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〈 七 宗 罪 〉 〈 沉 默 的 羔 羊 〉 後 又 一 扣 人 心 弦 Mind Game 犯 罪 傑 作

高 智 謀 殺 兇 手 不 在 場 証 據 無 懈 可 擊
抽 絲 剝 繭 女 法 醫 勇 破 迷 離 劫 數

〈 豪 門 孽 債 〉 金 像 提 名 導 演 Barbet Schroeder 巴 比 舒 路 達
〈 生 死 時 速 〉 〈 選 美 俏 臥 底 〉 姍 迪 娜 布 洛 再 創 智 勇 性 感 新 型 象
〈 生 日 女 郎 〉 班 卓 別 寧
〈 豪 門 孽 債 〉 攝 影 路 斯 安 奴 托 和 尼
〈 姊 妹 情 深 〉 美 術 史 釗 活 維 素
〈 豪 門 孽 債 〉 剪 接 利 柏 斯
〈 冰 風 暴 〉 服 裝 指 導 卡 露 奧 迪 斯

殺 人 習 作
Murder By Numbers

6 月 20 日 鬥 智 擒 兇
華 納 兄 弟 ( 遠 東 ) 公 司 榮 譽 發 行

《 殺 人 習 作 》 故 事 大 綱

加 州 海 岸 小 鎮 的 森 林 裡 發 現 了 一 具 年 輕 女 性 屍 體 ， 兇 殺 組 鑑 証 科 探 員 琦 斯 （ 姍 迪 娜 布 洛 飾 ） 奉 命 調 查 。

案 件 表 面 証 據 似 是 一 宗 暴 力 侵 犯 ， 但 琦 斯 直 覺 認 為 事 件 並 不 尋 常 ， 一 些 蛛 絲 馬 跡 令 她 勾 起 一 宗 並 不 愉 快 的 警 員 作 供 的 舊 案 件 ， 她 決 心 要 解 開 謎 團 。

琦 斯 的 新 拍 檔 森 （ 班 卓 別 寧 飾 ） 是 一 個 精 明 熱 誠 探 員 ， 剛 好 與 智 勇 雙 全 的 琦 斯 互 補 不 足 ， 兩 人 一 起 努 力 找 尋 真 兇 。

証 據 顯 示 兇 案 與 一 名 年 青 人 李 察 （ 賴 恩 高 斯 寧 飾 ） 有 關 ， 他 的 一 雙 獨 特 皮 鞋 曾 經 被 兇 手 穿 著 出 現 在 兇 案 現 場 。 李 察 鎮 定 的 背 後 有 不 可 告 人 的 故 事 。

正 當 森 全 力 在 環 境 証 供 中 找 尋 線 索 ， 琦 斯 認 定 這 是 一 宗 李 察 與 好 友 積 斯 汀 （ 米 高 彼 特 飾 ） 合 謀 的 完 美 犯 罪 。 她 的 推 論 與 森 意 見 相 左 ， 警 方 高 層 甚 至 勒 令 她 退 出 調 查 工 作 。

李 察 與 積 斯 汀 性 格 風 馬 牛 不 相 及 ， 積 斯 汀 孤 獨 內 向 ， 是 一 個 書 呆 子 ， 來 自 破 碎 中 等 家 庭 ； 而 李 察 則 利 用 自 己 的 聰 明 和 俊 俏 ， 喜 歡 玩 弄 別 人 的 情 緒 ， 專 玩 心 理 遊 戲 。

雖 然 性 格 迥 異 ， 但 兩 人 卻 秘 密 建 立 友 誼 ， 為 了 表 示 對 對 方 忠 誠 ， 他 們 起 誓 ： 一 起 嘗 試 一 次 完 美 的 犯 罪 ， 究 竟 誓 言 是 否 已 變 成 事 實 ？ 琦 斯 能 否 憑 她 出 色 的 法 醫 天 份 解 開 謎 團 ？ 謎 底 原 來 與 埋 藏 在 琦 斯 心 底 一 段 慘 痛 經 歷 有 莫 大 關 連 。

真 人 真 事 高 智 懸 案 觸 發 《 殺 人 習 作 》 故 事

《 殺 人 習 作 》 是 監 製 李 察 基 斯 杜 催 生 的 緊 張 傑 作 ， 他 從 1924 年 一 件 叫 Leopold & Loeb 的 案 件 中 得 到 靈 感 ， 對 案 中 兩 個 高 智 青 年 所 犯 下 的 教 人 殺 人 綁 架 手 法 大 感 興 趣 ， 認 為 以 「 完 美 兇 案 」 為 題 材 可 拍 成 可 觀 的 電 影 。

