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劇情簡介

相信大家對 1997 年全球賣座逾六億美元的《黑超特警組》印象猶深。四年後，這齣萬眾期待，集科幻、攪笑及動作於一身的票房巨片，將於 7 月 18 日在香港公映。

上集講及 MIB 特警 Agent Kay ( 由湯美李鍾斯飾演 ) 因退休被洗掉記憶，四年後在第二集裡， Kay 於麻省某個郵政局內擔任郵局局長一職，對 MIB 的往事忘記得一乾二淨。而他的拍檔 Agent Jay( 由韋史密夫飾演 ) 則成為 MIB 特警隊中最優秀的成員，並在一次執行外星人案件巡查中，揭發了一個侵襲地球大陰謀。

這項陰謀的幕後主腦分別是一個化身為惹火內衣模特兒的外星人 Serleena ( 由羅拉菲蓮紐文飾演 ) ，以及其助手雙頭笨蛋 Scrad/Charlie( 由尊尼樂士偉爾飾演 ) 。但唯一可阻止這個侵襲地球計劃的關鍵人物，便是已失去記憶的 Kay 。

事件後來又牽涉了一位曾目睹外星人的 Laura( 由羅莎里奧多遜飾演 ) ，更複雜的是 Jay 因為某些原因，寧願違反 MIB 守則也不肯向她進行洗腦。與此同時， Jay 要設法協助他的前度拍擋兼師傅 Kay 恢復記憶，以便共同對抗正全速迫近地球的外星人入侵力量。

外星人介紹

部份曾在第一集出現的趣怪外星人將於第二集再度亮相，例如當舖店主 Jeebs 及哈巴狗法蘭等。而 MIB 總部咖啡室的 Worm Guys 亦會再度粉墨登場，這位政治態度不正確的煙剷單身蟲在今集將佔有更重要的戲份。此外，《黑超特警組 2 》亦加入了一些新的外星人面孔，如 Squid Guy 、 Mosh Tendrils 及 Bird People 等，他們分別由動畫製成或真人扮演。

全新有型至酷裝備

《黑超特警組 2 》的衣著打扮及武器裝備比第一集更 cool 更有型。單是從電影一開場 Jay 的造型上，大家已看到比 Kay 有型得多。武器方面，除了上集觀眾至愛的 Noisy Cricket 外，今集新型武器數不勝數，包括「藍光槍」、「質子雷管發射器」及「巨型火箭發射器」等。更藉得談論的是，最新的平治 E-500 房車將會在本片首度面世，配備可謂相當唔 ? 少！

演員

《黑超特警組 2 》由巴里辛尼菲特 (Barry Sonnenfeld) 執導，金像獎得主湯美李鍾斯 (Tommy Lee Jones) 與提名人韋史密夫 (Will Smith) 領銜主演。

老牌影星湯美李鍾斯近年曾主演《征空救星》、《烈血的規條》、《亡命追兇》、《亡命天涯》以及續集《亡命刺客》。其中在《亡命天涯》中飾演的追兇幹探更令他贏得奧斯卡與金球獎的最佳男配角。湯美縱橫舞台、影圈及電視圈三十多年，第一部參演的電影是 1969 年由約翰．奧斯本執導的《 A Patriot for Me 》。

韋史密夫近期主演拳王阿里大獲好評，獲提名為奧斯卡最佳男主角。他曾與麥迪文和羅拔烈福在《奪標奇緣》結下片緣，該片亦讓他贏得 NAACP 最佳男主角。韋史密夫的其他賣座電影包括《高度反擊》、《天煞地球反擊戰》、《重案夢幻組》及《黑超特警組》。其中的《黑》片更得到格林美最佳電影主題曲獎。韋史密夫更榮獲 NATO/ShoWest 頒發 1995 年度明日之星大獎、 1999 年度國際票房成就大獎以及 2002 年度明日之星大獎，叫座力確實毋庸置疑。

羅拉菲蓮紐文 (Lara Flynn Boyle) 早年在大衛連治的電視恐怖連續劇《 Twin Peaks 》中一炮而紅，其後曾主演陶德菲力浦執導的《 Happiness 》，並曾與尼基洛特和茱麗克莉絲蒂合演主題電影《晚霞》。她同時亦活躍於電視圈，在大衛凱利的艾美獎得獎劇集《法網豪情》中飾演 Helen Gamble 一角，深入民心。

製作班底

《黑超特警組 2 》由一班專業的台前幕後精英合力炮製，精彩程度絕不比第一集遜色。

素有豐富喜劇細胞的著名導演巴里辛尼菲特 (Barry Sonnenfield) ，近年曾製作及執導由添艾倫和雲妮羅素主演的《 Big Trouble 》，又執導由 Patrick Warbuton 主演的電視劇《 The Tick 》。辛尼菲特初出道時在高安兄弟的《血迷宮》中擔任攝影師，其後轉任導演，首部作品是 1991 年的《愛登士家庭》，其後更執導過《黑超特警組》、《超智特務顯神通》、《關人矮事》、《小生護花》及《愛登士家庭續集》。

