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一 所 古 怪 大 宅 　一 間 鐵 牢 密 室 　一 對 單 親 母 女
三 名 惡 賊 誓 要 奪 得 屋 內 巨 款
荷 里 活 最 具 潛 質 風 格 導 演 大 衛 芬 查 、 影 后 茱 迪 科 士 打
在 極 度 有 限 的 空 間 中 奮 勇 抗 賊

《 房 不 勝 防 》

4 月 11 日 　密 室 鬥 智

剛 離 婚 的 單 親 母 親 瑪 姬 與 十 一 歲 的 女 兒 莎 拉 搬 到 紐 約 市 的 一 所 大 宅 中 ， 開 始 她 們 的 獨 立 生 活 。 這 所 古 老 大 屋 最 特 別 的 地 方 是 它 擁 有 一 間 牢 不 可 破 的 密 室 。 密 室 內 裝 有 八 部 閉 路 電 視 ， 監 察 大 宅 內 的 每 一 角 落 ； 另 外 還 設 有 空 調 及 足 夠 一 個 月 的 食 糧 和 各 類 日 常 用 品 。

瑪 姬 和 女 兒 從 來 也 沒 想 過 ， 她 們 會 有 一 天 需 要 利 用 這 所 密 室 ！

一 天 晚 上 ， 三 名 持 械 桿 匪 竟 潛 進 這 所 大 宅 ， 目 的 是 要 尋 找 一 筆 隱 藏 在 屋 內 的 巨 款 。 瑪 姬 與 女 兒 逼 不 得 已 逃 進 這 密 室 ， 但 躲 避 也 不 是 辦 法 ， 為 了 保 命 ， 她 們 決 定 與 匪 徒 展 開 一 場 「 貓 捉 老 鼠 」 的 困 局 戰 。

久 休 復 出 的 金 像 影 后 茱 迪 科 士 打

這 部 電 影 在 選 角 初 期 可 謂 波 折 重 重 ， 首 先 女 主 角 的 角 色 原 定 由 妮 歌 潔 曼 擔 演 ， 可 惜 她 因 腳 傷 而 被 迫 辭 演 。 於 是 女 主 角 的 角 色 便 落 在 已 暫 別 幕 前 兩 年 的 金 像 影 后 茱 迪 科 士 打 身 上 。 其 實 能 夠 與 曾 執 導 《 七 宗 罪 》 《 搏 擊 會 》 的 大 衛 芬 查 合 作 ， 一 直 是 茱 迪 的 心 願 。 所 以 今 次 就 算 少 收 片 酬 和 要 她 挺 著 肚 子 又 跑 又 跳 ( 茱 迪 在 拍 攝 期 間 懷 孕 ) ， 她 也 沒 有 半 句 怨 言 ， 還 很 努 力 去 演 出 呢 ！

荷 里 活 風 格 導 演 大 衛 芬 查

一 向 以 拍 攝 驚 慄 、 懸 疑 電 影 見 稱 的 大 衛 芬 查 ， 其 作 品 包 括 《 七 宗 罪 》 、 《 搏 擊 會 》 及 《 心 理 遊 戲 》 。 大 衛 擅 長 營 造 緊 張 、 陰 深 的 氣 氛 ， 今 次 他 還 在 極 度 有 限 的 空 間 中 大 玩 懸 疑 ， 更 在 烏 天 黑 地 的 環 境 下 拍 攝 ， 加 上 《 搏 擊 會 》 的 流 暢 追 蹤 式 的 拍 攝 手 法 ， 大 衛 迷 一 定 不 能 錯 過 ！

Production Information

www.sony.com/panicroom

Trapped in their New York brownstone's panic room, a hidden chamber built as a sanctuary in the event of break-ins, newly divorced Meg Altman (Jodie Foster) and her young daughter Sarah (Kristen Stewart) play a deadly game of cat-and-mouse with three intruders-Burnham (Forest Whitaker), Raoul (Dwight Yoakam) and Junior (Jared Leto)-during a brutal home invasion. But the room itself is the focal point because what the intruders really want is inside it.

A Columbia Pictures presentation, A Hofflund/Polone Production, An Indelible Picture, Panic Room is directed by David Fincher, written by David Koepp and produced by Gavin Polone, Judy Hofflund, David Koepp, and Cean Chaffin. Conrad W. Hall and Darius Khondji, ASC, AFC, are directors of photography, production designer is Arthur Max and costume designer is Michael Kaplan. James Haygood, A.C.E. and Angus Wall are editors. Composer is Howard Shore. Panic Room is rated R by the MPAA for violence and language.

