fi fantasy starring Hugh Jackman and Rachel Wiesz and directed by Darren Aronofsky; Big Momma's House 2, a comedy based on the smash hit 2000 original, starring Martin Lawrence and Nia Long, directed by John Whitesell; Untitled Romantic Comedy, a spoof of romantic comedies directed by Jason Frieberg and Aaron Seltzer; The Untitled Lindsay Lohan 'Lucky' Project, a comedy starring Lindsay Lohan and Chris Pine, directed by Donald Petrie; and The Sentinel, a thriller starring Michael Douglas, Kiefer Sutherland, Eva Longoria and Kim Basinger, directed by Clark Johnson.

Along the way, Milchan brought on board two powerful investors and partners who share his vision: Australian businessman Kerry Packer's Nine Network and Twentieth Century Fox. Fox distributes Regency movies in all media worldwide (excluding an output arrangement Regency has in Germany), U.S. pay television, and international pay and free television.

Milchan also successfully diversified his company's activities within the sphere of entertainment, most specifically in the realm of television through Regency Television ("Malcolm in the Middle," "The Bernie Mac Show," "Listen Up" and "Living with Fran") and sports through a strategic alliance with PUMA, the worldwide athletic apparel and shoe conglomerate based in Germany. In addition, Regency has worldwide television rights to Women's Tennis Association events from 1999 through 2007.

AKIVA GOLDSMAN (Producer) received critical acclaim for his adaptation of A Beautiful Mind. Bestowed the highest honors in the film industry, Goldsman garnered the 2001 Academy Award, Golden Globe and Writers Guild Award for his groundbreaking portrayal of the inner workings of schizophrenia.

Goldsman has been in demand in Hollywood ever since Bruce Beresford filmed his first script, Silent Fall. His other writing credits include the Twentieth Century Fox box-office smash I, Robot, starring Will Smith, The Client, Batman Forever, A Time to Kill and Practical Magic. He recently adapted Memoirs of a Geisha for producer Steven Spielberg, wrote the screenplay Cinderella Man directed by Ron Howard and starring Russell Crowe, and wrote the screenplay adaptation of the best-selling novel The Da Vinci Code to be directed by Ron Howard, starring Tom Hanks.

In addition to his writing credits, Goldsman's Warner Bros.-based Weed Road Pictures produced Lost in Space, Deep Blue Sea and Starsky & Hutch, starring Ben Stiller and Owen Wilson, directed by Todd Phillips. Recent projects include Constantine, based on the DC Comic book Hellblazer, starring Keanu Reeves; and Tonight, He Comes, to be directed by Michael Mann.

Born in Brooklyn Heights, New York, Goldsman graduated from Wesleyan University and attended the graduate program in creative writing at New York University.

LUCAS FOSTER (Producer) began his film career working on low-budget films for small companies such as Concorde (Roger Corman) and Empire (Charlie Band). Foster worked in physical production until he crossed over to the studio side as an Executive Assistant to Frank Yablans when he was Vice-Chairman of MGM/UA. Foster held a similar job with Alan Ladd, Jr. when Ladd, Jr. became the Chairman of MGM/UA in 1985.

Foster moved full force into motion picture development and production working for various producers, including Frank Yablans, Scott Rudin, and Don Simpson and Jerry Bruckheimer. With Frank Yablans, Foster acquired, developed and produced the thriller Lisa. Foster also found Flatliners for Columbia Pictures while working with Mr. Yablans. With Scott Rudin, Foster found, acquired and developed John Grisham's unpublished manuscript The Firm. Among the other projects acquired or developed for Scott Rudin were Executive Decision and Rules of Engagement. Within seven months of arriving at Simpson/Bruckheimer, Foster helped find and develop The Ref. In addition, Foster found, developed and executive produced Dangerous Minds, Crimson Tide and Bad Boys. He also was involved in the development of The Rock and Enemy of the State, which was derived from Foster's original story with David Marconi.

After Simpson/Bruckheimer, Foster joined Ted Turner's movie company Turner Pictures as Executive Vice President of Production. There he helped acquire and develop Michael and Fallen.

In 1996 Foster started his own company, Warp Film, with an exclusive production deal at Columbia Pictures. He developed a wide variety of projects at Columbia with talents like Ron Bass, John McTiernan, Barry Sonnenfeld, Martin Lawrence and Brian Henson. Foster was heavily involved in the pre-production process of the Mandalay feature, Wild Things, before executives at Columbia/TriStar asked him to serve as a consultant and producer on the Amblin/TriStar adventure The Mask of Zorro.