作曲家丹尼艾芙曼 (Danny Elfman) 憑著《黑超特警組》，曾榮獲奧斯卡提名角逐最佳原創歌曲 ? 及金球 ? 最佳主題歌曲創作 ? 。憑藉《無頭谷》、《黑超特警組》、《火星人玩轉地球》及《怪誕城之夜》的配樂工作，他榮獲 The Academy of Science Fiction, Fantasy and Horror Films 四次頒發土星大 ? 。另外，他替膾炙人口的電視卡通劇集《阿森一族》創作主題曲，便獲得多項提名。丹尼艾芙曼的其他得意作品包括《蜘蛛俠》、《驚鳥》、《幻海奇緣》、金球獎作品《蝙蝠俠》、《不惜一切》、奧斯卡提名作品《驕陽似我》及《職業特工隊》等。

化粧監製域文拜加 (Rick Baker) 亦憑《黑超特警組》榮獲奧斯卡頒發最佳化粧大 ? ，他曾先後獲獎六次及獲提名四次，得獎作品分別有《鬼追人》、《大腳哈利》、《艾活傳》、《肥佬教授》及《聖誕怪傑》。域文拜加更曾受英國電影電視藝術學院獎頒發三次獎項，以及 The Academy of Science Fiction, Fantasy & Horror Films 頒發六次土星大 ? 。

關於哥倫比亞影片公司

哥倫比亞影片公司 (Columbia Pictures) 為哥倫比亞三星影片公司 (Columbia Tristar Motion Picture Group) 旗下部門，屬於 Sony Pictures Entertainment 所有 (SPE) 。 SPE 是設於東京的 Sony Corporation 附屬機構 Sony Corporation of America (SCA) 的其中一個部門。 SPE 的全球營運包括製作及發行電影，電視節目及數碼內容，投資全球頻道，購併及發行家庭娛樂媒體，管理電影廠日常運作，開發新娛樂產品，服務及科技應用，以及在 67 個國家發行娛樂影片。

PRODUCTION NOTES

When movie fans and aliens converged and conspired to meet in dark places over the July 4th weekend in the summer of 1997, the inconspicuous acronym MIB was soon decoded as the shorthand title for one of the biggest hit films in the history of Columbia Pictures, producing the greatest July 4th holiday box office opening in the history of movies.

The original Men In Black?, eventually grossed over $587 million worldwide (over $250 million in the U.S.), opening to a five day record of approximately $85 million and went on to become the biggest film hit of 1997. It introduced audiences to agents Kay and Jay, a pair of elite intergalactic cops monitoring alien activity on Earth for a law enforcement agency that doesn't officially exist-the Men In Black.

Men In Black II continues the adventures of these guardians of the nebulous nebulae of portals to our appealing planet - just in time to tell the story of the greatest threat yet to Earth's very existence.

Columbia Pictures and Amblin Entertainment have reunited director Barry Sonnenfeld and producers Walter F. Parkes and Laurie MacDonald with Tommy Lee Jones, Will Smith and Rip Torn, joined by Tony Shalhoub and cast newcomers Lara Flynn Boyle, Johnny Knoxville and Rosario Dawson, for Men in Black II. The screenplay is by Robert Gordon and Barry Fanaro, with a story by Robert Gordon. The executive producer is Steven Spielberg and Graham Place is co-producer. MIB is based on The Malibu Comic book series by Lowell Cunningham.

Multi-Academy AwardR winner Rick Baker returns as Alien Make-Up Effects Supervisor, creating his exotic assortment of interplanetary emigrants brought to life by Cinovation Studios Crew and an award-winning Industrial Light & Magic team led by Ned Gorman and John Berton. Lori J. Nelson produced the visual effects for the feature which also included award winning facilities Rhythm & Hues Studios, Sony Pictures Imageworks as well as Pacific Title Digital and Tippett Studio. The director of photography is Greg Gardiner and production designer is Bo Welch, with costume design by Mary E. Vogt. The editors are Steven Weisberg and Richard Pearson and music by Danny Elfman.

Men In Black II will be released nationwide on July 3, 2002 before moving to planets everywhere. The film is rated PG-13 by the MPAA for sci-fi action violence and some provocative humor.

ABOUT THE PRODUCTION

MIB stunned industry analysts in 1997 when it snuck up on audiences and outgrossed such predictable, surefire summer smashes as Lost World: Jurassic Park 2, and Batman and Robin.

