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勇奪意大利國家電影記者協會3項大獎
最佳導演、最佳男配角、最佳攝影
2004年美國十大最賣座歐洲電影之一
小孩不怕
I'm Not Scared
九月一日 非童小可
故事大綱
在一片寧靜、遼闊的麥田上，男童米高（皆斯彼基斯甸奴飾）獨個兒在田園上玩耍時，無意中發現一個神秘的洞穴。所謂初生之犢不畏虎，米高懶理自身的安全，在好奇心作祟之下獨個兒跳進洞穴內。在黑漆漆的洞穴內，空無一物。米高正考慮著怎樣爬上地面之際，突然有隻「鬼影」從他的身後出現，嚇得米高魂飛魄散，不知所措。
米高驚魄未定，方寸大亂，頃刻發現那隻「鬼」原來是一名跟自己年紀相約的男童，全身污穢不堪、瘦骨嶙峋，又因長期被困於山洞內，雙目未能睜開。米高驚魂稍定，便開口跟男童傾談。
男童的名字叫菲利浦（馬泰亞迪彼路飾），是名門望族的兒子，被一班歹徒綁架以換取大量贖金。米高眼見菲利浦如此可憐，動了憐憫之心，誓要救出菲利浦不可。
米高為免營救菲利浦的大計被人知道，所以每次探望他都小心翼翼，這卻引起父母的疑心。另一方面，米高亦對父母近日表現感到疑感，尤其是做職業貨車司機的爸爸，經常大發雷霆，常與母親爭執，性情大變。到底米高能否逃過大人的耳目成功把菲利浦救回來呢？
獲獎無數
改編自發生在意大利米蘭綁架小童的真人真事，《小孩不怕》無論是電影原創音樂、賞心悅目的畫面、精彩的故事內容以及演員們的精彩演技，都令電影叫好又叫座。《小孩不怕》共獲得五個電影獎項及十四項提名，當中包括榮獲David di Donatello Awards的最佳電影及David of the Youth及Italian national Syndicate of Film Journalists三項銀絲帶大獎--最佳電影、最佳導演、最佳男配角以及榮獲提名柏林國際電影節金熊獎、歐洲電影節的最佳電影等。
童真滿逸
《小孩不怕》描述兩位小童真摯的友誼，雖然活在充滿背叛、欺詐、憤怒的成人世界，他們仍然保持純真的心，互相信任，無懼任何阻礙，目的為了救朋友脫險。為了選取合適的小演員，導演及工作人員總共邀請了540個童星試鏡，他們皆來自意大利南部偏遠地方，如Basilicata及Puglia 地區，試鏡間內童真滿逸，他們的表現往往讓人意外。
導演加布里埃薩爾瓦托
1950年出生於意大利那不勒斯的加布里埃薩爾瓦托，後來移居米蘭。加布里埃曾擔任21套由自己創作話劇的導演，並獲全國性的讚賞及認同，其中1981年創作一套名為 "A Midsummer Night's Dream "的歌舞劇，共吸引了超過二十萬觀眾，成績彪炳，一度成為城中熱話。加布里埃於1981年初嘗當電影導演的滋味，拍攝一套名為 "Sogno di una notte d'estate"，並獲邀請參加威尼斯電影節。其後，加布里埃亦執導不少電影，當中包括《網絡迷宮》。
《小孩不怕》演職員表
COLORADE/CATTLEYA/ALQUIMIA CINEMA/THE PRODUCERS FILMS/MEDUSA
FILM聯合製作
加布里埃薩爾瓦托作品
"小孩不怕"
原創小說: 尼古路亞曼尼迪
主演: <咀對咀>艾坦娜珊哲薩芝安 甸奴艾碧斯茜亞
佐治奧嘉亞茜亞 安東妮拉史提芬露絲 <網絡迷宮>烈卡杜冼拿
特別演出: 戴高亞巴坦杜奴
特別介紹: 皆斯彼基斯甸奴 馬泰亞迪彼路 安狄雅娜歌絲維 費比奧泰達 史提芬奴拜雅斯 費比奧安東尼斯 佳莉雅瑪杜露
編劇: 尼古路亞曼尼迪 法蘭絲嘉瑪茜雅露
監製: <網絡迷宮>謬烈薩奧托迪 <簡愛>烈卡杜圖薩
治奧雲尼史達比里尼 <星光伴我飛>馬高治曼薩
導演: 金獎得主 <網絡迷宮>加布里埃薩爾瓦托 發行商：安樂影片有限公司
院線：百老匯電影中心、PALACE IFC
COLORADO FILM and CATTLEYA
present
a European co-production
Colorado Film - Cattleya
Alquimia Cinema - The Producers Films (Not Scared)
in collaboration with
MEDUSA FILM
Produced by
MAURIZIO TOTTI, RICCARDO TOZZI,
GIOVANNI STABILINI and MARCO CHIMENZ
I'M NOT SCARED
(IO NON HO PAURA)
a film by
GABRIELE SALVATORES
Based upon the novel by NICCOLO' AMMANITI
Published in Italy by EINAUDI
NOTES:
79 SCENES OF CHILDREN AROUND A HOLE
The very title tells us that the story is told in the first person. That person is a child, and his eyes tell the story of the world in which he lives. We, therefore, need to position our eyes (the camera) at the same level as the protagonist's; that is, tell the story at a height of around 1meter and 30 centimetres.
