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孩 子 要 回 家
Rabbit Proof Fence

感 人 天 空 下 　 無 盡 好 評 　 發 光 發 熱

" 其 他 被 擄 走 的 小 童 都 因 為 太 年 幼 的 關 係 ， 甚 至 不 知 道 誰 是 自 己 的 母 親 ， 可 是 我 較 年 長 懂 事 ， 清 楚 認 得 我 的 母 親 ， 所 以 ， 我 要 回 家 ， 回 到 媽 媽 的 懷 抱 裡 去 。 "
祈 摩 莉 84 歲 , ， 織 加 隆 市 2000 年 8 月

榮 獲 ：

• 倫 敦 電 影 評 論 學 會 最 佳 導 演
• 愛 丁 堡 電 影 節 最 佳 電 影 及 觀 眾 最 愛 大 獎
• Durban 電 影 節 最 佳 電 影 、 最 佳 女 主 角 及 觀 眾 最 愛 大 獎
• Aspen 電 影 節 最 佳 電 影 及 觀 眾 最 愛 大 獎
• 加 拿 大 卡 加 立 電 影 節 最 佳 電 影 及 AGF 觀 眾 投 票 大 獎
• 英 國 列 茲 電 影 節 最 佳 電 影 及 觀 眾 最 愛 大 獎
• 美 國 丹 佛 電 影 節 觀 眾 最 愛 大 獎
• 西 班 牙 巴 來 多 利 電 影 節 頒 發 最 佳 電 影 及 觀 眾 最 愛 大 獎
• 瑞 士 加 斯 特 里 亞 電 影 節 最 佳 電 影
• 澳 洲 電 影 評 論 學 會 頒 發 最 佳 導 演 、 最 佳 改 編 劇 本
• 澳 洲 電 影 學 會 頒 發 最 佳 電 影 、 最 佳 配 樂 及 最 佳 音 效
• 全 國 電 影 評 論 學 會 頒 發 最 佳 導 演 、 自 由 精 神 大 獎 及 全 年 十 大 電 影
• <People Magazine> 全 年 十 大 電 影 之 一
• <Wolf Entertainment Guide> 全 年 十 大 電 影 之 一
• 獲 共 25 份 美 國 雜 誌 選 為 十 大 最 佳 電 影

香 港 幼 兒 教 育 及 服 務 聯 會 總 幹 事 程 德 智
有 教 育 意 義 ， 一 套 非 常 值 得 看 的 電 影

商 業 電 台 第 一 台 蘇 施 黃
一 定 要 看 ！ 我 這 樣 喜 愛 笑 的 人 ， 都 哭 成 這 樣 ！

岑 建 勳
看 完 這 部 電 影 覺 得 很 慚 愧 ， 香 港 應 該 拍 多 一 些 類 似 的 戲 。 如 果 有 孩 子 ， 可 以 告 訴 他 們 永 遠 都 要 奮 鬥 ， 爭 取 自 己 的 權 益 。 一 套 非 常 感 動 人 的 電 影 ， 請 大 家 支 持 ！

張 堅 庭
這 套 戲 拍 得 好 有 心 ， 而 且 技 巧 好 好 ， 有 小 朋 友 的 家 長 一 定 要 看 ！

香 港 浸 會 大 學 副 教 授 葉 月 瑜
非 常 精 彩 的 電 影 ， 種 族 間 的 對 比 ， 大 人 與 小 孩 的 對 比 ， 具 有 豐 富 深 刻 的 社 會 及 歷 史 意 義 。

香 港 城 市 大 學 副 教 授 Philip Lee
我 自 己 有 三 個 女 兒 ， 看 到 戲 中 其 中 一 個 女 孩 被 捉 上 車 的 一 段 戲 覺 得 很 感 動 。 這 套 戲 令 我 警 醒 要 珍 惜 與 家 人 相 處 的 時 刻 。

影 評 人 登 徒
令 香 港 觀 眾 明 白 到 人 與 人 之 間 愛 與 親 情 的 重 要 ， 值 得 推 薦 大 家 用 心 去 看 的 一 套 電 影 ！