In 1998, Foster entered into partnership with director Jan De Bont with whom he developed and produced Equilibrium for Dimension films. In 2001, Foster became a consultant/producer for Myriad Pictures where he oversaw production and produced National Lampoon's Van Wilder, Jeepers Creepers 2, Kinsey, Imagining Argentina and Eulogy, among other films.

Foster's recent producing credits include Walking Tall starring The Rock and Johnny Knoxville; the Regency/Fox production Man on Fire starring Denzel Washington and Dakota Fanning; and Ultraviolet, starring Mila Jovovich.

PATRICK WACHSBERGER (Producer) is President and CEO of Summit Entertainment, a position he has held since he and his partners Robert Hayward and David Garrett bought out the prior Summit Entertainment Group shareholders in November 1993. Under his leadership, Summit has become one of the world's largest foreign sales and distribution companies.

In January 2003, Wachsberger took on additional responsibilities as Chairman of the Board of I.S. Film Distribution, a joint venture with Intermedia Film.

He produced The Alibi, starring Steve Coogan and Rebecca Romijn, and he executive produced Wrong Turn, Vanilla Sky, The Loss of Sexual Innocence and Bad Lieutenant.

Prior to running Summit Entertainment, Wachsberger served as President and CEO of Odyssey Entertainment and Odyssey Distributors, Ltd., a company he created in 1988. During his six-year tenure at Odyssey, he acquired, co-produced and distributed his first acquisition Pelle The Conqueror, which won the Oscar for best foreign language film and the Palme d'Or at Cannes, and Time of the Gypsies. With Regency Enterprises he co-produced, or executive produced, and distributed Sydney Lumet's Q & A and Blake Edwards' Switch. He also distributed Ridley Scott's 1492.

Before joining Odyssey, Wachsberger was President of J & M Entertainment, one of the leading foreign sales companies.

He began his career as an Assistant Director and Production Manager, working on over twenty films in Italy and France. After directing short films, he moved to the United States where he produced several films with his father, Nat Wachsberger. These included The Killer Force with Telly Savalas and Peter Fonda; and an animated feature film of The Three Musketeers, directed by John Halas.

ERIC McLEOD (Producer) recently produced The Cat in the Hat, starring Mike Myers and directed by Bo Welch. He has worked on all three "Austin Powers" box office hits: he was a Producer on Austin Powers in Goldmember and Austin Powers: The Spy Who Shagged Me, and an Executive Producer on the original film, Austin Powers: International Man of Mystery.

McLeod was Executive Producer on Showtime starring Robert De Niro, Eddie Murphy and Renee Russo. McLeod also produced The Cell starring Jennifer Lopez, Vince Vaughn and Vincent D'Onofrio as well as Bubble Boy with Jake Gylenhaal and Chris Cooper.

McLeod was the Co-Producer on Living Out Loud, starring Holly Hunter and Danny DeVito, directed by Richard La Gravenese; Barry Levinson's Wag the Dog starring Robert De Niro, Dustin Hoffman, Anne Heche, Woody Harrelson and Denis Leary; Now and Then, starring Demi Moore; and Feeling Minnesota, starring Cameron Diaz and Keanu Reeves.

Other credits include Corina, Corina, starring Whoopi Goldberg and Ray Liotta and Gus Van Sant's Even Cowgirls Get the Blues. He acted as production manager on Enemy of the State, 8 Seconds, Wide Sargasso Sea, The Rapture, Faith and Live Wire.

ERIK FEIG (Executive Producer) is the President of Production and Acquisitions at Summit Entertainment, a leading foreign sales and film financing company. He oversees all of Summit's in-house productions, co-productions and acquisitions, as well as the company's involvement with films of its client companies, including Alcon Entertainment, Intermedia, Beacon Pictures, Mandalay Entertainment, Newmarket Capital Group, Walden Media, Artisan Pictures and Escape Artists.

Feig's recent producing credits on behalf of Summit include the independent film The Alibi, starring Rebecca Romijn, Steve Coogan, and Selma Blair; the teen horror film Wrong Turn; Me Again, starring John Cusack; and Music High. In his capacity as Sales Agent, Feig worked on Down in the Valley, starring Edward Norton, and Alexander, starring Colin Farrell, directed by Oliver Stone. Summit's active development slate ensures two to three movies per year produced on an in-house basis and six to seven films per year overseen as sales agents.