導 演 巴 比 舒 路 達 亦 被 Leopold 及 Loeb 的 故 事 迷 住 ， 他 同 時 亦 為 電 影 加 進 了 經 典 犯 罪 小 說 Truman Capote ' s In Cold Blood 的 若 干 元 素 ， 及 2000 年 一 宗 兩 個 青 年 殺 死 兩 個 教 授 的 真 實 個 案 ， 令 電 影 變 得 多 姿 多 采 。

監 製 之 一 荷 夫 曼 認 為 導 演 巴 比 舒 路 達 對 角 色 掌 握 深 刻 有 力 ， 對 每 個 角 色 描 寫 非 常 獨 到 ， 片 中 兩 個 青 年 雖 是 犯 罪 兇 手 ， 卻 令 人 寄 予 同 情 ， 女 主 角 的 查 案 過 程 與 心 理 狀 況 也 與 劇 情 配 合 得 絲 絲 入 扣 。

女 主 角 珊 迪 娜 布 洛 剛 演 完 大 熱 電 影 《 選 美 俏 臥 底 》 ， 很 高 興 能 一 改 形 象 演 出 一 個 擁 有 驚 人 分 析 力 的 女 幹 探 。 導 演 巴 比 舒 路 達 將 她 塑 造 成 一 個 四 十 年 代 堅 強 女 性 形 象 ， 面 對 多 宗 女 性 被 完 美 謀 殺 的 案 件 ， 盡 顯 其 剛 毅 尋 兇 的 勇 氣 。

監 製 / 導 演 巴 比 舒 路 達 (Barbet Schroder)

超 過 30 年 電 影 製 作 經 驗 ， 由 法 國 新 浪 潮 中 期 開 始 加 入 電 影 界 ， 製 作 了 一 連 串 具 爭 議 性 的 電 影 ， 合 作 過 的 大 導 演 包 括 法 斯 賓 達 、 溫 韋 達 斯 等 。 1990 年 他 的 作 品 〈 豪 門 孽 債 〉 ， 由 謝 洛 美 艾 朗 斯 和 格 蓮 高 絲 主 演 ， 令 他 同 時 榮 獲 金 球 獎 和 奧 斯 卡 金 像 獎 。 其 他 出 色 作 品 包 括 米 奇 洛 基 和 蘇 丹 娜 蕙 主 演 之 〈 酒 心 情 緣 〉 ， 碧 姬 芳 達 之 〈 疊 影 狂 花 〉 安 迪 加 西 亞 和 米 高 基 頓 主 演 之 〈 絕 點 對 抗 〉 等 。

舒 路 達 22 歲 已 在 巴 黎 成 立 自 己 的 製 作 公 司 ， 創 業 作 品 包 括 著 名 導 演 伊 力 盧 馬 之 〈 道 德 故 事 系 列 〉 ， 其 他 出 色 監 製 之 作 品 在 歐 洲 影 壇 有 舉 足 輕 重 的 影 響 力 。

1968 年 他 的 處 男 導 演 作 是 " More " ， 其 " Koko the Talking Gorilla " 等 。

舒 路 達 亦 間 中 客 串 演 出 電 影 ， 2001 年 新 作 有 " Our Lady of the Assassins "

珊 迪 娜 布 洛 (Sandra Bullock) 飾 演 嘉 絲 梅 韋 特

兼 任 本 片 監 製 之 珊 迪 娜 在 94 年 作 品 〈 生 死 時 速 〉 中 一 鳴 驚 人 ， 其 後 的 〈 暗 戀 你 、 暗 戀 你 〉 和 〈 網 絡 驚 魂 〉 亦 好 評 如 潮 ， 票 房 大 熱 有 〈 萬 誘 引 力 〉 和 〈 Hope Floats 〉 ， 珊 迪 娜 參 予 幕 後 製 作 由 〈 巫 法 闖 情 關 〉 盟 始 ， 其 後 〈 生 死 時 速 〉 、 〈 殺 戮 時 機 〉 等 充 份 顯 露 她 的 電 影 才 華 。