In film, framing from above establishes an objective, distant point of view; it leaves us less involved in the action, to act more as observers rather than protagonists.
Framing from the bottom, on the other hand, makes us feel more involved in what is happening, even if it is not our usual point of seeing reality.
This fact may be due to our visual memory: we do not have the experience of seeing things from above, but we know the world well as seen from below, for this is the way we observed it as children.
Above and below. Inside and out. Emerged and submerged. Visible and invisible. Big and small. Two worlds in confrontation, at times one incomprehensible to the other and frequently seeing the same thing in different ways.
A golden-yellow wheat field, warm and welcoming, can hide many things. Beneath its surface of meter-high stalks, secrets and dangers, along with unknown forms of life, may be hidden. Day and night, lightness and darkness. Black and gold are the colours of this film.
Children as actors. When children play, they often say, "Let's make believe that I was the cowboy and you were the Indian." The use of the past ("I was") is not a mistake. By saying it this way, it is as if they negate the possibility of pretending to be or playing something they do not know.
If I must interpret the cowboy and do it well, I must go back to some experience in my past. Therefore I have already been a cowboy (memories, stories, films, comics), and now I'm going to show you just how. Let's make believe that I was …
No falseness is allowed. We need only to win over the children's trust and not betray it. Children already know everything, including the most difficult things of all: pain and detachment.
If you are closed up in a hole and those you love do not come to pull you out, if your world has become only walls of mud, dirt and darkness, you may start to think you are dead. You need a guardian angel to come and show you that outside the sun and air are still there and that life continues.
Solidarity, the strength to conquer the fear of what is different, understanding that we are one and the same, pietas, the joy of discovering that you are the same as someone else - all these things are difficult to experience in the world we live in today, as it is a world bent on uniqueness and diversity. Nowadays, it is also difficult to say, "I'm not scared!".
A place in the South. Hot. A desert of wheat. Nothingness. Nothing to do, nothing to see. A no-man's land, a desolate place where one can see things that do not exist, where reality is confused with fantasy.
The place lives more in the mind than in the physical, to be found within our memory. In any case, it is a place where nature is the stage, and the animal world is the protagonist. Prey and predator - the old, cruel Story.
540 children auditioned. All from that strange, forgotten land between the Basilicata and Puglia regions. With their language, gestures and glances, they are all protagonists in an epic tale created from discoveries, fears, disobedience and solidarity. These children, born in a forgotten South, are invisible to our eyes, which have been too filled with heroes and heroines.
Why should John Wayne be the only one with a right to epic framing?
And the film's music? Niccolò Ammaniti suggested strings - a good suggestion. A stringed quartet that is not intrusive but leaves it mark, like the wind in a wheat field. The film is, in some ways, a thriller, and strings work well to heighten tension.
Gabriele Salvatores
GABRIELE SALVATORES
Gabriele Salvatores was born in Naples in 1950 and lives in Milan where, in 1972, he founded the "Teatro dell'Elfo", which in a remarkably short span of time became a reference point for a generation of young theatre-goers. Today the "Teatro dell'Elfo" is considered one of the most important theatrical entities in Italy. Over the years Salvatores has directed 21 plays for his brainchild, many of which have enjoyed wide acclaim and success in Italy. In 1981 he produced a rock-musical based on a "A Midsummer Night's Dream" which played to record audiences totalling more than 200,000 people. In the following year the show became Salvatores's first feature film, which was recognized at the 1983 Venice Film Festival.
Filmography:
IO NON HO PAURA ("I'M NOT SCARED"), 2002 Director: Gabriele Salvatores; Screenplay: Niccolò Ammaniti and Francesca Marciano from the novel "Io non ho paura" by Niccolò Ammaniti. Cast: Aitana Sánchez Gijón, Dino Abbrescia, Diego Abatantuono, Giuseppe Cristiano, Mattia di Pierro.
AMNESIA, 2002 Director: Gabriele Salvatores; Story and Screenplay: Andrea Garello and Gabriele Salvatores; Cast: Diego Abatantuono, Sergio Rubini, Martina Stella, Juanjo Puigcorbè, Ruben Ochandiano and Alessandra Martines; Production: Colorado Film, Alquimia Cinema; Distribution: Medusa Film; Awards: Nastro d'Argento (Silver Ribbon) 2002: nominations for Best Story and Best Editing.