< 金 雞 > 導 演 趙 良 駿
好 有 迫 力 ， 這 部 電 影 不 用 多 說 ， 但 由 頭 到 尾 一 氣 呵 成 ， 吸 引 你 一 直 追 看 下 去 ．

導 演 陳 安 琪
好 成 功 的 一 部 電 影 ， 非 常 好 ， 快 去 看

< 孩 子 要 回 家 > 攝 影 展 美 術 總 監 趙 穎 欣
香 港 人 需 要 看 的 電 影 ， 因 為 香 港 人 只 關 心 有 沒 有 錢 ， 但 很 多 事 情 並 不 是 錢 可 以 解 決 的 ．

" 絕 對 是 本 年 度 最 佳 電 影 之 一 ， 這 段 既 美 妙 又 鼓 舞 人 心 的 旅 程 ， 震 撼 力 直 達 心 靈 。 " --- 美 國 首 席 電 影 評 論 學 家 Roger Ebert

故 事 大 綱

1931 年 ， 英 國 議 會 通 過 " 威 斯 敏 斯 特 法 案 " 給 予 澳 洲 內 政 及 外 交 自 主 權 ， 澳 洲 從 此 成 為 英 聯 邦 獨 立 國 。

澳 洲 西 部 首 席 原 居 民 保 護 官 A.O. 李 維 ( 堅 尼 夫 班 納 飾 演 ) ， 在 一 個 午 餐 聚 會 中 ， 向 柏 斯 女 性 服 務 協 會 發 表 其 研 究 了 十 年 的 " 同 化 政 策 " ， 一 項 將 1880 年 實 施 的 " 白 澳 政 策 " 變 本 加 厲 的 苛 政 ， 他 高 傲 地 表 示 ， 為 要 提 高 英 語 地 位 ， 不 特 止 要 統 一 語 言 ， 更 要 求 增 加 當 地 白 人 人 口 比 例 ， 主 張 社 會 同 化 ， 創 造 高 質 人 種 世 界 ， 並 否 決 澳 洲 原 居 土 著 的 公 民 權 外 ， 且 限 制 他 們 生 活 在 保 護 區 內 ， 甚 至 不 容 許 土 著 與 純 種 土 著 的 結 婚 ， 力 求 原 居 民 人 口 衰 減 。

他 認 為 原 居 土 著 只 要 與 白 色 人 種 交 配 混 合 ， 三 代 之 後 ， 必 令 棕 黑 色 人 種 完 全 消 失 。 尼 維 爾 且 獲 澳 洲 政 府 支 持 ， 立 例 授 命 執 法 部 門 拆 散 原 居 民 家 庭 ， 強 行 搶 奪 原 居 土 著 兒 童 ， 且 由 當 地 天 主 教 會 協 助 ， 放 置 他 們 在 集 中 教 育 營 內 ， 灌 輸 白 人 文 化 ， 以 「 迎 接 美 好 白 人 社 會 新 生 命 」 為 口 號 ， 加 以 訓 練 成 白 人 奴 隸 ， 女 生 長 大 後 就 當 家 庭 傭 人 ， 男 生 則 為 勞 動 農 民 ， 而 這 一 代 兒 童 ， 稱 為 「 被 竊 走 的 一 代 」 (The Stolen Generation) 。

此 片 由 真 人 真 事 改 編 而 成 。 三 個 精 靈 活 潑 的 土 著 兒 童 ， 摩 莉 (14 歲 ) 與 妹 妹 黛 絲 (8 歲 ) 及 表 妹 雅 兒 (10 歲 ) ， 本 在 織 加 隆 （ Jigalong ） 保 護 區 與 媽 媽 、 婆 婆 過 著 無 拘 無 束 的 自 由 生 活 ， 可 是 ， 一 天 她 們 被 西 部 騎 警 以 暴 力 強 行 擄 走 ， 拐 帶 到 距 離 家 鄉 千 里 外 的 魔 亞 河 （ Moore River ） 培 訓 營 ， 接 受 白 種 人 教 育 。 個 性 倔 強 的 摩 莉 不 甘 就 範 ， 趁 一 次 大 好 良 機 ， 帶 領 妹 妹 及 表 妹 逃 之 夭 夭 ， 決 定 重 返 家 園 。