The Panic Room:
The best place to be in the worst case scenario

In medieval times it was called the castle keep. The 20th century gave way to bomb shelters, evolving into storm shelters. Now, even the White House has a Situation Room-a secure, high-tech complex located in the building's basement that has been in existence since the Kennedy administration.

In the movie Panic Room, it consists of four concrete walls, a buried phone line not connected to the house's main line, its own ventilation system and a bank of surveillance monitors that covers nearly every corner of the house-all protected from the world as we know it by an impenetrable door made of thick steel.

The panic room.

Meg Altman (Jodie Foster) and her daughter Sarah (Kristen Stewart) move into a New York brownstone equipped with a panic room, unaware of how soon they will need it. But when three men stage a seamless late night break in, Meg and Sarah take a stand from the sanctuary of the panic room not realizing that the room itself is their target… and the intruders will stop at nothing to get inside.

"This eccentric millionaire had built this panic room so that if anybody came to steal his money, he could protect himself," says Foster. "This room is pretty special. It has eight video monitors with cameras all over the house. It has stashes of things that you might need-a fire blanket, a fire starter. It has water, so that if you needed to stay there for a month, you could."

The more crime, terrorism and international kidnappings have come to dominate American newscasts, the more ubiquitous the 'panic room'-an impregnable space to retreat to in the event of an armed intrusion-has become. Fear, paranoia and protective instincts are the ultimate motivators, especially for those who have the means to do something about it. And though statistics have shown crime in general to be on the decline, "people take action based on their perception of risk rather than the actual risk," said Jeff Fryrear of the National Crime Prevention Institute in Louisville in The New York Times piece, "The New 'God Forbid' Room."

"The more insecure we are, the deeper we retreat," said Edward J. Blakely, the dean of USC's School of Urban Planning, in the same article.

"The paranoia levels right now are absolutely staggering," a maker of Spycams told The Wall Street Journal. As Americans gain access and interest in more sophisticated forms of protection such as spy cameras, phone tap detectors and computer keyboard trackers, sales in such civilian spy-gear shot from 30% to 60% percent in the past year, helping turn security and surveillance into a $5 billion industry. As reported in The Wall Street Journal, Los Angeles-based Bolide International sold 3,200 Spycams alone in the past two months-double the number at this time last year.

In Southern California, a pervading sense of unease among studio and other business moguls has driven the demand for safe rooms to unprecedented levels. Gary Paster, a California-based builder, built his first safe room for an entertainment industry figure in 1980. Paster told The Los Angeles Business Journal that he has gone from building roughly six safe rooms a year in the early '90s to now more than 60.

Paster's safe rooms, which can cost from the middle thousands up to $100,000, are comprised of special security doors made of bullet-resistant "Armortex" and electromagnetic locks built to withstand everything from baseball bats to 9mm automatic gunfire. Most popular are security doors that turn an unassuming walk-in closet or bathroom into a safe room.

According to Javier Trevino, the president of Safeguard Security Services Inc. in San Antonio, which manufactures Armortex "wall armor," the numbers continue to climb. "The beauty is, you can wallpaper it, cover it with Sheetrock, and you never know there is armor on the wall," he told The New York Times.

Architects serving the rich and powerful increasingly prepare plans for panic rooms as a matter of course. They have become not only a necessity for wealthy estates, but also a must-have security measure for corporate headquarters and executive suites. The plans are kept confidential, from the blueprints to the end of construction, and installed at the last minute by a designated security team.

"Our clients request them," one such architect told The New York Times, "especially whenever there's a riot, an earthquake or a panic about Armageddon."

The reasons customers cite for building panic rooms are as various as their high-tech accoutrements: some want more than a simple hideout when and if they come under attack; others feel the panic room is a necessity to guard their riches from modern-day marauders.

In David Fincher's Panic Room, it may be the only thing that keeps Meg Altman and her daughter alive.

About the Cast

JODIE FOSTER (Meg Altman) earned Academy AwardsO for Best Actress for her acclaimed performances as a rape survivor in "The Accused" (1988) and as Special Agent Clarice Starling in the hit thriller "The Silence of the Lambs" (1991).