珊 迪 娜 曾 獲 無 數 電 影 提 名 和 獎 項 ， 包 括 百 士 達 娛 樂 大 獎 ， 金 球 獎 提 名 ， People ' s Choice 大 獎 等 ， 她 分 別 在 96 年 和 01 年 被 NATO / ShoWest 選 為 " 年 度 女 星 " 和 " 年 度 巨 星 " 大 獎 。

珊 迪 娜 在 近 作 〈 選 美 俏 臥 底 〉 中 榮 獲 金 球 獎 提 名 ， 另 一 新 作 是 " The Divine Secrets of the Ya-Ya Sisterhood " 。

班 卓 別 靈 (Ben Chaplin) 飾 演 森 甘 迺 迪

這 位 英 籍 男 星 憑 與 奧 瑪 花 曼 合 演 之 〈 眾 裡 尋 她 兜 錯 路 〉 打 進 荷 里 活 影 壇 。 他 的 其 他 出 色 作 品 包 括 " Washington Square " ， 與 辛 潘 合 演 之 奧 斯 卡 作 品 ， 包 括 〈 狂 林 戰 曲 〉 、 〈 勾 魂 追 兇 〉 、 " Feast of July " 、 " Game On " 、 " The Glass Menagerie " 等 。

新 作 有 與 妮 歌 潔 曼 合 演 的 〈 生 日 女 郎 〉 及 由 奧 斯 卡 最 佳 攝 影 得 主 鮑 得 熹 執 導 、 與 香 港 影 星 楊 紫 瓊 合 演 的 〈 天 脈 傳 奇 〉 。

賴 恩 高 斯 寧 (Ryan Gosling) 飾 演 李 察 希 活

在 " The Believer " 中 的 出 色 演 技 令 這 位 年 青 小 生 一 鳴 驚 人 。 賴 恩 不 但 奪 得 2001 年 Sundance 電 影 節 評 審 團 大 獎 ， 亦 獲 無 數 獨 立 影 展 的 最 佳 男 演 員 提 名 。

賴 恩 12 歲 已 入 選 迪 士 尼 米 奇 老 鼠 俱 樂 部 演 員 。 在 加 拿 大 參 演 電 視 節 目 後 在 極 受 歡 迎 的 表 演 節 目 " Breaker High " 大 受 歡 迎 。 其 後 在 紐 西 蘭 演 出 " Young Hercules " 。

賴 恩 02 年 最 新 作 品 有 " The Slaughter Rule " ， 與 奇 雲 史 柏 西 合 演 之 " The United States of Leland " 及 丹 素 華 頓 合 演 之 " Remember in Titans " .

米 高 彼 特 (Michael Pitt) 飾 演 積 斯 汀 班 力 頓

獲 Filmmaker 雜 誌 選 為 2000 年 獨 立 電 影 新 面 孔 之 一 ， 曾 演 出 大 導 演 吉 士 雲 辛 之 " Finding Forrester " 。 2001 年 Sundance 電 影 節 得 獎 作 品 " Hedwig & the Angry Inch " 和 Larry Clark 之 " Bully " 。

彼 特 出 身 自 舞 台 劇 ， 99 年 演 出 " The Trestle at Pope Lick Creek " 大 獲 好 評 。 2000 年 演 出 " Birdy " ， 近 作 有 菲 丹 娜 蕙 執 導 之 短 片 " The Yellow Bird " ， 電 視 作 品 有 " Dawson ' s Creek " 等 。

多 才 多 藝 的 彼 特 除 了 電 影 之 外 ， 對 美 術 和 音 樂 亦 甚 有 興 趣 。

MURDER BY NUMBERS

PRODUCTION INFORMATION

The body of a young woman is found in a ditch in the woods of the small California coastal town of San Benito. SANDRA BULLOCK stars as Cassie Mayweather, the seasoned homicide detective and crime scene specialist assigned to the case along with her new partner Sam Kennedy (BEN CHAPLIN).

The two detectives make their way through microscopic hints of evidence, which seem to indicate a random act of violence, but Cassie has a gut feeling that there is more to this murder than meets the eye. Something about this case reminds her of her past exactly at a time when she is asked to appear at a parole hearing on an old police matter. These events force Cassie to revisit the past.