Feig began his career producing the hits I Know What You Did Last Summer and I Still Know What You Did Last Summer, plus the teen comedy Slackers. After developing projects for several major studios and networks, he signed an overall producing deal with Artisan, a former client company of Summit's until its absorption by Lions Gate. In 2001, Summit recruited Feig to run its film activities and jump-start its production efforts.

BOJAN BAZELLI (Director of Photography) was cinematographer on The Ring, Dangerous Beauty, Surviving the Game, Sugar Hill, Kalifornia, Boxing Helena, The Body Snatchers, Deep Cover and The Rapture, and on the short film For the Love of May.

His television credits include "The Fear Inside," "A Gnome Named Gnorm," "The Last Prostitute," "Fever," "Somebody Has to Shoot the Picture" and "Curiosity Kills" among others.

Bazelli is originally from Herceg Novi, Montenegro, Yugoslavia.

JEFF MANN (Production Designer) designed Terminator 3: Rise of the Machines, Showtime, and Swordfish, following his debut film, Gone in 60 Seconds.

Mann was born in San Diego, California, where his family and friends encouraged him to develop his artistic talents.

Contacts he made in the art and music scene led to working in the art department on music videos, which quickly segued into work on television commercials. His natural artistic ability and acquired skills, together with a strong work ethic, helped to catapult him through the ranks. He quickly advanced to assistant art director and by 1995 Mann was busy working as one of the top commercial production designers in the industry.

His resume of commercials includes many award-winning ads for such well known directors as David Kellogg, Michael Bay, Antoine Fuqua, Dominic Sena and the late Herb Ritts, to name a few. Mann's client roster includes Kodak, American Express, Nike, Chevrolet and Coca-Cola.

MICHAEL TRONICK, A.C.E. (Editor) received his Bachelor of Arts in political science from UCLA and completed graduate work in film and television production at San Francisco State University.

Tronick began his career as a music editor. Some of those credits include Bob Fosse's All That Jazz and Star 80, Warren Beatty's Reds, Walter Hill's 48 Hours and Streets of Fire, and Mel Brooks' Young Frankenstein.

Tronick's first feature film editing credit came on Simpson/Bruckheimer's Beverly Hills Cop II. He was also part of the editing team on Days of Thunder.

His credits include S.W.A.T., The Scorpion King, American Outlaws, Remember the Titans, Blue Streak, Meet Joe Black, Volcano, Eraser, True Romance, Scent of a Woman, The Last Boy Scout, Tap, Midnight Run, Less than Zero and many others.

JOHN POWELL (Music) landed a job composing music for commercials and television at London's Air-Edel Music in 1988. There, he worked alongside composers Hans Zimmer and Patrick Doyle, and made his first foray into feature films by assisting Doyle with the score of Into the West and writing cues for Zimmer on White Fang.

Adhering to just one musical style not in Powell's nature. Before moving to Los Angeles, he played for more than 15 years with the Fabulistics, a London soul band that performed for everyone, from Lady Diana to denizens of the local pub.

Powell's hauntingly thematic score for the Nicolas Cage/John Travolta film Face/Off put him on the map. Next he wrote romantic melodies with a quirky comedic sensibility for Ben Affleck and Sandra Bullock in Forces of Nature. For DreamWorks' animated Antz, featuring the voices of Woody Allen and Sharon Stone, Powell created a musical mélange of jazz, Latin and classical sounds with a highly imaginative theme.

Next came Endurance, developed and co-produced by Terrence Malick. In an almost wordless film, Powell's score serves as dialogue, conveying the central character's joy, dignity and struggle. For the animated films Shrek and Shrek 2, Powell impressed audiences and critics alike in creating a sophisticated and intelligent score. He again won the hearts of audiences with the poignant score for I Am Sam.

Powell has scored a wide variety of films, including Alfie, Be Cool, Chicken Run, the action films The Italian Job and The Bourne Identity (directed by MR. AND MRS. SMITH helmer Doug Liman), the romantic comedy Two Weeks Notice and the Twentieth Century Fox audience favorite Drumline.

In 2003 Powell scored the John Woo action film Paycheck, and last year, Charles Stone III's Mr. 3000. In addition, Powell wrote the score for director Paul Greengrass' The Bourne Supremacy, and for Fox's animated hit Robots, directed by Chris Wedge.

Upcoming for Powell is another venture into the world of animation: Happy Feet for George Miller.

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