Foster made her motion picture directorial debut in 1991 with the highly acclaimed "Little Man Tate," in which she also starred. In 1995, Foster directed her second film, "Home for the Holidays," which she also produced. Most recently, audiences saw Foster star in "Anna and The King." Prior to that she also starred in Robert Zemeckis' "Contact."

In 1992, Foster founded Egg Pictures, which produced "Nell" (1994), for which Foster earned an Academy AwardO nomination, "Home for the Holidays" (1995), the cable television film "The Baby Dance" (1998), which won a Peabody Award and received four Emmy Award nominations and three Golden Globe Award nominations (including best miniseries), and "Waking the Dead," starring Billy Crudup and Jennifer Connelly, directed by Keith Gordon. In 1996, Egg Pictures also presented the award-winning film "L'Haine" in the United States.

Foster began her career at age three, appearing as "The Coppertone Girl" in television commercials. She then went on to become a regular on a number of television series, including "The Courtship of Eddie's Father," "My Three Sons" and "Paper Moon." She made her feature debut in "Napoleon and Samantha" when she was eight years old.

But it was her role in "Alice Doesn't Live Here Anymore" (1974) and her powerful portrayal of a streetwise teenager in Martin Scorsese's "Taxi Driver" (1976) that won her widespread critical praise and international attention.

Foster received her first OscarO nomination and awards from the National Society of Film Critics and the Los Angeles Film Critics for her role in "Taxi Driver." She also became the only American actress to win two separate awards in the same year from the British Academy of Film and Television Arts: Best Supporting Actress and Best Newcomer honoring her performances in "Taxi Driver" and "Bugsy Malone," respectively.

Foster appeared in a total of four films in 1976: "Bugsy Malone," "Echoes of a Summer," "The Little Girl Who Lives Down the Lane" and "Taxi Driver," which were all presented at the Cannes Film Festival. Alan Parker's "Bugsy Malone" earned her an Italian comedy award.

In addition, Foster has appeared in such films as "Tom Sawyer" (1973), "Freaky Friday" (1977), "Foxes" (1980), "The Hotel New Hampshire" (1984), "Le Sang des Autres" (1984), for which the multi-lingual Foster looped all of her own dialogue in French, "Siesta" (1987), "Stealing Home" (1988) and "Five Corners" (1988). She also appeared in "Shadows and Fog," "Sommersby" and "Maverick."

Foster graduated with honors from Yale University in 1984, earning a B.A. in Literature.

Foster will next be seen in "The Dangerous Lives of Altar Boys," which she also produced, which is being released in June by Think Films.

FOREST WHITAKER (Burnham) is one of Hollywood's most accomplished actors/directors/producers who has showcased his talents in a multitude of demanding and diverse roles. This year he will be starring in, directing and producing several highly anticipated films.

He can soon be seen starring in Joel Schumacher's "Phone Booth" for Twentieth Century Fox opposite Colin Farrell. He can also be seen starring in "Fourth Angel," an action thriller set in London, opposite Jeremy Irons. He also stars in and executive produced "Green Dragon," the first feature film production of his multimedia company, Spirit Dance Entertainment. He also has a short film, "John Henry," that was released in February for Black History month in connection with Disney's release of Peter Pan's "Never Neverland." He also produced "The Bill Porter Story" starring William H. Macy for TNT under the Spirit Dance banner. Whitaker has also begun pre?production on Twentieth Century Fox's "Fat Albert," his latest directorial project. The film will start shooting in April 2002.

In 2000, Whitaker played the title role of a spiritual gangster in "Ghost Dog: The Way of the Samurai," directed by Jim Jarmusch. The film premiered at the 1999 Cannes Festival and screened at the 1999 Toronto Film Festival to critical acclaim. "Ghost Dog" was nominated for an Independent Spirit Award for Best Feature.

In 1988, Whitaker was named Best Actor at The Cannes Film Festival for his brilliant portrayal of jazz legend Charlie Parker in Clint Eastwood's "Bird," a role for which he also received a GoIden Globe nomination.

Whitaker earned widespread recognition for his performance as 'Judy,' the hostage British soldier in Neil Jordan's Academy AwardO-winning film "The Crying Game." On television, Whitaker garnered a CableAce Award nomination for his performance in the Showtime original film, "Last Light," directed by Kiefer Sutherland. He also starred in the HBO presentation "Criminal Justice," for which he earned a CableAce Award nomination, and "The Enemy Within," for which Whitaker received a Screen Actors Guild nomination.