Men in Black is back -

"Maybe we can sneak in under the radar again," director Barry Sonnenfeld proposes. "Isn't there another 'Star Wars' coming out?"

Not only did Men in Black sneak in under the radar to become a huge movie hit, it introduced stylistic elements that quickly became dominant themes in fashion and entered the iconography of pop culture throughout the world.

"I always thought we were making a little buddy movie with a bunch of smoke and mirrors to make you think there was a science fiction element in it," says the director. "But it opened very well and, a week later, three other movies had newspaper ads with their actors wearing sunglasses. And Will's song was playing everywhere you went. So, it was kinda cool how, all of a sudden, it had pervaded society."

"We had taken our kids with us to the London opening of Men in Black and then we drove up to the north of England for a little vacation," recalls producer Walter F. Parkes. "A couple of days later we were sitting in this hole-in-the-wall pub, in the middle of nowhere, eating shepherd's pie and suddenly the (Men in Black) song comes over the radio. It was one of those moments when you just get this crystalline awareness of the enormous reach of a movie."

If the original MIB snuck up on audiences, its enormous success also came as something of a surprise to some of Sonnenfeld's own production team.

Sonnenfeld's first application of his unique directing sensibilities came on The Addams Family, based on the Charles Addams drawings in "The New Yorker" magazine. Two years later, on Addams Family Values, he successfully applied his unique sensibilities again... to something no longer so unique.

"Tommy and Will have reversed their rolls when the story begins. While Tommy's been gone, Will has become the top agent at MIB. After Tommy returns it creates a funny dynamic in which Will suddenly has to deal with his old teacher coming back into his life and treating him like a kid again. In that way, MIBII incorporates the strengths of its predecessor but takes a fresh approach," notes producer Laurie MacDonald.

Agents Jay (Smith) and Kay (Jones) are re-teamed against a sinister seductress who levels the toughest challenge yet to the MIB's stated mission of protecting the earth from the scum of the universe.

In the four years since the agents last teamed to avert an intergalactic disaster, Kay has returned to the comforts of civilian life while Jay has taken over his former partner's role as the most annoyingly efficient employee of the unofficial government agency that regulates all things alien on earth.

While investigating a seemingly routine alien-on-alien crime, Jay uncovers a diabolical plot masterminded by Serleena (Lara Flynn Boyle), an evil Kylothian creature who disguises herself as a sexy lingerie model, and her two-headed, half-witted accomplice, Scrad/Charlie (Johnny Knoxville). There is only one person who knows the secret of Serleena's mission on our planet: the former MIB agent Kay who is now a drone in another large government office, the U.S. postal service.

At the end of the original Men in Black, audiences will recall Agent Kay being neuralized, a process by which all memory is erased, and retiring from MIB. However, the reunion of Kay and Jay, was always the most important element in anyone's vision of a sequel.

"We always knew that the first movie was going to end with Tommy's character being neuralized and if we were lucky enough to have a second one, it would somehow have to deal with bringing him back," explains Parkes. "Now, the problem was, how do you create a story that does that, and, as Barry continued to remind us, get Tommy back in quickly?"

"Like all the great comedy teams, Burns and Allen, Laurel and Hardy, there was a quiet one who didn't do much and then the loud one," says Sonnenfeld. "We have Tommy Lee Jones being the quiet guy and Will being the loud one. One of the biggest challenges of planning the sequel was figuring out how to get the two of them in the movie together faster because their comedy interaction is what makes up the heart of the film."

"We'd shot the first two weeks in New York with just Will and finally we got to the first scene of the two of them together, which we shot at Grand Central Station. At the end of the night, Will turned to me with a big smile on his face and said, 'Kay makes Jay' - meaning without Tommy's character, there is no Will's character. Without Abbott there is no Costello."

Having established his reputation as one of the movie world's biggest box office draws as an action hero when Independence Day was released in the middle of filming MIB, Will Smith relished a return to the role that further cemented his reputation as a big time, big screen comedy star.

"I just think the concept of the Men in Black, a government organization that polices and monitors extra-terrestrial activity on planet Earth, is cool," says Smith. "I mean, the fact that things are going on right under our noses. The existence of a Men in Black-type operation explains a lot of things you've always wondered about - like how is Regis so successful? Came outa nowhere, all of a sudden he's the biggest guy on TV; you ask yourself, 'Why?' Answer is: because he's not from here, ya know? So the Men in Black explain a lot of things."

While the existence of the secret alien activity monitoring organization makes perfect sense to Agent Jay, when we meet Agent Kay, he is blissfully oblivious to its being or purpose. Well, maybe not so "blissfully."