正 當 她 們 迷 茫 如 何 回 家 時 ， 摩 莉 想 起 家 鄉 附 近 一 道 由 北 面 伸 展 至 南 方 的 「 防 兔 欄 」 (Rabbit-proof fence) ， 她 深 信 只 要 沿 著 「 防 兔 欄 」 步 行 ， 最 終 必 可 回 到 母 親 懷 抱 裡 。 三 名 弱 質 纖 纖 的 小 女 童 ， 赤 足 展 開 長 達 1500 公 里 的 逃 走 旅 程 。 千 里 路 上 ， 饑 寒 交 逼 ， 且 後 有 追 兵 ， 縱 使 路 途 荊 棘 ， 但 憑 著 堅 毅 意 志 ， 終 於 回 家 。

1966 年 ， 臭 名 昭 彰 的 " 白 澳 政 策 " 才 得 以 結 束 ， 至 於 強 行 搶 奪 原 居 土 著 兒 童 的 " 同 化 政 策 " ， 則 於 1973 年 澳 洲 工 黨 政 府 成 立 後 ， 才 徹 底 取 消 。 然 而 ， 種 族 歧 視 的 無 恥 思 想 ， 仍 繼 續 遺 害 蒼 生 ， 當 年 政 策 帶 來 的 惡 果 ， 令 無 數 澳 洲 原 居 民 ， 時 至 今 日 ， 仍 然 無 家 可 歸 。

雖 然 這 是 關 於 三 個 澳 洲 土 著 兒 童 的 故 事 ， 但 我 希 望 觀 眾 可 以 身 同 感 受 她 們 回 家 的 心 情 ， 為 她 們 而 焦 急 ， 因 她 們 三 人 的 困 窘 而 洗 滌 種 族 及 身 份 的 界 定 。

菲 納 萊 斯 Phillip Noyce 導 演 / 監 製

※ ※ ※ ※ ※ ※ ※ ※ ※ ※ ※

發 行 ：		Golden Scene Company Limited
上 映 日 期 ：		2003 年 4 月 3 日
網 址 ：		http://www.goldenscene.com

Rabbit Proof Fence

★★ Golden Globe Nomination : Best Original Score

Plot summary: This is the true story of Molly Craig, a young black Australian girl who leads her younger sister and cousin in an escape from an official government camp, set up as part of an official government policy to train them as domestic workers and integrate them into white society. With grit and determination Molly guides the girls on an epic journey, one step ahead of the authorities, over 1,500 miles of Australia's outback in search of the rabbit-proof fence that bisects the continent and will lead them home. These three girls are part of what is referred to today as the 'Stolen Generations.'

※　※　※　※　※　※　※　※　※　※　※

RABBIT-PROOF FENCE

Winner of the Audience Award, Best Feature Film - Edinburgh Film Festival
Winner of the Audience Award, Best Feature Film - Durban Film Festival
Everlyn Sampi - Winner of the Best Actress Prize - Durban Film Festival
Winner of the Audience Award, Best Feature Film - Aspen Film Festival
AGF People's Choice Award , Best Feature Film - Calgary Film Festival
Winner of the Audience Award - Best Feature Film - Leeds Film Festival
Winner of the Starz People's Choice Award - Denver Film Festival
Winner of the Audience Award - Best Film - Valladolid Film Festival
Winner of Best Film- Castellaria Film Festival, Switzerland

Winner Best Director - Phillip Noyce -
Australian Film Critics Circle Awards
Winner Best Adapted Screenplay -
Christine Olsen - Australian Film Critics Circle Awards

Winner Best Film - Australian Film Institute Awards
Winner Best Sound - Australian Film Institute Awards
Winner Best Score - Australian Film Institute Awards