Cassie pours her heart into solving the mystery. She intently focuses on the gathering and analysis of the available evidence and meticulously sculpts an image of the killer from the scant clues left behind at the crime scene. Her new partner Sam is smart and eager. His patience and inherent goodness compliment Cassie's razor sharp intelligence and dry wit. He seems happy to have such a brilliant mentor in Cassie and is willing to overlook her rocky history with partners.

Following the evidence leads the two detectives to a young man named Richard Haywood (RYAN GOSLING), whose unique pair of boots (which he reported stolen from his locker) may have been worn by the killer at the crime scene. Richard is very cooperative and has an airtight alibi. Cassie and Richard click in a way that really sets Cassie on edge. She suspects there is more to Richard's story lurking underneath his carefree exterior.

After meeting Richard, Cassie and Sam begin to view the evidence in two different ways. Sam continues to paint a picture composed of all the microscopic elements left by the killer. Cassie uncharacteristically seems to spin out on instincts, hunches and ghosts from her past. She swirls all of these elements together into a very disturbing theory that Richard Haywood and his secret friend, Justin Pendleton (MICHAEL PITT), came together to commit a perfect crime. Her belief in this theory cuts her off from Sam and eventually jeopardizes her authority on the job.

Richard and Justin are unlikely friends. Although they are both from comfortable middle class families, their personalities couldn't be more opposite. Justin is a bookish self-loathing romantic living in a world of Rimbaud and Nietzche, isolated in his brilliance, lonely in a broken home. Richard on the other hand is a smooth, charming, manipulative cynic. He uses his good looks and clever mind to play with people's emotions just for fun. He's a natural born psychologist like most sociopaths.

These are boys whose parents live separate lives from their sons. The boys are tied to their parents by the material things the parents provide. They don't have to work or be responsible. Their families are independent worlds of their own, so they feel no ties of loyalty or responsibility to the greater community. The parents are material providers and achievers who pursue their careers with gusto, probably telling themselves they are doing it for their sons.

As different as Justin, the shy one, and Richard, the charming one, appear -- underneath they have a lot in common. They found each other and formed a secret friendship. They converted an abandoned lodge into a clubhouse where they secretly meet. Over the days and months they confided boyish secrets and fantasies. In what is undoubtedly the closest relationship either boy has ever had, they hatched a plan to guarantee their total loyalty to each other, to share an experience few have known…"let's try to commit the perfect murder!" Maybe it started as a joke, but the joke turned into a dare. At least that's Cassie's theory, a theory born out of her past and her brilliant talent as a forensic specialist.

Solving this "perfect murder" forces Cassie Mayweather to face and free herself from the tormented past she buried long ago.

Castle Rock Entertainment presents "Murder by Numbers," a psychological suspense-thriller, starring SANDRA BULLOCK ("The Divine Secrets of the Ya-Ya Sisterhood") and directed by Academy AwardR nominated filmmaker BARBET SCHROEDER ("Reversal of Fortune") from a screenplay by TONY GAYTON ("The Salton Sea"). Barbet Schroeder & SUSAN HOFFMAN ("The Believer") and RICHARD CRYSTAL ("But Seriously") are the producers. Sandra Bullock and JEFFREY STOTT ("The American President") are the executive producers.

In addition to Bullock, the cast includes BEN CHAPLIN, who appears in the film following his acclaimed performance opposite Nicole Kidman in "Birthday Girl,"

RYAN GOSLING ("The Believer"), MICHAEL PITT ("Hedwig and the Angry Inch"), newcomer AGNES BRUCKNER ("The Glass House") who was recently named "Star of Tomorrow" by the Motion Picture Club, CHRIS PENN ("The Funeral"), and R. D. CALL ("Last Man Standing").

LUCIANO TOVOLI, A.I.C., ASC ("Reversal of Fortune") is the director of photography and the Academy AwardR nominated STUART WURTZEL ("Hannah and Her Sisters") is the production designer. The editor is LEE PERCY, A.C.E. ("Reversal of Fortune") and the co-producer is FRANK CAPRA III ("The Adventures of Pluto Nash"). The costume designer is CAROL ODITZ ("The Ice Storm"), the composer is CLINT MANSELL ("Requiem for a Dream") and the casting director is HOWARD FEUER, C. S. A. ("Reversal of Fortune").

The film will be distributed worldwide by Warner Bros. Pictures, an AOL Time Warner Company.

Castle Rock Entertainment is an AOL Time Warner Company.