Whitaker also executive produced Anne Rice's "Feast of All Saints" for Showtime. His other credits include "Witness Protection" for HBO, "Light It Up," Touchstone's "Phenomenon," opposite John Travolta, "Species," "Smoke," Robert Altman's "Ready to Wear," "Jason's Lyric," "Platoon," "Good Morning Vietnam," "Consenting Adults," "Stakeout," "The Color of Money," "Johnny Handsome," "Downtown," "Diary of a Hit Man," "Body Snatchers," "Vision Quest" and "Fast Times at Ridgemont High."

Whitaker made his feature film directing debut with the critically acclaimed box?office hit "Waiting to Exhale" for Twentieth Century Fox, starring Angela Bassett, Whitney Houston, Lela Rochon and Loretta Devine. He first gained recognition as a director for his debut film, the 1993 HBO original "Strapped," for which he received "Best New Director" honors at the Toronto Film Festival. His last film was the Twentieth Century Fox film "Hope Floats," starring Sandra Bullock.

Whitaker's multimedia company, Spirit Dance Entertainment, includes film, television and music production. Spirit Dance Entertainment is both US-based and UK-based. Spirit Dance in London, SD4UK, works with FilmFour mentoring black and Asian filmmakers. Whitaker will direct and produce feature films under the company's first?look deal with Twentieth Century Fox. They also have a first-look deal with HBO for television films.

Whitaker works closely with a number of charitable organizations. He serves as an Honorary Board Member for Penny Lane, an organization that provides assistance to abused teenagers. He is also involved with 4?D AII?Stars, a motivational mentor program for teenagers, as well as The Watts Cinema Project.

Whitaker resides with his wife and their children in Los Angeles.

Since the start of his music career, DWIGHT YOAKAM (Raoul) has proven he's more than just another guy with a guitar and a hat. Yoakam has risen from hot country star to being one of country music's biggest influences. While doing that, he has also become a critically acclaimed actor.

After a fruitful high school acting career, in 1977, Yoakam moved to Nashville to pursue a career in music. At the time, Nashville was moving away from the traditional country sound that Yoakam was playing.

After a brief time there, he moved to California, which was more receptive to the music he was doing. He hooked up with producer/guitar virtuoso Pete Anderson in 1982. That began a musical relationship which became country music's equivalent to rock's Glimmer Twins (Mick Jagger and Keith Richards). Additional financing to finish making a high quality recording came from an insurance check that he received for repairs to his El Camino, after a minor traffic accident, and money raised from a benefit classical music concert staged by UCLA music professor Dr. Robert Winter. With the funds, they completed recording an e.p. that captured the "Dwight Yoakam sound." In 1984, Yoakam released the six-song e.p. (extended play record) "Guitars, Cadillacs, Etc., Etc." on the independent Oak label, then hit the road with such artists as Los Lobos and The Violent Femmes. Playing traditional country music, Yoakam gained a following among not only country fans but punk rockers and rockabilly fans as well. This eclectic fan base brought him to the attention of many record labels.

Warner Brothers signed him to the newly revived Reprise Record label in 1985.

At the time, country music was in the waning days of its "Urban Cowboy"

(1980) phase, and fans of country were hungry for something "new." After establishing himself in the music industry, Yoakam set his sights on his second love, acting. In 1991, Yoakam appeared as a stuntman/country singer in an episode of "P.S.I. Luv U." This became the beginning of Yoakam's professional acting career. In 1992, Yoakam appeared on the big screen for the first time in the Nicolas Cage/Dennis Hopper film "Red Rock West." In 1993, Yoakam released what is considered a masterpiece, the album "This Time." He supported the album with a tour that lasted over a year and covered the world. Also that year, he starred in the play "Southern Rapture," which was directed by Peter Fonda, at the Met Theatre in Los Angeles. In 1994, he received his first Grammy for the "This Time" album's single, "Ain't That Lonely Yet," and acted in the Showtime film "Roswell." In 1996, Yoakam co-starred in Billy Bob Thornton's film "Sling Blade." His performance as the evil Doyle Hargraves left audiences speechless and critics hailing his acting. Yoakam was included with the cast who were among the nominees for "Best Cast" by the Screen Actors Guild. As the 1990s drew to a close, Yoakam proved that his music didn't have to suffer as he pursued more ventures into movies.