Winner - Best Director - National Board of Review 2002
Winner - Freedom of Expression Award - National Board of Review
One of the ten best Films of the Year - National Board of Review
One of the Ten Best Films of the Year - People Magazine
One of the Ten Best Films of the Year - Wolf Entertainment Guide

Winner - Phillip Noyce - Best Director - London Film Critics' Circle

Golden Globe Award Nominee - Peter Gabriel - Best Score

25 US Magazines say that RABBIT-PROOF FENCE is one of the top ten films of the YEAR!

'One of the best movies of the year! Two thumbs way up! An amazing, inspirational journey…it shakes us to our foundation.'
Roger Ebert & Richard Roeper, Ebert @ Roper

"Powerful! A visceral adventure film! Exciting, beautiful and thought-provoking!"
Steve Rosen, The Denver Post

"A spell-binding and emotional experience!"
William Wolf, Wolf Entertainment Guide

"A powerful film"
Leah Rozen, People

"'There were tears, for instance, and a much-deserved Audience Award for Phillip Noyce's 'Rabbit-Proof Fence', arriving after a media whirlwind in Australia, where conservative opinion attempted to discredit its true story of the stolen generation of half-caste children removed from Aboriginal parents by government officers. An emotive yet lucid tribute to the spirit and resilience of those indigenous people, it's not just a great film, but a genuinely important one."
Time Out (London)

"The Standard Life Audience Award was won by Rabbit-Proof Fence. It had led the poll from its first screening at the festival and was described by the artistic director, Shane Danielson as 'a great film and an important film'."
Screen International

"Rabbit Proof Fence is unquestionably one of the best films of the year. Masterfully directed, visually hypnotic, it redefines Phillip Noyce as one of the truly great filmmakers of his generation, and a first-class master of cinematic narrative. Great music, breathtaking cinematography and a haunting film of one of Australia's most distressing tragedies. This is a film that everyone should make a point of seeing, it's a remarkable ,powerful and extraordinary film."
Paul Fisher - Dark Horizons

"A very good movie…very impressive."
Didier Allouch - CANAL PLUS

"Wow, I loved the movie. It was very powerful."
Mike Szymanski / ZAP2IT.COM

Emotions have run high at the Edinburgh Film Festival this year, where Phillip Noyce's Rabbit-Proof Fence has emerged as a popular and critical triumph, moving many to tears. It is a tremendously impassioned, beautifully made drama about Australia's 'stolen generations' - aboriginal children who were forcibly removed from their parents and raised in white run environments at the behest of the government. Set in the 1930's - though this practice continued until the 70's - the film is based on a true life story. It follows three girls who escape from their resettlement camp and embark on an epic odyssey back to their mothers across thousands of miles of desert. Noyce's direction is first class, bringing together stunning images from Wong Kar Wai's regular cinematographer Christopher Doyle and rousing music by Peter Gabriel. The film belongs, though, to the three girls, who deliver utterly convincing and effective performances, despite never having acted before.
Daily Telegraph (U.K.)

"(Rabbit Proof Fence is) a stunningly realised historical epic"
The Herald (Scottish daily paper)

"This beautifully understated and lyrical film works on a number of levels: as a political statement; a dramatic thriller and as a 'road movie'. The result is a cinematic work of the highest quality."
Daily News (South Africa 30-8-02)

"A stunning piece of work, with stand-out performances to match. The fact that the tale rings absolutely true sends a shudder through even the most hardened of hearts. A vital film for our times."
Empire Magazine (Australia)

"Absorbing, Moving and Heartwarming."
Louise Keller - www.urbancinefile.com.au

"An extraordinary story of human spirit overcoming all odds. Inspiring, moving and visually stunning."
Jody Scott - ELLE Magazine

"Flawless
*****"
Herald Sun - Melbourne

"Inspirational"
Variety

"Excellent Moving"
Screen International

"Tightly made and richly rewarding, expect 'Fence' to cross over to a mainstream audience. This is a powerful film that speaks in universal terms about an important issue whilst going straight for the heart."
The Hollywood Reporter