"We don't really go into details about his life in the post office," Jones says about Kay. "But you get the idea that he's not really enjoying it. He's a good postmaster. The people of Truro, Massachusetts like him. But I doubt he's one hundred percent happy. I've really never been neuralized myself but you would expect that one would always have the idea that there was something missing."

"The movie doesn't really go into those things in great detail. The point is to go get Kay and bring him back on the job. We try to do that as expeditiously as possible without dwelling on these details. Any individual audience member is welcome to fill in the blanks. There are plenty of guideposts for people to do their own background on these issues. They don't concern us because once we're underway and our ship has sailed, we have bigger things to deal with."

Kay, of course, subliminally misses being back in action and that's what MIB chief Zed sends Jay out to rectify.

"Zed knows everything about everything in the organization," says Rip Torn. "So, when Agent Jay explains what happened at the crime scene, he's got a pretty good idea who did what and why. The trouble is, there's a missing piece to the puzzle and Zed sends Jay out to retrieve it."

The missing puzzle piece is in the mind of Agent Kay, who is missing his memory. Further complicating the solution of this case is something that's missing in Jay.

Like their real-life police counterparts, one of the missing elements in the lives of MIB agents is companionship. It's a lonely job with only your partner for company - even lonelier when you keep neuralizing the people working with you. But before he realizes he'll be reteaming with his old partner, Jay breaks procedural protocol and allows another individual - a civilian - to become a special someone in his life.

"After being partners with the greatest Man in Black in the history of the agency, which is what Kay was, it's very difficult for Jay to find another one to fill those shoes," explains Smith. "So, he, in effect, becomes Kay. You know, slightly cynical, slightly jaded. That sort of attitude may be great for the job but not for your personal life. You get out of touch with people. You get lonely being a Man in Black."

"When Jay meets Laura, he's quite enchanted by her and he sort of goes off-book, specifically with the part of MIB protocol that specifies all witnesses must be debriefed and neuralized. He's attracted to her and he doesn't want to neuralize her because he wants her to remember him."

So, after having neuralized a series of former partners, for one perceived procedural violation or another, Agent Jay lets down his guard and, in a vulnerable moment, finds himself unwilling to erase the memory of a witness to an alien sighting.

"I think he takes an interest in me because of my reaction to the crazy stuff I see happening. And he kind of starts off in the film expressing his loneliness and maybe wishing there was somebody to have a relationship with. Not necessarily boyfriend and girlfriend but just being able to be himself around someone and have a history. When he sees that I don't get freaked out about seeing people turn into starfish or seeing dogs that talk, maybe he thinks, 'hey, maybe this is someone I could get to know.'"

Someone Jay would rather not get to know and Kay, it turns out, knows too well, is the neural root creature Serleena. However, she doesn't look like a neural root (whatever that looks like) for very long.

"When she arrives, she's this root that looks like a combination of an artichoke and a jellyfish," Sonnenfeld describes And then she turns into a beautiful lingerie model who's played by Lara Flynn Boyle - who is a delight to work with. Her performance is totally sarcastic. She's the perfect actress for me to work with."

For Boyle, starring as an alien villainess in a big movie was more than a great career opportunity, it was a way to get paid for having a good time.

"When I was first offered this part, I thought, 'Cool, I get to be an alien in a huge blockbuster movie,' but I didn't really know what that would mean," says Boyle. "I was a big fan of the first movie and I'd known Will a bit over the years, through friends, and I knew he was such a nice man and he and Tommy had this amazing chemistry. What I didn't know was how much fun it was going to be working with Barry and his whole crew.

"Barry runs a very relaxed set. He cracks everyone up with his jokes, makes outrageous comments and walks around in a cowboy hat. I'm crazy about working with him."

Boyle's vote makes the sentiment unanimous among the movie's stars. For Smith, who has worked with Sonnenfeld twice before, there is no director more adept at bringing out what's funny in a performance.

"The flavor of Men in Black is very distinctly Sonnenfeld," says Smith. "It's very Sonnenfeldian. Tommy and I adopt Barry's sensibilities in playing these characters. It's different from the way Tommy or I might choose to play these guys on our own. Barry is just a wonderfully bizarre individual and that's what makes this movie and these characters work."

Jones who had been known exclusively for dramatic roles, would add another nomination to the mix of what makes Men in Black work as a comedy.

"I don't have a sense of humor of any recognizable kind," the actor says wryly. "I've been very lucky because my mark is often right next to Will's. So, the key to being funny for me is to stand as close to Will Smith as possible and do everything Barry tells me to do. It appears, on some occasions, I've gotten away with that."

And if proximity to Smith, in conjunction with the Sonnenfeldian method holds up, the whole cast might just get away with it again.

"One of the most exciting things about doing a sequel is that the actors now know who their characters are," Sonnenfeld concludes.

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