While filming "The Newton Boys" (1998), Yoakam wrote what many consider his most personal album, "A Long Way Home." Yoakam began 1999 with a Grammy win for his contribution to the track "Same Old Train" from the

various artists' album "Tribute to Tradition."

Yoakam then added two new items to his resume: director and screenplay writer. In "South of Heaven, West of Hell" (2000), he not only starred, he made his directorial debut on a screenplay he co-authored.

Dwight Yoakam continues to prove that he is able to successfully have careers in both film and music, without either profession suffering.

JARED LETO (Junior) was last seen starring opposite Ellen Burstyn in Darren Aronofsky's "Requiem for a Dream."

Over the past year, Leto has been fleshing out a wide range of supporting roles in several distinctive projects, including David Fincher's "Fight Club" with Brad Pitt and Edward Norton, Mary Harron's "American Psycho" with Christian Bale, Terrence Malick's "The Thin Red Line" with Sean Penn, James Mangold's "Girl, Interrupted" with Winona Ryder and James Toback's "Black and White" with Robert Downey, Jr.

His other film credits include "Urban Legend," "Switchback," "Prefontaine" and "How to Make an American Quilt."

KRISTEN STEWART (Sarah) most recently completed work on "The Safety of Objects," also starring Glenn Close and Dermot Mulroney.

About the Filmmakers

DAVID FINCHER (Director) most recently directed "Fight Club," starring Brad Pitt, Edward Norton and Helena Bonham Carter. He also directed "The Game," starring Michael Douglas and Sean Penn. Prior to that, he directed "Seven," a stylishly dark drama starring Brad Pitt and Morgan Freeman. A critical and box office hit, "Seven" received an OscarO nomination for best editing. He made his feature film debut as the director of "Alien3."

Fincher co?founded Propaganda Films in 1986, quickly setting a new standard in the music video and commercial industries with a revolutionary sense of style and sophistication.

DAVID KOEPP (Writer/Producer) was the writer-director of the films "Stir of Echoes," "The Trigger Effect" and "Suspicious." Koepp has also served as writer or co-writer on "Snake Eyes," "The Lost World: Jurassic Park," "Mission: Impossible," "The Paper," "Jurassic Park," "Carlito's Way," "Death Becomes Her," "Bad Influence" and "Apartment Zero."

He was born in Wisconsin and went to film school at UCLA. He lives in New York City.

GAVIN POLONE (Producer) began his career as an assistant at International Creative Management in 1985 and was promoted to agent shortly thereafter. He left ICM in 1989 to join Bauer/Benedek, a leading boutique agency. Bauer/Benedek evolved into United Talent Agency, where Polone was made partner at age 29. While at UTA, Polone served as head of the television department.

Polone abandoned his career as an agent in 1996 when he partnered with Judy Hofflund to form Hofflund/Polone, a talent management and production company. Polone has produced "When Trumpets Fade" for HBO, "Drop Dead Gorgeous" at New Line Cinema, "Stir of Echoes" for Artisan and many pilots for television. He is presently an Executive Producer on the HBO series "Curb Your Enthusiasm" and "Gilmore Girls" on the WB.

JUDY HOFFLUND (Producer) started her career as the first woman in the mailroom at Creative Artists Agency. She then moved on to form the successful boutique agency, Intertalent, which later merged with United Talent Agency, where she was a partner for two and a half years.

In 1996, Hofflund started her own management company, Hofflund Management. One year later she was joined by Gavin Polone to form the existing company of Hofflund/Polone. Her clients include Academy Awarda winners Kevin Kline, Kenneth Branagh, Sally Field and Timothy Hutton, as well as Julia Louis-Dreyfus, Cybill Shepherd and Alan Rickman.

Hofflund/Polone has produced such features as "Drop Dead Gorgeous" at New Line Cinema and "Stir of Echoes" for Artisan.

CEAN CHAFFIN (Producer) was the first female producer from the commercials unit at Propaganda Films to segue into feature films. She most recently produced David Fincher's "Fight Club."

A native Californian, Chaffin worked as a producer for several commercial directors. She handled a diverse group of accounts that took her to 13 countries before accepting a job on a Japanese Coca?Cola ad that was directed by David Fincher.

That project led to a ten?year association with Fincher on such notable music videos as the Rolling Stones' Grammy Award?winning "Love is Strong." Independent of Fincher, she earned a second Grammy for Michael Jackson's "Scream." Her first feature with Fincher was "The Game."