I also adored "Rabbit-Proof Fence" (North American premiere). Australian director Philip Noyce said, "This film got started when my phone rang at 3 a.m. in LA, where I was living in a golden cage, and a woman on the other end said she'd found the best script for me." It tells the true story of three (of thousands) half-caste Aboriginal girls in the early 1930s who were forcibly taken from their families and placed in a government sponsored retraining program, and of their determination to return home. It's an incredibly moving, dramatic, and well-acted account of an unconscionable time in Australia's history.
IndieWIRE - Diana Hotlzberg

Another defiant girl is the subject of Philip Noyce's absorbing true-life drama, "Rabbit Proof Fence," which features the ferocious 11-year-old (now 13-year-old) novice Everlyn Sampi, along with two other girls, Tianna Sansbury and Laura Monaghan. They play "half-castes" (half-white,half-Aborigine) who escape a government institution and trek 1,500 miles home, evading the police and an aboriginal tracker. Sampi's character is tough, resourceful and stubborn--apparently not unlike Sampi herself. Noyce found her in a settlement called Djarindjin, in far northwestern Australia.
Although she knew television, she'd never been in a movie theater and had no interest in becoming an actress. But Noyce turned a camera on her and discovered that she had "it," and induced her to join the picture. She ran away twice before the cameras rolled. "Everlyn Sampi has a healthy disrespect for authority," Noyce says ruefully.
Loa Angeles Times - John Clark

Set in 1931, this stirring film by Phillip Noyce (Patriot Games) tells the true story of the perilous bid for freedom of three young girls who escape detention and set out on a 2,400-kilometre quest to find their homes, following a path marked by the rabbit-stopping fences used by farmers across the length and breadth of Australia.
Rabbit-Proof Fence is a movie of adventure, courage and spirit, revealing the best and worst in human nature and introducing terrific new talent. Consider this a leading contender to win the audience award at this year's film fest.
TORONTO STAR - Peter Howell

Rabbit-Proof Fence chronicles the desperate story of three young half-castes girls who are, under Australian Law, taken away from their families and placed into a government operated missionary. After a short stay in this unfamiliar place, the girls embark on a heroic and difficult journey back to their homes along the rabbit-proof fence. The film effectively takes its time to tell the story of this "stolen generation," sufficiently informing the audience and providing necessary context as the situation evolves. In addition to seeing how the girls are being affected by this cruel and unjust law, the film also shows its viewers how the rest of Australian society is reacting to this system. An example of this can be seen in the many scenes involving the head of this program, chief Riggs -played by Kenneth Branagh- trying to convince his people of the legitimacy of this evil scheme. I would have however enjoyed more character development, particularly with the girls who seemed to lack significant coloration.
The film is brilliantly photographed,, by the master Christopher Doyle, who uses geographical space to reveal the misery and isolation of the Aboriginal people. The pacing of the film is exceptional, slowly carrying the viewer along this journey with the girls while concurrently uncovering the greater context of this situation, without having it feel distracting or tangential.
(****)
AIN'T IT COOL NEWS

a work of beauty, power, and grace. Based on Doris Pilkington's fact-based book, it is perhaps Noyce's best film to date, a shattering indictment of past injustice and a glorious testament to human courage and endurance. It has been many years since Noyce devoted himself to the concerns of his native country. It was worth the wait. Molly's long trek through the outback, her devotion to the younger girls, and her unstinting belief in the outcome of her journey are unforgettable. And so is Noyce's evocative film.
Reel.Com - Pam Grady

Rabbit-Proof Fence is an outstanding film, filled with a restraint and emotional honesty that seem to characterize the Aboriginal people in the film. It should be compulsory viewing for every man, woman and child on the planet.
The Independent on Sunday - South Africa

ISRAEL:

"10 on Jacob's Ladder, a breathtaking film you should not miss"
Kobi (Jacob) Ne'eman / Zeman Tel-Aviv

**** (4 stars) "Exciting, powerful..."
Albert Gabai / Ch.33 (TV)

"Touching, suspenseful and moving"
Yehuda Stav / Yediot A'haronot

"An amazing movie"
Lior Ashkenazi / Ch.1 (TV)