DENTI ("TEETH"), 2000 Director: Gabriele Salvatores; Story and Screenplay: Gabriele Salvatores, based on the novel of the same title by Domenico Starnone; Cast: Sergio Rubini, Anouk Grinberg, Anita Caprioli, Paolo Villaggio and Fabrizio Bentivoglio; Production: Vittorio Cecchi Gori for CGG for FINMAVI, Maurizio Totti for Colorado Film; Distribution: Cecchi Gori; Awards: Venice Film Festival 2000: in competition; winner of the Quality Award 2002.
NIRVANA, 1996 Director: Gabriele Salvatores; Story: Gabriele Salvatores; Screenplay: Gabriele Salvatores with Pino Cacucci and Gloria Corica; Cast: Christopher Lambert, Diego Abatantuono, Sergio Rubini, Emanuelle Seigner, Amanda Sandrelli, Stefania Rocca, Antonio Catania, Ugo Conti, Silvio Orlando, Claudio Bisio and Gigio Alberti; Production: Colorado Film/Cecchi Gori; Distribution: Cecchi Gori Group.
SUD ("SOUTH"), 1993 Director: Gabriele Salvatores; Story and Screenplay: Franco Bernini, Angelo Pasquini and Gabriele Salvatores; Cast: Silvio Orlando, Francesca Neri, Antonio Catania, Renato Carpentieri, Gigio Alberti and Claudio Bisio; Production: Colorado Film/Cecchi Gori; Distribution: Pentafilm.
PUERTO ESCONDIDO, 1992 Director: Gabriele Salvatores; Screenplay: Enzo Monteleone, with Diego Abatantuono and Gabriele Salvatores, based on the novel of the same title by Pino Cacucci; Cast: Diego Abatantuono, Valeria Golino, Claudio Bisio, Renato Carpentieri, Antonio Catania and Ugo Conti; Production: Colorado Film/Cecchi Gori; Distribution: Pentafilm; Awards: Nastro d'Argento (Silver Ribbon) to Diego Abatantuono as Best Lead Actor.
MEDITERRANEO, 1991 Director: Gabriele Salvatores; Story and Screenplay: Enzo Monteleone; Cast: Diego Abatantuono, Giuseppe Cederna, Claudio Bigagli, Claudio Bisio, Antonio Catania, Ugo Conti, Gigio Alberti, Memo Dini, Vasco Mirandola, Luigi Montini, Irene Grazioli and Vanna Barba; Production: A.M.A. Film, Pentafilm; Distribution: Pentafilm; Awards: Academy Award 1992 as Best Foreign Film.
TURNE', 1989 Director: Gabriele Salvatores; Story and Screenplay: Francesca Marciano, Fabrizio Bentivoglio and Gabriele Salvatores; Cast: Diego Abatantuono, Fabrizio Bentivoglio, Laura Morante, Claudio Bisio, Luigi Montini, Barbara Scoppa, Ugo Conti and Eva Vanicek; Production: A.M.A. Film, Pentafilm; Distribution: Pentafilm.
MARRAKECH EXPRESS, 1989 Director: Gabriele Salvatores; Story and Screenplay: Carlo Mazzacurati, Umberto Contarello and Enzo Monteleone; Cast: Diego Abatantuono, Giuseppe Cederna, Fabrizio Bentivoglio, Cristina Marsillach, Gigio Alberti, Ugo Conti and Massimo Venturiello; Production: A.M.A. Film; Distribution: Pentafilm.
KAMIKAZEN-ULTIMA NOTTE A MILANO, 1987 Director: Gabriele Salvatores; Story and Screenplay: Enzo Monteleone and Gabriele Salvatores; Cast: Silvio Orlando, Paolo Rossi, Antonio Catania, Claudio Bisio, Gigio Alberti, David Riondino, Nanni Svampa, Mara Venier, Alberto Storti, Renato Sarti, Flavio Bonacci, Antonio Palladino, Maria Luisa Santella and Laura Ferrari; Production: Sandro Parendo and Maurizio Totti for Colorado Film, Eurovision-Italia; Distribution: Artisti Associati.
SOGNO DI UNA NOTTE D'ESTATE, 1983 Director: Gabriele Salvatores; Story: based on the William Shakespeare comedy; Screenplay: Gabriele Salvatores; Cast: Gianna Nannini, Flavio Bucci, Alberto Lionello, Erika Blanc, Sabina Vannucchi, Augusta Cori, Ferdinando Bruni, Elio De Capitani, Luca Barbareschi, Giuseppe Cederna, Claudio Bisio and Doris von Thury; Production: Politecne Cinematografica, with Rai Due; Festival: Venice International Exibition of Cinematic Art.
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