CONRAD W. HALL (Director of Photography) most recently served as Director of Photography on "A Gentleman's Game" and as Visual Effects Director of Photography on "Alien Resurrection." He served as Second Unit Director of Photography on "Sleepy Hollow," "American Beauty," "Fools Rush In," "Without Limits" and "The Phantom." Hall also served as Camera Operator on "Fight Club," "A Civil Action," "Without Limits," "Alien Resurrection," "Grosse Pointe Blank," "The Phantom," "Seven," "Under Siege 2: Dark Territory," "Love Affair," "Free Willy," "What's Love Got To Do With It" and "Jennifer Eight."

DARIUS KHONDJI, ASC, AFC (Director of Photography) was nominated for an Academy AwardO, a BAFTA and an ASC Award in 1997 for his work on Alan Parker's "Evita." Khondji has previously collaborated with David Fincher on "Seven," for which Khondji was nominated for an ASC Award and won a Chicago Film Critics Award.

Khondji's other film credits include "The Beach," "The Ninth Gate," "In Dreams," "Alien: Resurrection" and "Stealing Beauty."

ARTHUR MAX (Production Designer) has collaborated on three projects with director Ridley Scott: "Black Hawk Down," "G.I. Jane" and "Gladiator." For the latter film, Max won the Broadcast Film Critics Association, Art Directors Guild, National Board of Review (the first ever in that category) and British Academy (BAFTA) Awards, and also received an Academy AwardO nomination.

Max was also the production designer on David Fincher's darkly disturbing thriller "Seven." Prior to becoming a production designer, Max worked as an art director on Nicolas Roeg's "Insignificance" and Hugh Hudson's "Revolution."

A native New Yorker, Max earned a degree in Theatre Design from New York University. He went on to receive his Bachelor's Degree in Architecture from the Polytechnic of Central London, and also holds a Masters in Film Design from the Royal College of Art. He got his start doing concert lighting and stage design for the progressive rock group Pink Floyd.

JAMES HAYGOOD, A.C.E. (Film Editor) began working with David Fincher in 1985 when both became active in the burgeoning music video market. Their collaboration includes Madonna's video "Vogue" and The Rolling Stones' "Love is Strong," as well as numerous commercials for Nike, Levi's, AT&T and Budweiser. His first feature was Fincher's "The Game."

Haygood has won numerous commercial and music video awards, and in 1992 he formed Superior Assembly, a commercial editorial company located in Santa Monica.

ANGUS WALL (Film Editor) most recently completed work on "Sunset Strip." Wall also served as editorial consultant on "Fight Club."

HOWARD SHORE (composer) has composed evocative music for a long list of motion pictures. Most recently, he composed the score for the critically acclaimed "The Lord of the Rings: The Fellowship of the Ring," for which his score has received numerous awards as well as an OscarO nomination. Other projects have included "The Cell," "Dogma," "eXistenZ" and "Analyze This." In addition to these assignments, Shore has scored "Seven" and "The Game" (both for director David Fincher), "Philadelphia," "Looking for Richard," "Copland," "Crash" and "The Yards." He wrote the music for Tim Burton's "Ed Wood," as well as the brooding score for Jonathan Demme's "The Silence of The Lambs." The Canadian-born composer has also composed the scores for nine David Cronenberg films including "Crash," "The Fly," "Dead Ringers," "Naked Lunch" and "M. Butterfly."

As one of the industry's most celebrated composers, Shore's body of work includes many prominent films of recent years, including Martin Scorsese's "After Hours," Robert Benton's "Nobody's Fool" and Joel Schumacher's "The Client;" as well as "Big," "Mrs. Doubtfire" and "That Thing You Do!"

Shore was the music director for the first five seasons of NBC's "Saturday Night Live."

MICHAEL KAPLAN (Costume Designer) previously collaborated with director David Fincher on "Fight Club," "Seven" and "The Game." He has designed the costumes for close to 30 features. His early work as a costume designer includes Ridley Scott's futuristic "Blade Runner," a film for which Kaplan received a British Academy Award. He also collaborated with director Michael Bay on "Pearl Harbor," as well as the director's earlier film "Armaggeddon."

Kaplan's other credits include his influential designs for "Flashdance," which created a style that swept the country, as well as the films "Against All Odds," "Malice," "Big Business," "Keeping the Faith" and the upcoming "Gigli."

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Note: The information above is provided by the owners of the film or their agents who are responsible for the promotion of the film. We do not guarantee the accuracy of such information.

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