**** (4 stars) "A captivating drama, thrilling and exciting"
Irit Shamgar / Ma'ariv

"Powerful and fascinating"
Rita Cohen / Kol Israel (radio)

"Emotionally charged adorned with a marvelous sound track"
Yair Rave / Ha'ir

USA

LOVED it! The older girl, Molly, is terrific.
Joe Angio/TONY

Really liked it.
Jeelu Billimoria/WABC-TV

Thought the film was amazing.
Alison Bailes/IFC

Enjoyed it immensely, very touching.
Wilson Morales/WBAI RADIO

Beautifully shot film, compelling story. Extraordinary. Casting of three girls was perfect.
Ray Fox/WEOK RADIO

Really good. Everyone in the theater was bawling. A perfect movie,
Alex Bandon/FREELANCE

It's a powerhouse of a movie, definitely one of the best of the year
Prairie Miller/WBAI

Really liked the film and felt it brought out a lot of emotions in the audience.
Jeanna Aufmuth/PALO ALTO WEEKLY

Really enjoyed it.
Jill Bernstein/PREMIERE

Loved it.
Chris Borelli/TOLEDO BLADE

Good. Thought the most powerful part was when the women appeared on screen at the close of the film.
Peter Brunette/BOSTON GLOBE

Saw and Liked. Will be doing an article on the film.
Richard Corliss/TIME

"A Striking Adventure."
Robert Dinerstein/ROCKY MOUNTAIN NEWS

Loved, really moved by it, really great.
Patrick Goldstein/LA TIMES

Loved it - very strong- loved it.
Peter Herbst/PREMIERE

Really enjoyed it and it's on her top 10 list of films for the year. It is an evocative film.
Pam Grady/REEL.COM

Liked the film a lot.
Ken Karn/KSJS-FM

Phil thought it was an amazing film that creates a compelling and exciting story out of simple components: three little girls, a fence, and a dusty wilderness.
Phil Martin/ARKANSAS DEM GAZETTE

"Powerful."
Leah Rosen/PEOPLE

Loved it.
Dan Pearsons/SOUTHTOWN CHICAGO

Thought it was good…liked the crazy camera angles he used in his office (Branagh's) to show how off-kilter his thinking was. And it's so sad to think how horrifying it was to have their children torn away from their parents.
Betsy Pickle/KNOXVILLE NEWS

Loved it.
Mike Syzmanski/ZAP2IT.COM

Adored it but doesn't think it has any Oscar chances whatsoever.
Anne Thompson/FREELANCE

A powerful film.
Betty Jo Tucker/KOAA ONLINE (COLORADO SPRINGS)

One of his favourite films at TIFF and previous LA screenings.
Jeffrey Wells/REEL.COM

****, Undeniably moving, heartbreaking performances
Wendy Ide/Uncut

'The final scene of the film contains an appearance and a revelation of astonishing power; not since "Schindlers List" have I been so overcome with the realization that real people, in recent historical times, had to undergo such inhumanity.'
Roger Egbert, Albany Times Union

'Three elements make the movie- a story of deep love and loss, an electric child actor in Everlyn Sampi and an Australian landscape so harsh it makes the American Southwest look like a suburban park.'
Sheila Norman, Albany Daily Gazette

'The long walk home depicted in Phillip Noyce's 'Rabbit Proof Fence' is the sort of inspirational heart- tugger Hollywood couldn't possibly come up with. That's because its true.'
Eleanor Ringel Gillespie, Atlanta Journal Constitution

'I love 'Rabbit Proof Fence' as drama, as protest, as moviemaking and as poetry.'
'Director Noyce has always been a notable Australian talent…But in 'Rabbit Proof Fence' Noyce finds a pure tenacious voice that communicates with the viewer heart to heart.'
'Noyce puts the audience right in there with them, too, superbly honing the words of Christine Olsen's script and the sights and sounds of two wonder-struck collaborators, cinematographer Chris Doyle and composer Peter Gabriel.'
'From the opening moment, you know you are in the hands of masters.'
Mike Sragow, Baltimore Sun