THE CREATIVE TEAM

"Murder by Numbers" was initially conceived by producer Richard Crystal. Crystal had always been fascinated by the historic 1924 Leopold & Loeb case. The case involved two intelligent young men, who concocted a murder/kidnap scheme, as an elaborate game to get away with the "perfect" crime.

The film was put into development with writer Tony Gayton hired to write the screenplay. Gayton had previously written Castle Rock's upcoming "The Salton Sea." Gayton brought the project into focus when he introduced Cassie Mayweather, the tenacious homicide detective, as the central character. This brought a modern element and point of view to the telling of the story.

"As the project developed, the layers of the story began to build," says Crystal. "It becomes a real cat and mouse game between Cassie and the young men. It's like watching a chess match."

Academy AwardR-nominated director Barbet Schroeder and his longtime producing partner Susan Hoffman were enlisted. Schroeder was filming "Our Lady of the Assassins" in Medellin, Columbia. Hoffman was working on "The Believer," directed and written by Henry Bean and starring Ryan Gosling, when she read the script for "Murder by Numbers."

"There are many 'pretty OK' scripts in Hollywood," Hoffman explains, "but because it takes at least a year of your life, we look for a challenging and unusual project. 'Murder by Numbers' was unusual. We liked the basic story and the possibility of really developing the psychological part of the story."

"Like many people, I am intrigued by the Leopold and Loeb story," says Schroeder, "but I was most interested in developing the current events aspect of Richard and Justin's story. Having a complex female protagonist, who is also a master at the kind of police science that did not exist in the time of Leopold and Loeb, brings a whole new level of mind games, as well as making this undeniably a story of today."

Hoffman says, "Our inspirational references were more contemporary: Truman Capote's In Cold Blood and also the Dartmouth murders of 2000 where two young men killed two college professors primarily for the thrill."

"I think that Barbet likes to make films that pay respect to all the characters in the film," says Hoffman. "And these boys are pretty tragic figures. They're sort of the bad guys in the movie, but somehow you feel for them. And he also loves female protagonists. He's much happier when the person driving the film is female. The film had everything for him, really appealing bad guys, a very formidable female lead, and psychological material."

Sandra Bullock, having just produced and starred in Castle Rock's hit comedy "Miss Congeniality," was interested in working on a psychological thriller that offered a great puzzle.

Bullock describes her character as "a detective, who up to this point has performed her job without complication, finds herself becoming emotionally attached to this new case and to the woman who was murdered which causes concern in the department and threatens the case itself."

For Schroeder, Sandra Bullock was the perfect choice for Cassie Mayweather. "It was very exciting to offer Sandra Bullock a part bringing back to life the tradition of the complex tough ladies of the 40's, making the vulnerable side of Cassie that much more moving."

"Barbet has an understanding of, and is very comfortable with, the uncomfortable," says Sandra Bullock. "A psychological thriller is so much what you don't say and what you don't show, and how you set the camera and what you allow the actor to show. Barbet's very specific about how he wanted things played out. He has that sense of the dark that I think really lends itself to a story like this."

A new homicide detective, played by British actor Ben Chaplin, is forced upon Cassie as a new partner. "I play her new partner who's just transferred from vice to homicide," Chaplin explains. "He's a good man, but not a particularly streetwise cop. He's gotten to homicide because he's good, but he's a little bit of an outsider."

In addition to the film's human storyline, Chaplin was attracted to the science of forensics that is showcased. "However perfect the crime, or murder, that you may commit, you will make mistakes, you will leave traces," he says. "I found that really fascinating in a reassuring kind of way."

Sam recognizes that Cassie is brilliant, but he also sees right through her tough exterior. Her unwillingness to let people in won't work on Sam. Richard Crystal explains, "Sam is really smart and has an easygoing manner about him. He brings a nice counterpoint to Cassie's kind of energy."

"Sam's forced to work with me and it's like oil and vinegar," says Bullock. "He's very square. Everything he does is so by the book, it drives me insane. I don't care for it. I feel like I can walk all over him and I pretty much do. I don't treat him with a great deal of respect at the beginning because he's green. But later on you see something else unraveling too. That's one of the nice things about this film, in that nobody is quite what they seem."

In targeting Richard and Justin as suspects, Cassie relies on her instincts more than any incriminating evidence. "It's a hunch," Bullock explains. "As we start unraveling things, I start noticing a pattern, and no one else seems to feel that the pattern is right. I take special notice of these two young men from good, upstanding neighborhoods, but there's no real evidence that they had anything to do with it. It's totally personal. Things seem too perfect with them and their alibis. Slowly things start to surface to help support my case."