'Based on a true incident, the film is a must see.'
'Evelyn Sampi, as Molly, is impeccably good. Her gutless performance drives the film with unrelenting honesty.'
Jim Santello, Buffalo News

'Mr Noyce found three youngsters with no theatrical training to play the girls, and he extracts marvelously natural performances from all three.'
' The scene in which the girls are first taken, literally dragged screaming from their mothers is perhaps the most emotionally charged moment that Mr. Noyce has ever put on film.'
Margaret McGurk, Cincinnati Enquirer

'Rabbit Proof Fence, which may be the most amazing and harrowing true story you will ever see'.
Joanna Connors, The Plain Dealer. Cleveland

'Director Phillip Noyce…returned home to make the sort of raw, angry drama that elevated Australian filmmaking in the 80's.'
Frank Gabrenya, Columbus Dispatch

'Rabbit Proof Fence is inspirational and enraging, and it looks and sounds great: The sound track boasts a haunting score and a knack for putting desert habitat right in your ear.'
Chris Vognar, Dallas Morning News

'Noyce ends his movie in a way that's as moving as anything you'll ever see... Its definitely one of the years most memorable'.
Robert Denerstein, Rocky Mountain News

'Doyle is the cinematographer of the year, a remarkable artist who captures places with an extraordinary eye for detail and texture. Marry those unforgettable visuals with this amazing true story and you've got a truly affecting movie that may well move you to tears.'
Glenn Whip, Houston Chronicle

Visually beautiful and emotionally draining, it is not to be missed.'
Robert Butler, Kansas City Star

'Rabbit Proof Fence is an amazing story, amazingly told.'
Steven Rea, Miami Herald

'It makes for one haunting, powerful movie experience, Rabbit Proof Fence is critic-proof filmmaking.'
Todd Anthony, Ft Lauderdale Sun Sentinel

'Noyce saves his best for last. The final piece of the film we see before the credits is simply, grandly overwhelming. It brings this fascinating movie utterly, heartbreakingly to life.'
Daniel Neman, Richmond Times Dispatch

'Nearly everything about Rabbit Proof Fence is astonishing. Acting doesn't get much better than this….All movies should aspire to be this good.'
Jonathan Curiel, San Francisco Chronicle

'Taken alone, each film proves engrossing and thought provoking; in tandem (with The Quiet American) they suggest that Noyce, at 52, may be one of the most underrated filmmakers around.'
Glenn Lovell, San Jose Mercury News

RABBIT-PROOF FENCE -US Top Ten Lists

NATIONAL PRESS:

• Bob Strauss, film critic for the Los Angeles Daily News, named RABBIT-PROOF FENCE #5 in his Top Ten films of 2002. He writes: "A daft Australian policy of child-snatching and indentured servitude, all in the name of "improving" the lives of half-caste aboriginal children, is given a devastatingly human face in Phillip Noyce's true-life tale of three little girls in the 1930s who crossed thousands of miles of Outback to get home. The only film this year that made me weep."
• Michael Rechtschaffen, film critic for The Hollywood Reporter, also named RABBIT-PROOF FENCE #5 in his Top Ten films of 2002.
• Richard Roeper, film critic of 'Ebert and Roeper,' named RABBIT-PROOF FENCE #7 in his Top Ten films of 2002.
• Roger Ebert, film critic of 'Ebert and Roeper' and the Chicago Sun Times, included RABBIT-PROOF FENCE in his Top Ten films of 2002. The film tied for #11 with several others.
• Ann Thompson, film critic for Premiere Magazine, named RABBIT-PROOF FENCE #7 in her Top Ten films of 2002.
• Joe Morgenstern, film critic for The Wall Street Journal, named RABBIT-PROOF FENCE #8 in his Top Ten films of 2002.
• Richard Corliss, film critic for Time Magazine, named RABBIT-PROOF FENCE (along with THE QUIET AMERiCAN) #10 in his Top Ten films of 2002 and calls it "one of the year's best."

REGIONAL PRESS:

• Deborah Hornblow, film critic for the Hartford Courant, named RABBIT-PROOF FENCE #3 in her Top Ten films of 2002.
• James Verniere, film critic for the Boston Herald, named RABBIT-PROOF FENCE #4 in his Top Ten films of 2002.
• Sean P. Means, film critic for the Salt Lake City Tribune, named RABBIT-PROOF FENCE #4 in his Top Ten films of 2002.
• Jay Boyar, film critic for the Orlando Sentinel, named RABBIT-PROOF FENCE #4 in his Top Ten films of 2002.
• Ann Hornaday, film critic for The Washington Post, named RABBIT-PROOF FENCE #5 in her Top Ten films of 2002.
• Steve Persall, film critic for the St. Petersburg Times, named RABBIT-PROOF FENCE #7 in his Top Ten films of 2002.
• Glenn Lovell, film critic for the San Jose Mercury News, named RABBIT-PROOF FENCE #7 (tied with THE QUIET AMERICAN) in his Top Ten films of 2002.
• Betsy Pickle, film critic for Knoxville News-Sentinel, named RABBIT-PROOF FENCE #7 in her Top Ten films of 2002.
• Chris Hewitt, film critic for Pioneer Press, named RABBIT-PROOF FENCE #7 in his Top Ten films of 2002.
• Louis B. Hobson, film critic for The Calgary Sun, named RABBIT-PROOF FENCE #7 in his Top Ten films of 2002.
• Steven Rosen, film critic for the Denver Post, Robert Butler, named RABBIT-PROOF FENCE #8 in his Top Ten films of 2002.
• Robert Butler, film critic for the Kansas City Star, named RABBIT-PROOF FENCE #8 in his Top Ten films of 2002.
• Daneil Neman, film critic for the Richmond Times-Dispatch, named RABBIT-PROOF FENCE #8 in his Top Ten films of 2002.
• Ty Burr, film critic for the Boston Globe, named RABBIT-PROOF FENCE #9 in his Top Ten films of 2002.
• Susan Stark, film critic for Detroit News, named RABBIT-PROOF FENCE #9 in her Top Ten films of 2002.
• Gary Dretzka, film critic for Movie City News, named RABBIT-PROOF FENCE #9 (tied with THE QUIET AMERICAN) in his Top Ten films of 2002.
• Robert Denerstein, film critic for Denver Rocky Mountain News, named RABBIT-PROOF FENCE #10 in his Top Ten films of 2002.
• Dan Gire, film critic for The Daily Herald, named RABBIT-PROOF FENCE #10 in his Top Ten films of 2002.
• Peter Howell, film critic for the Toronto Star, named RABBIT-PROOF FENCE #10 in his Top Ten films of 2002.
• Michael Wilmington, film critic for the Chicago Tribune, named RABBIT-PROOF FENCE as a runner up (along with several other films) in his Top Ten films of 2002.
• Joann Connors, film critic for the Cleveland Plain Dealer, named RABBIT-PROOF FENCE as a runner up (along with several other films) in her Top Ten films of 2002.
• Bob Grimm, film critic for the Las Vegas Mercury, named RABBIT-PROOF FENCE as a runner up (along with several other films) in his Top Ten films of 2002.
• Jonathan Lewis, film critic for Gay Chicago Magazine, named RABBIT-PROOF FENCE as a runner up (along with several other films) in his Top Ten films of 2002.
• Kristian Lin, film critic for the Fort Worth Weekly, named RABBIT-PROOF FENCE as a runner up (along with several other films) in her Top Ten films of 2002.
• The Norfolk Pilot selected RABBIT-PROOF FENCE as one of the Top Ten films of 2002.

ONLINE PRESS:

• Wilson Morales, film critic for blackfilm.com, named RABBIT-PROOF FENCE #3 in his Top Ten films of 2002.
• Arthur Lazere, film critic and Editor In Chief of culturevulture.net, named RABBIT-PROOF FENCE #6 in his Top Ten films of 2002.

註：以上資訊由片主或其推廣代表提供。本網並不保證此等資訊是否正確。
Note: The information above is provided by the owners of the film or their agents who are responsible for the promotion of the film. We do not guarantee the accuracy of such information.

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