Ryan Gosling (Richard Haywood) wowed audiences at the 2001 Sundance Film Festival for his searing portrayal of a Jewish skinhead in Henry Bean's "The Believer," which subsequently won the prestigious Grand Jury Prize. In addition to taking the top prize at Sundance, Ryan received a prestigious Independent Feature Project Spirit nomination for Best Actor and was also nominated for Best Actor by the London Film Critics' Circle.

The 19-year-old actor brings the same intensity and charisma to his role as Richard Haywood, a troubled youth that manipulates his friend Justin into partnering with him to commit the perfect murder.

Gosling, who read numerous scripts following "The Believer," thought that "Murder by Numbers" was different from anything else he had read. "In so many films of this genre there's a death every five pages," he says. "In this one, this does not happen. I thought it was an interesting opportunity to deal with the ramifications of murder. And it made me realize that you really only have control of your life until a certain point, until you make that one decision that changes your life forever."

Gosling explains that, for Richard and Justin, the killing goes way beyond the thrill and satisfaction of getting away with murder. "They just want to feel something," he says. "They want to have some sort of intimacy that they can't find anywhere else. They don't really have relationships with their parents or with their friends. They want to do something great. And I think in Richard's mind, this is a way of sealing Justin and him forever."

"Murder by Numbers" producer Susan Hoffman, who also produced "The Believer," was eager to work with the talented young actor again. "Ryan is a transcendently gifted actor in a way that you hardly ever see," says Hoffman. "Ryan is good because he's sympathetic. Even in 'The Believer' when he was playing a Jewish Nazi, the audience was rooting for him. Once I saw the effect that his screen presence had on the public, I knew that Ryan could basically do anything."

"Ryan is light year's ahead of his age," enthuses Bullock. "He's just so exciting to watch, because he can say things with a smile, but what the smile is saying is, 'I'm going to kill you.'"

New York-based actor Michael Pitt is the brooding, introspective Justin Pendleton, the brilliant-yet-shy young man well steeped in the methods of criminal investigation and forensic evidence. Pitt has recently been featured in such diverse films as Gus Van Sant's "Finding Forrester," Larry Clark's "Bully" and John Cameron Mitchell's "Hedwig and the Angry Inch."

"In casting," recalls Schroeder, "I came across a few actors who could have played Richard in case Ryan Gosling was not available, but for Justin, Michael Pitt was the only one. I had no replacement for him."

Pitt enthuses that he's never played a character like Justin before. "Justin is insanely intelligent, but misguided," Pitt says. "He's really kind of reserved and he does everything in order, like he's thinking all the time, and then he snaps, which is fun to play. Both he and Richard are a little weird and sick and they cling to each other because they feel the world is screwed up for them."

Pitt explains that Justin looks at the murder as a science experiment or math problem. "He conceives it slowly, out of boredom mainly, because he doesn't have anything else to do and wants to feel challenged." Justin's conscience finally comes into play during the killing when he starts to feel the guilt and remorse he hadn't thought about beforehand.

"Justin is so complex," says Bullock. "For that role you needed somebody who looked feeble, but rivers ran really deep. And by just not saying anything and looking at his face, you'd be able to really wonder what's going on there. And you get that from Michael. He's really intense and very internal."

"Michael's acting comes from such a deep place you don't even realize it's happening. But when you see it on the screen there is a level of humanity that is inescapably touching and real. He's a naturalist," says Hoffman.

"Murder by Numbers" also stars Chris Penn ("Reservoir Dogs") as Ray, the high school janitor who Richard and Justin try to frame for the murder. "For more than 10 years we have been trying to work together and I was thrilled when he accepted the part. I knew he would bring tension and humanity to the part of Ray who first appears very dangerous and evil but in the end is an innocent harmless victim," says Schroeder. Newcomer Agnes Bruckner plays Lisa Mills, a pretty classmate of Richard and Justin's who becomes the source of a rivalry between the two friends. "When Agnes came to read for the part we felt immediately that her mixture of assurance, freshness and sensuality would become one of the main secret weapons of the movie," says Schroeder. R.D. Call is Rod, a fellow homicide cop in the San Benito Police Department.

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